Yes? Well, here's my something. It will read like a rant, for which I must apologize. However, I assure you that I was probably drunk at the time so it's not really my fault. I should probably blame Facebook, where it is so easy to post things you regret the next morning. In the end, I intended no offense to anyone, anywhere. Honestly.
One of
these days I'm going to remember to promote my novels again. Until such a time,
look me up at Amazon. And if you can add to my review tally, I'll send you the
book of your choice as a Kindle gift to read.
[Returning to that Facebook post the next day...]
Oh
dear. Did I really post that? I thought I was drunk.
But, yes, I had a fair number of reviews before the great Amazon purge, when they removed everyone's reviews, believing they were all fake. I only had two novels out at that time but lost about a dozen reviews.
Then I got lazy. For me, being lazy means locked in my own mental ward writing something new...which is always preferable to doing the promotion thing. Besides, I'm rather altruistic and introverted when it comes to promotion; hate to foist anything upon anyone. And there's no accounting for taste; sometimes a story is just not someone's cup of tea, no matter how well written it may be.
I've always written stories that interested me, following the axiom of write the kind of stories you want to read. I've been very good about following that idea. Whether others want to read them is, of course, another fair question. But, really, that is the lesser question because I have always, right from the start, written to entertain myself and gave little thought to what to do with them next. Maybe I'll be accused of coming to this conclusion after not selling massive amounts of books, like it's a kind of salve for the soul. Possibly; only a psychiatrist would know. Perhaps I came to this conclusion while deep in a meditative pose? Would that make it more or less valid?
At any rate, selling some and having the readers express enjoyment of them is the most basic measure of success to me. My only rule is that I will never make a book free--unless given as a gift to a specific person, of course. I believe "free" cheapens the product, and for what it's worth, I put in a lot of time and effort to produce a novel, as all writers do. It's worth at least the token 99 cents.
I must be drunk again to write a rant such as this. Never mind. I've got my latest novel, the vampire story, locked away for the two-week crap test. If it survives, I'll seek a gamma reader and go from there. Onward and upward. The day job awaits!
[And returning the following day...]
It occurred
to me this morning as I was preparing to go to school for the summer class I'm
teaching, that someone will remind me to consider the reader or some variation
on that meme.
The quick
and easy answer is I do consider the reader. I consider the reader during
revision, editing, and proofreading. The first draft, however, belongs to me: I
am trying to please myself and not really thinking of who else may one day read
it. Only later do I take on the role of objective reader and try to shape the
manuscript into something perhaps more palatable.
The longer
and more complex answer is that there is a fine line between challenging the
reader and, for lack of a better phrasing, making it easy for the reader. I see
the dumbing down of education every day and I am swept along with that tide. One
sign is the reluctance of young people to read anything which requires
sustained attention and reflection. The Tweet is the perfect medium for these
people.
So should an
author make it easy for a reader? I'm sure if I tried I could boil down a novel
into a paragraph, but it would necessarily lose a lot of deeper meaning,
nuances, the beauty of the language, and heart and soul of the fictional people dealing
with their crises.
I prefer to
lean toward challenging. Not challenging in the way, say, James Joyce did with
Finnegan's Wake. I want the text to be clear, certainly, and the meaning not
obscured. But the story must flow with its own inner fire and sometimes that
means the reader must meet the author half-way, at least.
In fact,
what keeps a reader going? It's bizarre enough that someone willingly chooses
to read about something he/she already knows is a lie. Fiction is a lie we
accept for the sake of entertainment...and perhaps some kind of catharsis. So
it's rather like a performance, a stage play: Here is the play which I have
created. Sit back and enjoy it. If by the end, or somewhere in the middle, it
is not to your liking, you are free to leave. It would not be the same medium if
a reader could intervene in a novel.
Unlike the
interactive video games available today, can we allow the reader to decide at
any point in the story what a character should say or do, or how the plot
should turn or twist, or who actually is killed in the end? No, it's already
set, just like performing a play. You can have endless debates afterward, of
course, but in the product itself (a play or a novel) the performance is
already done and the reader must experience it as it unfolds according to the
instructions of the author.
Yes, there's
plenty of room for self-indulgence in the author's tasks, but most of us weed
out those examples of purple prose and kill our darlings to a reasonable
degree. (I wrote about this in a recent blog post.) But how are we as a
society, as a civilization, as the keepers of literary culture supposed to go on
without some maintenance of the standard, any standard, which assures our
performance on the page is welcomed and ultimately appreciated?
New things
always come and then, for better or worse, always go. Ebooks then
self-publishing then whatever is next occupy our attention, but the
imagination, the construction of texts never ends.
Sorry for all the literary criticism jabs. I was considering my
readers when I decided to make short paragraphs and
add blank lines between them to make the reading easier.
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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.
