24 March 2019

The Future of Vampire Stories (a continuing resolution) Part 2

With a welcome weekend off for the St. Patrick's Day celebrations (There are no naturally occurring Irish vampires, thankfully!), we return with Part 2 of our continuing resolution on the future of Vampire literature: A look into the Future Society.

The 3rd book, SUNSET, in the Stefan Szekely Trilogy opens in 2099 and extends into the 2100s, remarking often on the situation in the world and especially the Empire of Europa, born of the expanded Hungarian Empire, led by the vampire Emperor. His Holiness chastises his governing council, lectures them on how He has improved the world from the way it was in the days of His transformation in 2014:

Case #4

His Holiness, Emperor Stefan: “It needs to be controlled, this world of ours. I agree. Too much and for too long the scientists and the inventors sought to expand only leisure and sloth, leaving the masses unemployed and starving. Those who could work willingly worked for the lowest possible wage. Others were slaves of sloth: no will to enter the night, to make something, no, only the attention to divertissements. For each man and each woman must have purpose in their existence, so we have given it to them: make good your efforts to bear children prior to your transformation, raise them to obey, honor our traditions and maintain our heritage. A logical scheme. Look how we smashed the towers of commerce, those thirty-floor skyscrapers that were not a part of our traditions and our heritage. We return to the common architecture style which represents the best of our land, the best of our history—true art! And we should continue to make works of art and beauty and sing songs that glorify the empire and praise the Most High. Diligently make your specified production each night. Enjoy a sport or celebrate music in your hibernation. Notice the world around you and your place in it. Nothing occurs in isolation. This is what we do within the span of our existence. We do not seek to advance society into some strange new world full of strange objects and stranger beliefs. This is our home. Let us keep it clean and dark.”

Case #5

Later we meet Oklahoma grave digger Bucky Denham and learn of the wars that have been on-going in Europe: the Ukrainian front on the east and the front on the west coast in Frisia (northern Netherlands):

    “Oh, that?” Bucky thumbed to his shoulder. “I was o’er in Frisia for a year, fightin th’ Europa vampires. Got this here wound ’nd they sent me home. Yeah, don’t hurt now, but shee-yit shore did when it was still burning, I mean li’l blue flames rising from each hole, like to beggin for someone ta kill me right off. But I got ta th’ hospice in time ’nd they put out th’ flames ’nd bandaged me tight. Worst year of my life, lemme tell ya.” He shrugged to show it didn’t hurt now. “But they get me good now, takin half whatever I make diggin graves for folks no matter I did my service. My pops kicked off while I was o’er there. My baby boy had with a gal down the street, too.”
. . . 

   “Yessiree. Them vampire brigades come at us during night, firing flares ’nd shee-yit at us. Then they got th’ Black Storm going ’nd they started attacking during th’ day. But it weren’t like no day, black clouds coverin th’ sun, dark as night. They could go out then. Nothin we threw at ’em ever did much. We tried silver bullets but they just went straight through ’em. Silver’s too dang ’spensive. We had ta get some sabers ’nd go fer th' heads. Lop off a head 
’nd they stopped cold dead. Yep, true dead. We heard they kept ’em starved of blood then released ’em at us so they’d tear after us, ya know, ta get our blood. Ya never saw no more gore than th’ battlefields of Frisia. I mean, arms ’nd legs ’nd heads laying ever’where. So many gyawdamn crows peckin at shit.”

Case #6

Finally, as expected, more and more fundamental tasks will be taken over by automation - robots - thereby leaving humans to enjoy their leisure. Sometimes the technology works too well, or doesn't work at all:

    Twice a surveillance drone approached him. Finally, it flashed a red warning: MAXIMUM WARNINGS EXCEEDED. A security patrol drove up beside him, hovering over the pavement.
    “What’re you up to, fella?” asked the robot in a life-like voice.
    “I like the scenery on this street,” he said in as calm a voice as he could conjure, imagining the robot might detect voice stress. “So I’ve been walking this way for my daily exercise.”
    “Residents have complained. Please choose another route.”
    “Yes, of course. Sorry. I meant no harm.”
    “No harm is not no harm,” the robot replied like a Zen koan, eyes blinking. “Residents feel harm even if you intend no harm.”
    “I suppose that’s true,” he said with a smile.
    “Please choose a different route. You are forbidden from this route from now.” The robot’s arm telescoped out from the hovering vehicle, a tablet attached to its hand. 
    “Apply chip here.”
    He was wary of the authenticity of his chip now and stepped back from the neighborhood patrol. He turned his back to the robot and walked quickly down the slope, around the curve, back to his Hoverina parked on the street—recharged with his old paper money converted to credits at a bank, where he was advised to get a replacement chip since his was not connecting properly to the grid.

Case #7

Toward the end of the novel (not to give away any spoilers), a major character travels to Moscow and we see that Russia has not suffered the degradation of a vampire society:

This train ran smoothly, she noticed, a much better vehicle than the old one they had ridden from Budapest. Someone mentioned the train sailed over jets of compressed air. She was entering a modern world. Arriving in Moscow, she could not believe the architecture that had sprouted up like a great forest. There were the Seven Colossi marking the old wall towers of ancient Muscovy, silver office buildings rising fifty floors, topped with great communication towers. Nothing like them existed in Budapest or anywhere else in Europe; the empire disdained anything modern. In the center of the city stood the 800-meter tall statue of Saint Vladimir, savior of the republic. Below the feet of the statue and its mountainous hill of earth and granite blocks, the walls of the Kremlin were crumbling, finally allowed to decay as an unwanted symbol of the Communist era.

She exited Okhotny Ryad station at the north end of Red Square and found the streets crisscrossed by driverless trolleys, stopping to pick up anyone who waved. After strolling the square and assuring that St. Basil’s Cathedral was still as colorful as she remembered—it was, undamaged; Lenin’s Tomb, however, had been occupied by the latest iconic figure—she rode to the west, then north, past the huge Bolshoi Theater extension—the arts were flourishing again, it seemed—and a grand new Orthodox cathedral on Neglinnaya Avenue dedicated to St. Vladimir. Another trolley took her past blocks of solemn gray high-rise apartments where she thought she had lived with Yevgeni. She became confused. Eventually she realized her location and stepped off.


So we see that a vampire tale - its logical, if not unexpected, conclusion, that is - must necessarily describe a transformed society, as well. In this respect a vampire tale must cross over from mere urban fantasy or a paranormal genre into science fiction. Rather than bedazzle readers with the amazing inventions of the future, a vampiric society would, when it had the chance, I believe, return wholeheartedly (no pun intended) to an early age culturally and practically. Yet it is the principal characters we must follow as they function within and attempt to alter the world that we know in 2019.

The Stefan Szekely Trilogy is complete!
(Look to the upper right on this blog for links.)

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