Showing posts with label a beautiful chill. Show all posts
Showing posts with label a beautiful chill. Show all posts

23 March 2025

Novel vs Short Story?

In my writing life, I've been confronted many times buy this age-old question: to write short or to write long. If you've followed my so-called career, you likely know that I prefer the longform writing. I suppose it's because in the longer format I have room to tell a full story according to my imagination. The short story format, in my humble opinion, is meant to present a singular incident. The longform presents a series of incidents. In that way, a short story could, if a writer had a mind to do so, be simply one of many incidents that could be expanded into a novel.

Let me give you a little history of my writing. In my younger days I had pen and paper to write my stories. That was a limitation: my ideas had to be short. When I gained the technology of a typewriter (first the Smith-Corona manual, then an IBM Selectric, an electric machine) I could write with more ease and my output expanded.

However, I still faced limitations. Hit the wrong key and you had to type the whole page all over again. I regularly typed my homework nevertheless. In high school, in fact, I typed out my ideas once in the form of a 66-page single-spaced rip-off of 1984. I stapled the pages together and let a friend read it. He passed it to other friends. Before I got it back, it probably had been read by half the school (a small student body in those days).

I planned a long epic book in middle school, started writing by hand in a notebook, made notes and planned the rest of it. With a typewriter, I could (a few years later) type out a screenplay version of the novel I had planned. It was a quicker way to complete the story, get it on paper, with the expectation I could novelize it later. (Still haven't done that!) 

So in my typewriter days, a short story was merely a novel in outline form. Later, with my first computer (Tandy 1000) - enabling me to save my writing and return to it later for editing - my stories gained length. I composed a pair of novellas (short novels), trying to write longer works. My advancement to a full PC machine with Windows 3.1 completed my transformation into a novel writer.

By then I knew I wanted to write books - not merely stories. I read a lot of novels (mostly sci-fi an fantasy) and knew I wanted to tell big stories. Epic stories. With my acceptance into an MFA program - where I'd hoped to learn how to get a break into the wonderful world of novelism - I was forced to write short stories. 

We crafted the New Yorker magazine's style of story: urbane, subtle, restrained, focused on thoughts and feelings rather than overt action. Translation: not much happens yet it devastates a character in the story. I got it: it was a fair exercise for learning to write fiction. I switched from sci-fi and fantasy stories (my mini-novels) to these "literary" fictions. I saw the light, as it were, and became a true believer. Characters before cool stuff.

Point taken. I switched from the cool idea being the center of the story to a main character who readers would care about and follow through the story as said character dealt with the cool idea. My MFA thesis was a novel I titled A BEAUTIFUL CHILL which is a fine example of literary fiction: the action is almost exclusively in dialog and sublime moments of relationship conflicts. I also tried to skewer the English department and its vagaries. It remains one of my most favorite novels.

But I did write short stories, measured by length of pages and number of words. Also counted by the plot or conflict in them: a single thing/problem/incident/episode/ moment-in-time. For me, the story idea came to dictate whether it would become a short story, a novella, or a full novel. I liked big ideas and that is why I've mostly written novels. However, I did write enough stories to fill an anthology. That may be my next or final project once this final volume of my FLU SEASON Saga comes out later this year with THE GRANDSONS.

As a Myrddin author, I've shared a few stories in the anthologies we've put out over the past few years (click on the covers for links). One of my better short stories was deemed so good (effective, compelling) that I built a whole novel around it. Another short story came from a prompt the anthology editor gave us. Others were more silly passages, humorous even, like a writing exercise and yet they were worth the reading. 

I fashioned a short story from 2 chapters in my novel A BEAUTIFUL CHILL and titled the story "Lust" because it illustrates a variety of definitions of that word. So, again, the idea determines the format I use; most of my ideas require the larger format of a novel. I need elbow room to tell the complete story.

This is my one and only TEDTalk. Thank you for coming!


Oh, wait! There's more! Speaking of my final volume in the FLU SEASON Saga, I am deep into a thorough revision - usually the word count expands during this phase as I fill out scenes and make the narrative richer - and will set it aside for a month before returning for a close final edit. I expect the finished novel to be available by the end of this year (2025).


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(C) Copyright 2010-2025 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

24 November 2024

THANKSGIVING for 2024

It is that time of the year again - it seems to appear every year at about this time, strangely enough. Every year! And, with twelve months to forget it, we seem to repeat the same ol' everything. This year, blog-wise, I offer something a little different.

If you prefer to read a more traditional Thanksgiving blog post, I offer this post from 2017 - which includes a top-notch dressing recipe, for those who indulge.

This year, it seems things are a lot different from other years. Many are happy. Many are sad. Some are angry. Some are hungry. Nothing can be fixed by a few words hastily read on an obscure blog. Thus, I shall attempt an entertainment.

On the Twitter regurgitation known as X (no relation to The X Files), I maintain an account. I have for years now dabbled in mindless pursuits - or mindful, as the case may be - mostly to fill a few minutes between more relevant activities. Lately, I've made more use of the platform as I go through my days. One thing that has been a constant are the so-called poetry accounts. These are entities that offer a prompt of one kind or another with the challenge to create a poem or other suitable expression using that prompt. It has been a fun exercise for me, often a way to poke my brain into thinking again during the dull hours of the day.

One of my favorites is the #vss365 community. The moniker stands for "very short story" 365 days of the year. The prompt is different each day and a new host provides prompts every week or two. I think the original idea came from Hemingway's famous six word story:

"For sale: baby shoes, never worn"

Some attribute it to earlier sources but Ernie has gotten the most hits for it. Nevertheless, with the Twitter limit of 240 characters (not words but characters, like individual letters, punctuation, and spaces) it becomes a bit challenging to say something meaningful in such a brief format. For this Thanksgiving, I decided to see what I've written and posted to the #vss365 channel over the years. (In recent times, there have also sprung forth other #vss channels such as #vsspoem, #vssdaily, #vsshorror, and so on. Something for everyone.)

With out further adieu, here are my Thanksgiving related #vss posts. The prompt word is marked with a hashtag.

With the right glue and some duct tape, Dr. Frank N. Stein was able to put the #parts together again after an amusing yet ultimately inappropriate Thanksgiving dinner with relatives.
#vss365

Protagonist can't handle cheery Thanksgiving dinner he's been invited to, goes outside for some air, sees first snowflakes falling, thinks of his daughter(who died)'s first snowfall....
#WritingCommunity 
[not actually #vss but was in my files; it relates to the plot of my novel EXCHANGE*] 

Thanksgiving #strike. Drove to neighborhood grocery for bread and deli turkey, jar of mayo, and bottle of pumpkin spice latte. Made a sandwich and checked that holiday off my list.
#vss365

Every year I give thanks the Thanksgiving Day #parade doesn't involve me.
#vss365

This year's Thanksgiving is like a #mosaic of every lucky turn we've managed to get.
#vss365

Just that old #pigeon on the window sill, making noise. But we have each other this Thanksgiving.
#vss365

Yes, he was full to bursting with Thanksgiving turkey and trimmings but #starved for attention sitting in the lounger in the corner. Someday that chair would be unoccupied.
#vss365

The tryptophan worked, slept 12 hours, missed family drama.
-my #journal entry, Thanksgiving 2021
#vss365

It's looking like I won't have any turkey for Thanksgiving. Should I #worry? Or just make a lot of side dishes? 
#vss365


I detect a theme. A lot of these Thanksgivings I was away from home and making do with what I had. I was living in a foreign country that did not do anything on that day, or I was away at university, as student or professor, and couldn't get home (often too close to the winter break to be worth making the round-trip). Not to worry. I got turkey whenever I really wanted it but it's not my favorite bird.

In my 19 novels (to date; one in progress), I found I'd included the Thanksgiving holiday in only two of them: A Beautiful Chill (2014) and Exchange (2020).

In the campus anti-romance, A BEAUTIFUL CHILL (set in 1999), professor Eric drives down to Texas for the holiday break to visit his elderly parents. It doesn't go well. He mopes about his grad student girlfriend (not his own student) and starts writing a Viking novel based on her.

In the crime thriller *EXCHANGE, the Thanksgiving scene is extensive and draws upon all the usual tropes of family and thankfulness - for a man who has lost his wife and daughter to a mass shooting. Then the expected exchange student arrives from China (Wendy) not knowing what has happened. Later in the story, she is invited to Thanksgiving dinner with her school friend whose mother also invites the man (Bill) who is her host. 

Here is an excerpt. Bill, a high school English teacher, gets through the dinner but has to get up and go outside for a break from all the cheeriness. His widowed colleague, Jennifer, who was also invited, comes outdoors after him.

A hand weighed on his shoulder. He turned, found Jennifer beside him, holding his coat. He accepted it, pulled it on. She wore her coat but crossed her arms in front of herself. She noticed it was snowing and gazed up, smiling.

“It’s beautiful,” she spoke. “My favorite season.”

“Mine, too.” He counted snowflakes. “Hey, I’m sorry if I came off as rude. You understand, I’m sure, how it can be...being surrounded by so many people who have not experienced trauma.”

“Yes, I completely understand.” She gave him a grin. “And forgive me if I seemed too…I don’t know, too cheery? They invited me a month ago. I didn’t know you were coming. But it’s good you did. Get you out of the house. No moping around on a social occasion.”

“Yeah, social occasion. That’s it, all right.”

She asked how he had been occupying himself during the semester and he retorted that he was talking with Griffin’s wife, the psychologist, and giving a lot of free assistance to the local police. She chuckled at his phraseology.

“I brought Wendy over here just for a few days,” he said with more determination, “because our house is…. There’s some punks trying to make it their playground. I didn’t want her to be involved. I spent the past few days sitting inside, waiting for them to try to break in again—”

“Again? Oh my!”

“Or out in the backyard, in the dark, waiting for them to arrive. Then I’d…” He raised his hand like he held a pistol, then dropped his arm. “I would call the police, like any rational citizen.”

“Oh, that’s scary.”

“I’m getting used to it. Always something to hassle with.”

“I’m sorry, Bill. At least I never had that with Larry’s accident.”

“Well, the police—detectives—they have everything under control, they say. They’re on top of things. But, you know, if it takes twenty-five minutes to arrive at my house after I call in a home invasion, then they are not quite on top of things. More like on the side.”

Again she laughed, touching his arm. He noticed her gesture and she saw that he noticed. But she left her hand on his arm.

“I’m thinking of moving to an apartment. Something small and cheap. That nobody would think to break into because nothing of value would be there. I’ll sell the house. Give everything away. Start a new life.” He had to stop. “Like nothing ever hap—”

“Happened. I know what you mean. All the what-ifs….” She took his arm in hers, leaned against him like she was cold. “It’s easy to want to try and pretend it never happened. But there are still memories we want. So we don’t really want life to be as though nothing happened.”

Bill gazed at her, saw a kind face staring back. “You’re right.”

“Those memories…. They continue to exist in you. You’ll always have Becky doing her thing, and Barbara doing what she does. Don’t give that up just to be without the pain.”

“You’re right,” he mumbled, turning on the front stoop, ready to head inside. “I guess I’ll go back in.”

“And your guest. Wendy is so lovely. Smart, talented, pretty. It would be easy to become enamored by her.”

Bill grabbed the door handle, opened the glass door, reached for the door knob of the wooden door, leaving Jennifer outside.

“Sorry,” he called, pushing the glass door back open for her.

“Let’s see what the others are doing.”


The scene continues a little more. But the idea should be clear: memories. That's what Thanksgiving is really about. Making memories. Then remembering them. Comparing them without judging them. And those memories are like handcuffs that link people together. It isn't so much what may or may not have happened long ago or what those people back then ate or who they invited to the feast. It is about family, whatever that may constitute for each of us. 

I wish each of you a day of glad tidings and an easy return to the mundane matters of the Monday that follows. Happy Thanksgiving to you and yours!


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(C) Copyright 2010-2024 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

20 August 2023

THEN & NOW

The Journey is Complete

Now that FLU SEASON 3: DAWN OF THE DAUGHTERS is finished and available for pre-order (delivered to your Kindle on September 1, 2023; paperback also available on that date), I can shift from my summer travelogue to a reflection of the writing life. It's been a long journey and, like the tip of an iceberg, most of you don't see everything going on beneath the surface of 'Here's my book, please read it."


THEN
How It Started

Even as a young boy I was annoying. I made up stories. Some were like stories I read or saw on TV (having 3 channels), but others were invented from thin air. I liked playing in situations that were not available in real life. It likely began when my mother, a church organist, insisted I attend church every Sunday morning. Bored, I drew on pads of paper a kind of story that was more like a comic three panel strip. After the service, I would give the comic to the pastor on our way out. Sometimes I didn't get to give the paper to him so I kept it. At school I made up stories, partly recounting stories I'd read. It was a way to be popular. This was long before video, computers, games, or cable TV. One 66-page single-spaced story of mine that was a variation on "1984" was passed around, on typed pages stapled together, among friends in my high school and garnered a lot of praise.

In school I always excelled at English, especially when we had to write a poem or a story. Teachers praised my stories and I grew emboldened. In real life I tended to see myself moving through an imaginary world populated with annoying real people getting in my way. Gradually I matured and took on the roles expected of me in society. But I continued to enjoy imagining different scenarios. I wrote some of them as stories, mostly with a fantasy or science fiction theme. This continued up through college. My only limitations were how much pounding the manual typewriter could take (later an IBM Selectric) and the cost of ink ribbons/cartridges. 

I had one grand story in my head when I went to Japan to be an English teacher and I finally got it out and onto a floppy disk - several of them as each file could only hold one chapter. I printed it out on the dot-matrix printer I had, bound it at the local copy shop, and put it on my shelf. It was a monument of sorts. I thought that sci-fi tome might be my ticket to the kind of life I'd dreamed of: author. That was THE DREAM LAND (first version completed in 1990). But with more years in Japan, I also crafted a contemporary literary love story drama set in Hawaii and Japan. It took a few years but eventually, with revisions, I got it published as AIKO.

Thanks to the notoriety of the Amazon Breakthrough Novel Award competition, which I did not win, I was noticed (thankfully or not). After a few detours I managed to get my first novels published. All were written before the ABNA but I still revised them thoroughly. First of these was AFTER ILIUM, a short novel I offered as a test (first written in 1998). Next came my steampunkish interdimensional sci-fi tome, THE DREAM LAND (which went on to become a trilogy). Then my MFA thesis, much revised, came third: A BEAUTIFUL CHILL, a campus affair anti-romance (written in 2000-02). My actual first-written novel, YEAR OF THE TIGER (from a 1980 short story and a 1983 screenplay; first novelized in 1987), remained on the shelf until I had time to give it a serious rewrite, then finally published it during the pandemic era when people needed lots of reading material (2020).


Between these first four novels and my present trilogy, I wrote an arctic adventure, an epic fantasy, a vampire trilogy, a modern crime thriller, and a hard sci-fi novel with a non-human as the main character. Then I sat around thinking what to write next.

NOW
How It's Going

I've just finished the third volume of my pandemic trilogy. Three books in two years. Very proud of myself. Not in a boastful way but simply amazed I could do it. I've blogged about the origins of this trilogy in other blog posts. Suffice to say, a lot of pressure is now off of me. I would hate to announce a trilogy and then not get that third book finished. But I did, and it turns out to be my second-longest novel (148,000) after my EPIC FANTASY *WITH DRAGONS (233,000). It's long because it covers a lot of years of the main character's life (age 2 to 79). Not good to just say "Grandma was born and got married then had kids and grew old and died." Not too interesting that way. So I wrote out many of the episodes in her life - as you would expect for any family saga covering three-plus generations. (I believe, however, that it reads fast; lots of action and dialog vs long descriptions, etc.)

Now what shall I do? I have other unfinished book manuscripts to work on. I also have some short stories I might put together in one volume. I have a lot of poetry, maybe enough good ones to make a thin chapbook. I've dabbled on a kind of autobiography but not sure how much to share. I've started a sequel to the FLU SEASON trilogy (Isla's youngest's story). But no matter what I do in these final restless years, I've completed my third trilogy, the trifecta, and that might be my crowning achievement.

TO RECAP

The FLU SEASON trilogy begins in the sixth year of the pandemic that started for us in 2020 and, thankfully, ended in 2022. But suppose it didn't end and all of the worst experiences we had then kept going and got even worse? Eventually life becomes so unbearable that a single mom and her autistic teen son choose to drive out of the city with her prized tuba, hoping to wait out the pandemic in the countryside by staying at the grandparents' farm. 

Book 1 THE BOOK OF MOM

When autistic teen Sandy & his single Mom flee a city in chaos they find plenty of dangers in the pandemic ravaged countryside. Gathering relatives, they arrive on a resort island, believing they are safe there but they are confronted by a community with extreme utopian views.

Book 2 THE WAY OF THE SON

Sandy and his young family are exiled from the island and must find sanctuary in the savage outerlands where there are no laws and it's every desperate person for themselves. But Sandy has a plan, what he calls 'The Way of the Son' - definitely not the way his mom would go.

Book 3 DAWN OF THE DAUGHTERS (preorder; delivered Sept. 1, 2023)

There is no safe space - except maybe hiding in the forest of a national park waiting for the world to return to normal. But when others have the same idea, Sandy's happy family faces a variety of opportunities and challenges. As the pandemic world recovers and the country erupts into civil war, it is his daughter who must carry the family forward, no matter the difficulties she must face.

NEXT: More about FLU SEASON 3: DAWN OF THE DAUGHTERS

ALL BOOKS ALSO AVAILABLE IN PAPERBACK!

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(C) Copyright 2010-2023 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

05 September 2022

The Trilogy Epidemic

Dear Readers, potential readers, and the merely curious,

Today I wish to address the issue of the trilogy - a series of novels consisting of exactly three volumes and comprising one continuous story or some combination of stories related in such a way that they may be marketed as a series.

I'm not suggesting there is a problem - other than the great proliferation of trilogies, especially in the science fiction and fantasy genre. In other genre, related books are sometimes considered a trilogy, usually because they have the same characters or setting, even though they may not have been considered a trilogy by the author.

For me, I have achieved a kind of trifecta - three trilogies (two completed and one in the process of being completed) - which gives me special status...and not much else.

My first trilogy began as a stand-alone book, THE DREAM LAND, which involved a young couple's misadventures through an interdimensional doorway and how they learned to function in their new realm while often trying to return home. Given the setting - an entire new planet - the possibilities for further stories were endless. I immediately began the second volume upon completion of the first, but I stopped when I ran into a plot conundrum. Then life got in the way, as it may for writers, and I did not finish that second volume (or publish the first book) until ten years later. When I resumed writing on the second book, I decided it had to become a trilogy, and I wrote the third volume straightaway as I concluded Book 2, DREAMS OF FUTURE'S PAST. The idea of a trilogy was not a thing in itself but merely a result of writing three novels involving the same principal players in the same setting. I simply enjoyed the story and kept writing, even with a comet approaching our favorite fictitious world in Book 3, DIASPORA.


I wrote two stand-alone novels after that sci-fi trilogy (A BEAUTIFUL CHILL and AIKO). Then, goaded by the Twilight series' portrayal of vampires, I wrote my own version, based on the finest medical research I could research. A DRY PATCH OF SKIN was intended as another stand-alone, a one-off tale of realistic vampire horror. Yet the ending kept nagging at me: more what-if questions. And so, a few years later, after writing two more stand-alone novels, I picked up the vampire story once more with the idea of making it a trilogy from the start. Titled SUNRISE and SUNSET, respectively, I picked up the story of my vampire hero a few years into his future - and our future - in the second volume and much further into the future in the third volume. I failed, however, to have characters mention the pandemic of 2020-2022 as they recounted their adventures since the first volume's 2014 setting (also written in 2014). (Upon finishing the trilogy, I contemplated a fourth book, making it a tetralogy. I started and then set aside a novel concerning the next generation.)


Then I returned to writing stand-alones.
 First I wrote a semi-biography based on a real person's life with fictionalized conclusion (A GIRL CALLED WOLF), my most-reviewed book. Then, challenged by my fantasy-writing friends, I wrote an epic fantasy involving dragons (EPIC FANTASY *WITH DRAGONS), which is my longest novel - not counting trilogies as a single story. But then I returned to the vampire story and wrote volumes two and three and consider it finished with no threat of a volume four.

After completing the vampire trilogy, I wrote a new novel (EXCHANGE) and I finished a previously written book which I had been revising forever (YEAR OF THE TIGER), as well as completing a sci-fi novel which I had left unfinished for several years (THE MASTERS' RIDDLE) which is told from the point-of-view of a non-human alien hero. So far, so good. 


Then we experienced that pandemic, had lockdowns and virtual school, and I thought it would be the perfect time to write a pandemic novel, a kind of post-apocalyptic sci-fi drama of some kind. I started something by describing my own experiences with the virus then fell silent. I couldn't actually write about something so serious while we were actually dealing with it in such a serious way, so I set it aside.

And then I retired from teaching English (literature, composition, linguistics) and had nothing much to do. So I picked up the pandemic novel scriblings and took another look at it. The main thing for me was to find the right way into the story - something more than coming up with a compelling first page. When something totally unrelated sparked an amusing idea, I knew I'd found the key to enter the story. Even then, I imagined a stand-alone book about a boy and his mother and her tuba fighting to survive in a lawless land. However, before I was very far into the first volume of FLU SEASON: THE BOOK OF MOM, I decided the story would continue into a second - and the inevitable third volume - making it a trilogy. Darn trilogies! Just when I think I'm back to stand-alones the trilogy pulls me back in!

One interesting aspect of my pandemic trilogy is the way Book 1 is actually two books. They make the journey from a chaotic city to the relative sanctuary of a coastal island, which was the story I intended to write when I started. They would reach safety and that would be that. (Sorry if this is a spoiler.) But what happens when they reach that place? I couldn't just leave them there and 'so that's all, folks!' So writing about their uncomfortable experiences on the island was practically another novel. Hence, the two sides of this first novel make it a little on the thick side, but it ends at a better place - and sets up the next book, which is FLU SEASON: THE WAY OF THE SON, which continues our characters' story. The third book will be titled FLU SEASON: DAWN OF THE DAUGHTERS to complete the FLU SEASON TRILOGY. Have you ever had so much flu season?

However, the second volume of
FLU SEASON is more traditional in its structure and does not comprise two separate but related stories like the first volume, and therefore is thinner. In fact, compared to THE DREAM LAND and the vampire trilogy which has come to be named for its hero as the STEFAN SZEKELY TRILOGY, this second volume is shorter than the second volumes of my other trilogies, which tend to be longer because of much more complex things going on. If you look at other trilogies, including in movie series such as Star Wars and Lord of the Rings, the second volume features the characters going on separate journeys, hence a dual story which comes together by the end.

The final point I wish to share is that this so-called pandemic trilogy was conceived as a trilogy almost from the start. Unlike my first two trilogies where the first book was written as a stand-alone, FLU SEASON is conceived and plotted as a trilogy, which is a different way of writing for me. However, such a project, seemingly vast in its early stages looking forward, has been a fairly easy and delightfully horrific story to write. I know my readers will be happy to know I enjoyed writing it. It has not been a harsh effort, a droll task to be accomplished, yet I do not relish the abuse and horrors I put my cast through. In FLU SEASON: THE BOOK OF MOM you will find a story told 'close to the vest' in as realistic, contemporary, visceral manner possible, a story which could begin wherever you happen to live, say, in the next couple weeks - although in the trilogy the pandemic has been going on for six years when the first book opens and begins its ninth year as Book 2 ends. 

Happy ending? Like life itself, there is good and bad to everything that happens and it is in that light that we must carry on. My only regret is that there will not be a fourth volume. Maybe another stand-alone will follow. We shall see.

Thanks for your support. Please leave a review on your favorite book review sites.

Your Humble Narrator



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(C) Copyright 2010-2022 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

26 January 2021

Greetings & Salutations!

I see you. I know what books you are reading. And which books you have avoided reading. Perhaps you only read certain genre, particular themes, about characters much like yourself...or quite the opposite. Either way, I forgive you. It is not too late to pick up a copy of one of mine. The odds favor you enjoying them.

So after lazing through a dull and dreary holiday pause, I pondered the first blog post of this, the year of 2021, that of the Ox. I've been thinking of "years of" for several years and finally have brought out my novel of a similar name: YEAR OF THE TIGER which is set, as you may guess, in a year designated for tigers; in this case 1986...before computers, cell phones, social media, and TSA checkpoints and a pandemic. Although the first inkling of the complete story was composed in 1983, I waited to share it until I thought the world needed it as a profound distraction for the viral dilemma filling our lives in 2020. 

Which leads me to this blog's topic: How do I get the titles for my novels?

As 2020 turned surreptitiously into 2021, I realized that I have been at this writing effort for ten years. Sure, I wrote before, but it was not until 2011 that things began to improve exponentially. (You can read about this career arc in earlier blog posts.) I dared offer a "weaker" work to an untried publisher, willing to throw this story away if the deal fell through or I got burned by unscrupulous purveyors of publishing pomp. AFTER ILIUM is a contemporary tale of misdirected romance in the exotic setting of northwest Turkey and the ruins of ancient Troy. Troy also had the name Ilium. The 'after' part refers to what happens to our hero after he visits the site with his new, older lady friend. Much of the story is how he struggles to get back to her after they become separated. So...after Ilium. 

(Click the link in the upper right corner of this blog page to get a copy of any of these books for yourself.)

At the same time, my offering for the Amazon Breakthrough Novel Award competition that year caught the eye of another small publisher and we tried to make a go of a career launch. A novel I had already written and submitted to the ABNA became our focus: A BEAUTIFUL CHILL. While working on a revision of this campus relationship novel, I also got another novel, AIKO, involved before the publisher dropped both books, and me, over creative differences. The title of the first novel refers to a phrase the heroine says, describing a feeling of loneliness or a melancholia which can only be alleviated by brief random encounters, such as with a professor on her campus. The second novel is, obviously, a Japanese girl's name, who is the center point of a story involving a man's search for the daughter he suddenly discovers he has. He goes to Japan to claim her but it is not an easy mission.

At that time I wanted to bring forth my magnum opus, a science fiction book revolving around interdimensional voyaging, an alternate universe, and the twisted reign of a pair of high school science nerds who find their way there. I called it THE DREAM LAND, later with volume two and three, The Dream Land trilogy. Originally titled simply Dreamland, I found a book in a bookstore one day about the Coney Island amusement park in New York City which had the same title. So I changed mine to The Dreamland. And wouldn't you know it? Another book already with that title, so another change to what it is today. The three volume epic is quite the tour de force of interdimensional intrigue with a lot of steampunk elements and a fatal comet, a personal favorite.

With the vampire craze reaching its peak, I became enamored with the medical side of the condition and swore to write a medically accurate story of transformation into a vampire. I titled my novel A DRY PATCH OF SKIN after the first noticeable symptom which marks our hero's descent into monstrous madness as he seeks a cure only to surrender to his family's curse. A couple books later, I had ideas for continuing the story, making it into a trilogy, so I sought matching titles for two books and came up with SUNRISE for volume 2 and SUNSET for volume 3. They fit: Sunrise tells about his rise and reintroduction into polite society. Sunset sets the theme for the downfall of his vampire empire.


Between volume 1 and the other two of the Stefan Szekely vampire trilogy, I wrote a novel based on the real childhood of someone I met online (a relative of a Facebook friend) whose experiences I believed would make a good story. Because the heroine's name meant "wolf" in her native language, we agreed on the title A GIRL CALLED WOLF - slightly different than our first choice A Girl Named Wolf which was already a nordic folk band's name. I crafted a novel from a list of her adventures gleaned from many interviews and added a fictitious conclusion sequence.

My colleagues at Myrddin Publishing have championed the fantasy genre so I boldly declared I would write a fantasy, too. In fact, I asserted, I would title it Epic Fantasy just to make clear what it was. I was further challenged to include dragons in the story. No problem. I made the title of my longest novel EPIC FANTASY *WITH DRAGONS - yes, with the asterisk, just to be a little tongue-in-cheek. While starting off in an easy manner, the tale of an unjustly exiled dragonslayer on a quest to find the dragons' breeding ground and kill them all to regain his position, I found myself exploring all kinds of big ideas and profound themes by the end of it. I declared when I had finished it that I would never write again because I had "said" everything I had to say in this tome. Then I returned to the vampire theme....

In summer 2019, I had an idea burst into my head that I had to write - and put aside what was trying to be the 4th book of the vampire trilogy. EXCHANGE was a contemporary drama revolving around a mass shooting and the surviving husband/father who must put his life back together while dealing with the arrival of a Chinese exchange student who doesn't know what has happened to her host family. You can guess where the title came from, and yet there are several kinds of "exchanges" that occur throughout the story, including a couple big twists as we rush to the final pages.

The Year of the Rat (2020) was not anything like what we wanted. I delayed launching Exchange until finally I decided to hit the button. People had plenty of time to read but it seemed few were, aside from the apocalyptic plague novels. I read a few of those myself; I even tried to start writing one. Instead, I worked on yet one more revision of my YEAR OF THE TIGER novel which I had kept putting off because other books poked me more. With not much going on and nobody buying books anyway, I did the only thing I could: I put it out there onto the bookshelves of the world. I will let you guess where the title of this book came from. Hint: all the action occurs during the year 1986.

The kitschy cover for my 2014 NaNoWriMo effort.
My next novel started in the 2014 National Novel Writing Month competition, where I wrote the first 55,000 words of it but still unfinished. It is a science fiction tale of alien abduction (the alien is abducted, not a human abducted by aliens) and his escape and attempt to return home (but not at all like that movie E.T.). I'm nearing the end of a final polishing. It should be coming out by summer 2021. The title is THE MASTERS' RIDDLE - which refers to the question of why the evil captors took our hero away from his home world. It may be my last novel. 

Oh, I'll keep writing, but I may not get to the end of what I have left to work on during my idle days of retirement. Stay tuned for the amazing conclusion.


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(C) Copyright 2010-2021 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

13 May 2018

Mothers . . . the good, the bad, and the ugly

Fictioneers tend to borrow from whole cloth the characters that inhabit their tales. At least, they are constructed from bits and pieces of real people who pass through our lives or perhaps stay for marked periods of significance. None more so than our mothers. 

I’ve taken a look at how I've depicted mothers in my own novels. While I usually strive to avoid stereotypes, the mothers have tended to be drawn as one of three types – all for the sake of the story, of course! For this momentous day, I’ve pulled out a few excerpts to illustrate these types. And no matter how you may feel about the mothers you find in any story you read, wish them all a Happy Mother’s Day.


In the real world, mothers can be cruel or nurturing...

Her eyes wander up to the windows high on the walls. They are painted over white—off-white: eggshell; cream, perhaps. She pretends drifts of snow cover them. A good blanket of snow can hide so much, she thinks. , like clothing. On the platform nothing is hidden. She holds her breath, counting heartbeats. Secrets, like scars, can be covered yet never erased. And every spring, when the snow melts, the scars remain—like wheel ruts cut into the soil, ruts that dry and harden during summer only to be covered again with the next season’s snow.
The Wheel Ruts of Summer—perhaps another painting she will do: two sienna lines cutting through the winter-gray grasses, a black storm on the horizon. She would stare down the storm—she with her pale, thin arms and legs, her body slender and white, without blemish. , like the pure snow covering the dirty road. There are no scars that are visible—
There was a day in school, back in Iceland where she was born, long before she and her widowed mother moved to Canada. Perhaps she was ten. She drew a picture of a mountain with snow on one slope, a forest on the other, and a fjord across the bottom. Her teacher praised it. At home, she proudly held up the picture for her mother. With only a glance, her mother dismissed it, suggesting she draw Jesus suffering on the Cross if she wanted to waste her time with colored pencils. And she never drew again—not until Toronto, when she would sit in the dressing room, waiting to go on stage and do her dance.

vs

Whenever Eric paused to think, he could hear his mother bustling about the condo, preparing New Year’s dinner. The intoxicating scents of roast ham and candied yams was too distracting as he pounded the keys of his mother’s computer. He had to write while his blood was hot, while the muse favored him, deep into his Thorngren and Svana story.
The keys clicked like hard rain and he dared not stop to take a breath. Eric was the wizard, and Svana was the orange-haired woman named Íris. The rest was pure fiction. His stomach rumbled like the ominous thunder over that fjord, yet on he typed. The girl, Svana, cried out from the hilltop tree where she had been bound. The strongest men of the village lashed the wizard to the mast of their longboat at the command of Brendan, the Christian priest. Brendan cried his directives over the roar of a storm—
Eric stopped, fingers hovering over the keys, electricity sizzling through them. He realized there had been knocking on the door.
“He’s been in there typing for a good part of the day and night,” he heard his mother say. “He was up past three last night.”
“Let the boy be,” his father exhorted, resignation in his voice. “He’ll be out when he’s finished writing his damn stories.”
Meanwhile, the longboat set sail, was reaching the arctic wastes—the ice sheet, the glaring whiteness—the icy wind—the warriors numb with cold, sick with fear....
Eric sat back, pondering his story. When he finally cracked the door, the condo was dark and silent. His parents had gone to bed, the New Year’s dinner had been put away, and even the fireworks had subsided. In the refrigerator, he found a ham sandwich with a note from his mother taped to the cellophane: Happy New Year! He stared at the note as he ate the sandwich.



Even fantasy mothers have their quirks and ambitions...


The queen smiled, chubby cheeks flushing as they did whenever she was delighted.
“Let’s call her...Lumina. She is so bright. She lights up my life. How is that?”
“Lu-mi-na. Yes! I like it!” exclaimed the girl.
“So it is done. The naming. A lovely name for a queen. Almost as great as Adora. Now let the realm know my second daughter is to be called Lumina—Princess Lumina.”
The chief maid exited the slumber chamber to pass the news to the court crier who would make the official announcement.
“What will happen to the other babe?” asked Adora.
The nursing maids chuckled. Such a beautiful, naïve child, they seemed to suggest. Once she returns to her tutors, she will learn more of the customs of Sannan.
“It’s none of your concern. Go and make play for yourself.”
Adora turned to the basket on the floor beside the great slumber seat. In the basket the babe gurgled, threatening to cry, its tiny feet wriggling above the basket’s rim. She wanted to step closer and get a better look, to see if this one was as cute as the babe resting on her mother’s chest sucking the nipple.
“Sometimes the goddesses may bless us with extra measure,” the queen spoke in a soothing voice. “As always, we must dispense with males, all the sons and brothers, fathers and uncles, lest they return our great realm to ancient depravity and ring loud the bellicose bell. You must remember the history of wombkind.”
“I do,” said Adora. “I listen to my tutors always.”
“As you should.” The queen spoke to her maids a moment. When she turned to Adora, she said: “I pay much to hire only the best tutors for you, so you should trust what they tell you.” 
Adora stared at the babe in the basket. The queen saw her abject attention and waved at one of the nursing maids.
“Remove the waste,” commanded the queen.

vs

When the pink smoke settled, Corlan dared open his eyes. In front was a large capsule, a bottle as tall as a man and twice as wide. All sides of the bottle were clear. Inside it was a pink liquid that was just thin enough to reveal the figure of a woman floating within. The woman was naked but her long, gray-streaked black hair covered most of her body. As she floated in the liquid, her eyes were closed.
At the final word from Hiro Ka, the eyes of the woman in the bottle popped opened. She immediately appeared angry.
“You!” came a voice.
“We meet again, Mother,” spoke Hiro Ka in a loud, steady tone.
“How long has it been?” the woman inside the bottle responded. The voice echoed around the room. Corlan ducked to avoid it, then stood up, feeling silly.
“Almost a year, I suppose. I have not been counting the days.”
“Have you birthed a child yet?”
“Oh, Mother, always the same demand!”
“You must birth children to continue our line.”
“I know, I know. It’s not that easy in a city with only wyma, you should know.”
“I see a man beside you. Is he real? Or illusion?”
Hiro Ka gave a laugh. “Oh, this one is real, I assure you. He is so wonderfully real. In fact, we come to you on this the third day of the protocol. I promised him I’d introduce you if he delighted me on the second day. And he most certainly did! My Mother, I can hardly walk!”
“You came all the way across the city and woke me from my sleep to tell me you finally got a man into your bed?”
“Well, yes, Mother. I thought that’s what you wanted.”
“It is.”
“I told this man you would tell him his future. Can you do that?”
“What do I gain from this act?”
She pursed her lips. “My undying love?”
“I had that already. For fifteen years. Then you went crazy.”
“I’m sorry, Mother. You know it wasn’t my fault.”

vs

Corlan stepped forward, arms lowered to catch the queen, to help her. He glanced sideways at Tam, standing near the serving girls. The boy shook his head from side to side and Corlan stopped.
“I only know how to protect my wyma from harm,” moaned the queen. “They worship me as their Great Mother.” She lifted her head, tried to look at Naka Wu but the stretch of muscle and sinew was too painful.
“My mother felt your cruelty.” Naka Wu spit. “You fed her to drakes at the Eve of Eve celebration, as entertainment for your courtly sisters. Yet not before she endured the whipping. The lashes your jester snapped at her, flaming strands of coarse wire, were unspeakable cruelty!”
The queen wavered on her knees, struggling to breathe with the lance through her belly. “Your m-mother? I didn’t know...who she was—”
“Because I was taken from her years before your soldiers brought her to the prison for a mere accident. Her last cow kicked one of your soldiers and broke her leg. They took my mother to the prison for that. When she was old, sick, trying to escape—she became your holiday entertainment!”
“The punishment was...fair,” moaned the queen.
“I know more wyma who tell the same stories.” Naka Wu turned to the two guards behind her, then gestured at the guard standing by the serving girls. “Uki Ma lost her mother to your warriors. I will not describe how they tortured her. Giko Song lost all three of her sisters to the cruelty of your soldiers. And Yuka Hei was tortured for seventeen days just because she dared look at a man—some useless man!—that you had brought to your chamber for the protocol. You see now she survived and has returned to meet you, and send you into the Beyond. And me: sold by my mother because she could not pay your taxes. Now we take back this city!”


Mothers...they mean well. They have your best interests at heart. But sometimes...well, they just don’t get it...


“Well, you should write her back, Alex,” his mother went on. “Ask her what this is all about. You have a right to know. Tell her you demand to know why she—”
“I already wrote to her,” he murmured.
“You did? When?”
“More than a month ago.”
“And...? What did she say?”
He scooted up, perched on the edge, and dug into his back pocket. Retrieving a crumpled letter he had been carrying around for a couple of weeks, Alex held it up for her to see.
She pulled out her glasses from her apron pocket.
Returned: No Such Address,” she read solemnly.
“No such address,” he mumbled. “She made the whole thing up.”
“Well, we’ve got to find her, Alex.” His mother was adamant. “Your father’ll be home soon. Then we’ll figure out what to do. We’ll get a lawyer—”
“No, Mother. It’s over.”
“Over?” his mother almost shrieked. “How can you say that? This woman hurt you and she should at the very least apologize.”
She let the echo of her sharp words come back to her and heard them clearly. Alex gazed at her: the words did not sound like her words, but his. His mother seemed to realize that.
“Well, you know you should write a nice thank you note to that Doctor Johnson in Turkey. Also to that man on that island who helped you. You did get his address, didn’t you? And your Navy friend—Benson, is it? Poor fellow’s in jail while you’re home free with the stroke of a pen. You should write him. That would make him feel better. Maybe tell him how sorry you are...?”
She paused, awaiting his response, then glanced about the living room. She did not know what to do with her hands.
“I know they’d all like to hear from you, Alex. At least know you arrived home safely.” Her gaze landed on the writing desk in the corner of the living room. “I see you haven’t sent a reply to that Mister Carter’s get-well card, or have you? It’s been nearly two weeks, dear. I don’t see any letters to go out.” She sighed. “Alex, you don’t want to get a reputation. People notice the little things. Shall I get you some stationary?”
Alex got up slowly from the sofa without a word, reached for his cane, and hobbled out of the cool, dark living room.
“Young man, don’t you walk out on me,” his mother scolded, then stopped, apparently realizing, as her son did, just how hollow the words sounded now.





It is always good to remember that a mother is a boy's best friend. 

Happy Mother's Day!

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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.