Showing posts with label facebook. Show all posts
Showing posts with label facebook. Show all posts

22 April 2018

Are You Addicted to Killing Time?

Strange sensation, the pull of words! The push of perusers! The tickle of the morning light full of the scent of java, and how it calls the fingers to the keyboard even before the mind has formed any thoughts, translated them into language, and sent them along the neural pathways down to the fingertips. And yet...I'm doing it. Like I have for countless millennia. So it seems. It is less than an addiction,yet more than OCD.

These days, it seems, especially now that my so-called day job has exploded into a full-time monstrosity, a certain portion of each day must be spent on connecting to one's myriad electronic venues. I speak of the ill-named social media. Perhaps Socialist media would be more apt, but I jest. The analogy cannot hold. Almost every day I can survey my classroom and find most students engaged with their little pocket pets. Go into a coffee shop and many are similarly engaged with the electronic genie. Everyone seeking engagement, stimulation, and yet they dare not raise their eyes to the next person. 

There has always been email to check (usually worth a moment's amusement), and the more accounts one has - each for its own nefarious purpose, I have no doubt - but now there is also Facebook and its multiple personas to monitor and manage, and the same perhaps for MySpace, Tumblr, and other similar "social networking" sites. (I wish I had coined that term; could be making billions of rubles off the rights by now!) Plus the noisy bird-filled tree branches Twitter - again with multiple accounts for slightly different agendas. And Pinterest, Instagram, Snapchat, and the newer WeChat and Whatsapp! I find myself unable to not be a part of them. Even LinkedIn has captured my attention.

And the Google+ which I'm still not sure how to operate or for what unique intention it was created. And for writers and readers, there are plenty of sites online such as Goodreads, of which I have become a member in order to introduce my books to an unreading world. I have also joined a site for those interested in steampunk, a genre or sub-genre (no fights, please) of science-fiction or utopian/dystopian fiction. And don't get me started on all the blogs my friends and a few strangers have created, maintain, and add to often enough to occasionally intrigue or amuse or infuriate me.

I find myself getting up earlier now than I really need to just to get myself ready for a day's normal effort simply to be able to check everything. I need to be sure the world is safe for social networking. I need to be certain that my previous comment(s) have been commented on - or rejected - or, worse, ignored. I shun arguments on walls and feeds - unless I'm right and everyone knows it. I must check that things are happening, that political views are in balance, that social issues are being taken care of by someone, someone other than me. And, for good measure, I usually check them all again, in order or perhaps only the most critical ones, before eventually logging off and leaving for the day's Grand Illusion.

On good days, that could occupy two full hours. On bad days, only an hour. Weekends, I tend to languish over anything that might engage me, that could possibly stimulate the pleasure centers of my brain. In other words, I could remain plugged in the better part of a Saturday. I feel refreshed, confident, and ultimately relaxed, knowing that I have checked in, that my field of audiences have been informed that I still exist. Some may be surprised, but that is another blog post. 

Perhaps the fact of my existence itself is enough to compel some to socially dismiss the network in favor of the other, older networks: what used to be the visual arena of ideas and entertainment, expanded a thousandfold. Yes, I speak of television, that splintered soul now languishing in the wastelands of electronica, hanging on for dear life with dancers and singers and the scandalous Hollywood mavens of malevolence, or whatever else can be stood in front of a camera and later mocked. It's endless, of course.

And so there remains, for an escape, the ancient art of linguistic scribbles pressed into wood shavings. I refer to the ubiquitous book. Such pleasures I have known with a good book between my hands! Such adventures I have had once I've fled the world to enrapture myself in! And still, that paradise, that comfy bed of brain bliss, even that venue is changing! Yes, the sacred objet-d'art is joining the electronic universe! With a few tweaks and more than a few reconsiderations ("Do I really want to say that? Will anyone actually read this?"), any book written today may be sent through the vast airwaves to a handheld mechanical device, a mere tablet with screen projecting...wait for it...a page of text upon which one's eyes may focus for pleasure, perversion, or perhaps a person's private pontification. The possibilities are perfectly pointless.

However, this is not the place for a discussion of the nature of the newest Age of Books. 
It may seem to be, given this post, and being one of those electronic utopias about which I am ranting, yet it is not. As I have stated, it is necessary to engage, to feel connected, to matter to someone somewhere - even a Twitter poet in a city on the opposite side of the world whose 140 characters touch something you thought long hidden, long lost deep inside your head. And so you type back a complimentary remark to connect albeit only electronically. Can you feel the sizzle of satisfaction?

Ah! The good ol' days of pen to paper, the envelope, the postage, the weeks getting there and the weeks of return, to read a response to something you had forgotten you'd sent. Those good ol' days. I'll bet you've forgotten them.

I must now click the "post" button and make my words part of the universe - praying that someday, some far-away intellectual on a far-away world, in some random, slavish moment of silence comes to encounter these words, translate them into ideas, and thereby know that I existed, once upon a very long time ago, a time which was less fairy tale than instructional manual, and closes its eye(s) in delightful calm after a good night's fine contemplation. Soon the aliens will arrive and ponder over all of our magnetic ink.


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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

14 August 2016

My Ruined Summer Vacation, Part 2

Sometimes when you are a stranger in a strange land, you seek out any vestige of home as a way to recapture some sense of normalcy. For me, however, that theory does not often work out the way I expect. Especially during my month in Beijing to teach a course at a university. Like last summer, I had my weekly rituals.

Leaving the Yinghua Hotel for my stroll to lunch.
After my Wednesday class I could start the long weekend. I had plans to go to my favorite shopping street, Wangfujing Avenue, where the two bookstores are, but I didn't make it there. I awoke Thursday and Friday mornings and did some writing. By the time I ran out of steam it was noon so then it was too hot and humid to go out. On Friday I had a bit of Mao's revenge (like Montezuma's revenge but for China) so I stayed "home" in my hotel. It is possible to have too much Chinese food. I still went out for dinner but only after 5 pm. It was 95* with high humidity. On Saturday I made it to the KFC about a mile away but the menu was stupid and nothing like in USA, except for having chicken. 

Just a hole in the wall. Only the chicken was familiar.
On Sunday, I went further, down to the McDonald's, which required me to cross a busy superhighway without getting killed. Once on the other side, I entered with great relief. I decided to order the special, thinking it would be easy to point to the sign and the counter person would understand what I wanted. Besides, it had a Hello Kitty theme so I knew I couldn't go wrong with that.

A girl at the McDonald's was loudly calling attention to the automatic ordering machines. I jokingly asked, in sarcastic tone, if it had English and she surprisingly replied in English that it did. So she talked me through it, step by step. I felt special. She pushed the on-screen buttons for me as I selected what I wanted. Basic cheeseburger and fries combo was good enough. Several steps to confirm my order, then . . . to pay for it through the machine. 
Outside McD's. The little window on the right is for walk-up orders. It requires speaking Chinese.
This marvel of technology only allowed payment using a phone app such as iPay or WeChat. I didn't have any of them. I thought I should have been able to slide a bill in and get change like at a grocery store, but NOOOOO! 

Inside McD's. The ordering machines are on the right. Bring your phone app to pay!
So I got back in the regular line to order, now two people longer. When I got up to the counter, the young man gave me a special menu for tourists; it did not have any more English on it than the menus overhead did but at least I could point more accurately than up at the menu above. I can really zero in with my index finger! Anyway, I went back to choosing the Hello Kitty special.

And I finally got my food, the special of the day: some kind of teriyaki sandwich (burger? not sure) with the usual fries, and a "bubble tea" - milk tea with tapioca balls in it. I thought it was iced coffee. I grabbed an ordinary straw for the drink but the "bubbles" clogged up the straw. The girl who tried to help me with the ordering machine rushed over with a big straw, saying emphatically "No, no, no!"  She switched the straws for me, stabbing a fat straw into my cup's lid before I could say "xie xie" ('thank you'). 
Before the straw switch, I had to walk around the crowded restaurant with my tray of food to find a place to sit. So many young people just sitting and chatting or using their electronic devices, already finished eating or not eating at all, or maybe with only a drink to buy them table time. It was a Sunday afternoon, of course. Finally I found a booth right up at the front by the ordering machines. It had leftover trays/food on it. I shoved them to the side and sat down, started to eat my meal. Two older women (i.e., my age) came over and asked in Chinese if they could share the booth. I waved them in and one of them got a McDonald's employee to clean off the table for us. We did not talk to each other but we did share a moment of humor when I gestured and made a face that the sandwich wasn't so good.

Then I got up to leave. But as I was stepping through the crowded restaurant, heading to the exit, I saw the McCafe section. So I got a large iced latte (large in China = small back home) and sat on a high stool at a tall table. As I sipped my kinda cold drink, I took in the ambiance of young ladies chatting with each other and playing with their phones. So, I played with my phone, as well, while I drank my coffee. In my Chinese-style hotel room, paid for by my employer, the wifi had various sites blocked: Facebook, Google and Gmail, Twitter, Instagram, etc. But I could still access Twitter and Gmail on my phone, via my phone service, so I checked what's going on. Unfortunately, there was not enough exciting action reported on those venues to entertainment for the length of my drinking and I left the McDonald's feeling sad.

Along the way to & from the McDonald's.
On the walk back to my hotel, I stopped by the 7-Eleven, as usual, and got some drinks to take to my room. I think there must be a law in Beijing that a 7-Eleven must appear once every two blocks. But for us foreigners, that is truly a godsend. I was a great customer during my month in Beijing: bottled coffee, breakfast pastries, lunch and dinner point-&-order Chinese dishes plus a box of rice, or pre-packed sushi, and fresh fruit, and all the packages of snacks and candy you could wish for. Plus cheap bottled water since you can't drink water from the tap. It provided a weird taste of home.

Then I fired up the laptop and went back to work on my epic fantasy novel. I had just finished the main story line involving the dragonslayer. Early on, I had started the second story line with a chapter then put it aside to concentrate on the first story line. Now I had to go back and finish the second story line, even though the dragonslayer's story was so long already. The two story lines would come together at the end. The second story line is all about the little princess - perfect for typing in a hotel room in Beijing when you've seen all the sights already.


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(C) Copyright 2010-2016 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

14 July 2014

One Thing Never to Blog About: Reviews

You know how things happen when you least expect them to but they leave you with a feeling like you just gotta say something? 

Yes? Well, here's my something. It will read like a rant, for which I must apologize. However, I assure you that I was probably drunk at the time so it's not really my fault. I should probably blame Facebook, where it is so easy to post things you regret the next morning. In the end, I intended no offense to anyone, anywhere. Honestly.


One of these days I'm going to remember to promote my novels again. Until such a time, look me up at Amazon. And if you can add to my review tally, I'll send you the book of your choice as a Kindle gift to read. 
Top of Form



[Returning to that Facebook post the next day...]


Oh dear. Did I really post that? I thought I was drunk. 

But, yes, I had a fair number of reviews before the great Amazon purge, when they removed everyone's reviews, believing they were all fake. I only had two novels out at that time but lost about a dozen reviews.

Then I got lazy. For me, being lazy means locked in my own mental ward writing something new...which is always preferable to doing the promotion thing. Besides, I'm rather altruistic and introverted when it comes to promotion; hate to foist anything upon anyone. And there's no accounting for taste; sometimes a story is just not someone's cup of tea, no matter how well written it may be.

I've always written stories that interested me, following the axiom of write the kind of stories you want to read. I've been very good about following that idea. Whether others want to read them is, of course, another fair question. But, really, that is the lesser question because I have always, right from the start, written to entertain myself and gave little thought to what to do with them next. Maybe I'll be accused of coming to this conclusion after not selling massive amounts of books, like it's a kind of salve for the soul. Possibly; only a psychiatrist would know. Perhaps I came to this conclusion while deep in a meditative pose? Would that make it more or less valid?

At any rate, selling some and having the readers express enjoyment of them is the most basic measure of success to me. My only rule is that I will never make a book free--unless given as a gift to a specific person, of course. I believe "free" cheapens the product, and for what it's worth, I put in a lot of time and effort to produce a novel, as all writers do. It's worth at least the token 99 cents.

I must be drunk again to write a rant such as this. Never mind. I've got my latest novel, the vampire story, locked away for the two-week crap test. If it survives, I'll seek a gamma reader and go from there. Onward and upward. The day job awaits!


[And returning the following day...]

It occurred to me this morning as I was preparing to go to school for the summer class I'm teaching, that someone will remind me to consider the reader or some variation on that meme.

The quick and easy answer is I do consider the reader. I consider the reader during revision, editing, and proofreading. The first draft, however, belongs to me: I am trying to please myself and not really thinking of who else may one day read it. Only later do I take on the role of objective reader and try to shape the manuscript into something perhaps more palatable.

The longer and more complex answer is that there is a fine line between challenging the reader and, for lack of a better phrasing, making it easy for the reader. I see the dumbing down of education every day and I am swept along with that tide. One sign is the reluctance of young people to read anything which requires sustained attention and reflection. The Tweet is the perfect medium for these people.

So should an author make it easy for a reader? I'm sure if I tried I could boil down a novel into a paragraph, but it would necessarily lose a lot of deeper meaning, nuances, the beauty of the language, and heart and soul of the fictional people dealing with their crises.

I prefer to lean toward challenging. Not challenging in the way, say, James Joyce did with Finnegan's Wake. I want the text to be clear, certainly, and the meaning not obscured. But the story must flow with its own inner fire and sometimes that means the reader must meet the author half-way, at least.

In fact, what keeps a reader going? It's bizarre enough that someone willingly chooses to read about something he/she already knows is a lie. Fiction is a lie we accept for the sake of entertainment...and perhaps some kind of catharsis. So it's rather like a performance, a stage play: Here is the play which I have created. Sit back and enjoy it. If by the end, or somewhere in the middle, it is not to your liking, you are free to leave. It would not be the same medium if a reader could intervene in a novel.

Unlike the interactive video games available today, can we allow the reader to decide at any point in the story what a character should say or do, or how the plot should turn or twist, or who actually is killed in the end? No, it's already set, just like performing a play. You can have endless debates afterward, of course, but in the product itself (a play or a novel) the performance is already done and the reader must experience it as it unfolds according to the instructions of the author.

Yes, there's plenty of room for self-indulgence in the author's tasks, but most of us weed out those examples of purple prose and kill our darlings to a reasonable degree. (I wrote about this in a recent blog post.) But how are we as a society, as a civilization, as the keepers of literary culture supposed to go on without some maintenance of the standard, any standard, which assures our performance on the page is welcomed and ultimately appreciated?

New things always come and then, for better or worse, always go. Ebooks then self-publishing then whatever is next occupy our attention, but the imagination, the construction of texts never ends.




Sorry for all the literary criticism jabs. I was considering my readers when I decided to make short paragraphs and add blank lines between them to make the reading easier. 



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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

22 September 2013

The Art of Observation

I'm a writer. That's not just a fanciful moniker of wannabe-ness. I write. I'm not an "aspiring" writer. I've got the manuscripts to prove it. I do, however, take a humble stand now and then by saying I fancy myself a writer. But I do qualify: I'm closing in on 800,000 words (novels, novellas, and short stories). Or I could call myself an "author"; that just takes having what you write published. Today, anybody can do that, of course. Even so, they must be written before they can be published. Quality, value, worth are other blog posts, however.

A large part of what I do with writing is not writing. It's observation, consideration, reflection, and analysis. Why do people do what they do? So I do not mind waiting in waiting rooms. I can occupy my time and my mind by inventing scenarios for the people I see. Malls are also great for this sordid activity. I'm not saying that's where I get my story ideas, just that it's a good place to develop this useful skill. And I've been developing it over the course of my life. To some, that makes me creepy. To others, I'm a harmless dreamer. I prefer 'Observer of Life.' I was recently promoted to First-Class, by the way.


So suppose there's this guy who is a little bit like me. That is, he is older, lives alone, has a decent job but is not really satisfied, likes to indulge himself with writing stories, and is starting to calculate that there may not be too much time left to start his life over again--as he has done before. Then he meets somebody quite by accident, someone who is so completely wrong for him--or more accurately, perhaps, he is so completely wrong for her. Nevertheless there is a click, a connection. It's all online so far, so there are only the words passing back and forth.

At first, it's quite innocent. Lots of humor. Facebook. Twitter. Emails. Texting jokes. Kidding around. It's fun; something to break the monotony of the week. The next step is to meet--in a public place because you know what the odds are that this is going to involve a creepy person. Coffee in a bookstore. You know, the latte experience. Laughter ensues. It's even more fun in person. No risk, no pressure, it's just for laughs. It's good to crack that weekend open.

Let's say the two of them feel that looks do not matter, that age difference isn't an issue, that no future needs to concern them. It's just for now. If it's good, why ruin it by pushing for more? However, little by little, it happens. There are dates. Dinners, movies, walks, talks. He makes dinner for her. She makes her specialty dishes for him. The evenings run late, slip into sleepovers. Nothing inappropriate. Just friends hanging out, getting sleeping, and the couch is right there. And then a mysterious thing happens: affection.

The sense of humor is now accompanied by a hand on the shoulder, in the small of the back. A one-armed hug. A friendship hug of full arms. The peck of a cheek. Peck of a cheek and a full hug. A quick lips on lips kiss. Longer kisses. There's a sudden realization that it's no longer just having fun for now. Enjoyment for now becomes a desire to continue the enjoyment. What's the harm in making plans? thinking of a future together? If they like all of it, why panic and fear it will go away? Tie it down, make it fixed.

The weekend trip, simply a sightseeing adventure, becomes an open door. A shared room becomes a shared bed, and a relationship is born. Not the exchanging of texts. Not the occasional invitation to attend church together, grab a lunch, or hang out with a couple of DVDs. Now something is serious. Soon a routine develops, brief loving moments mixed between job duties and other obligations. Why worry about the future? Because someone wants to be sure everything will continue as it is. They might as well make it official, as much time as they spend together, as much contact as they engage in, as much affection as they share. It's all good.

That's always the next step, isn't it? First, simply like a message: I like what he says, writes. Second, like the person: I get along with him. Third, let that person into your life: We get along just fine. Four, time together increases: I really like being with him. Five, affection increases: We've started kissing and other things. Six, something more than like but less than love ties them together: I like having him always there for me. Then come obligations--meetings, connections, each other's friends, the families, the jobs, the keys to each other's places although more and more time is spent together at one or the other residence. Then the big, special weekend: a preview of life together. Intimacy. The serious talks--no longer jokes via text message--but the push for more, and the making permanent of the more.


And a stroll through the mall pauses at the jewelry shop and just having fun for now becomes are you serious? Playing along, pretending, wishful thinking, dreaming. You know the type. There's reality for the realist. There's a virtual reality for those who play around the edges of reality. And then there is pure fantasy: things that will not ever happen yet we like to imagine what if they did? Is it a game or is it a dream? So they play the game, believing in the dream. There is, indeed, one ring to rule them all. And that is magic in the first degree. Nothing can take back that moment, that feeling, when the future coalesces from the mist and becomes concrete.

But concrete is hard and inflexible and it's scary. Too many thoughts of falling and cracking a head open against the stone. Fear unfolds. Doubt forms. Everything adds up, overwhelms, disturbs day and night, and finally erupts in the classic medium of text: "Sorry. I just can't do it. Goodbye." And winter arrives early, blows cold, freezes reality into some kind of hoarfrost statue of Defeat personified. It's not just fun for now any more. It's now, but without the fun.

What to do with a ring that's been officially sized for one particular finger in the universe? Save it for a rainy day? Go Prince Charming-like in search of another finger to fit the ring, another Cinderella fairy tale? Or get on that phone and beg, beg, beg? No, that's not actually, umm, dignified, so don't. Wait. Could do that. Life goes up and down, everyone knows. This is down. Next comes up. The Earth still spins, the sun shines, the night comes and goes. But it's not fun at all, even just for now.

"If you wanna meet at church I can buy you lunch after" reads the text message early one Sunday morning after a sleepless night full of ogres and goblins speaking in iambic pentameter. Lightning is not so quick, comets too slow, sunshine a mere flicker as the future suddenly explodes. There is nothing quite like sitting on a hard pew next to the lady bearing the naked ring finger, listening to the words of instruction from one who has been there, chiding one to keep it fun, that life is not meant to be a drudge, not intended to be hard, though drudgery and hardship do come, will always come, to those who fear having fun for now.

She's in a flowery dress as fresh as springtime; he's in a suit, serious for once, as they walk around the lake. Warm sun, cool breeze, and somewhere along the shore, where the trees offer shade, there is a pause for explanation. If not now, when? If not just for fun, then what else? If not you and me, him and her, them, if not us then who? who else? who else is there for you and me, him and her, them? Hand in hand, an examination of fingers, perfect for bearing symbols of significance--symbols that mean more than what anyone can say, and less. There is no symbol required to just have fun for now, they seem to understand. Let "for now" go on forever. Let "having fun" be whatever touches them, ties them together, ensures their continued enjoyment. Or, as sometimes is done, let the enjoyment be simply joy.


Usually at this point, I'll get up and go on my way. We all have errands to do, places to be. A writer is no different. We always wonder how things got to be that way, who these people are, and what happens next. You can answer that yourself. Grab some paper, power up your word processor, or flick on a digital voice recorder, and let everything go....



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(C) Copyright 2010-2013 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

29 July 2013

The Big F ...or, whatever it takes to get your attention

Dear Blog Readers and associates,

It's no secret that I like to write. People who know me think my name is Writer. The flies on the wall see me writing almost every minute of my waking hours. That is, when I am not engaged in my so-called day job. And what is that day job, you may well ask? I teach writing. Ironic? That brings us full circle, doesn't it?

However, lately I have begun to notice the curse of writing. I tend to write too much! Case in point: this past weekend I cranked out 15,000 words to finish the draft of the third book in my sci-fi trilogy, THE DREAM LAND. Yes, you've heard it all before "...greatest interdimensional epic ever!" That weekend word count might be an all-time record for me.

In speaking about blog entries, however, I do tend to write too much. It is said that most readers of web pages typically scan the page in the shape of the letter F. (I do not expect my readers to believe me because I know they are appropriately skeptical of anything an obsessed fictioneer says, so here's one of many links: F-Shaped Pattern.) Readers read more closely the first paragraph, to see if they want or need to read more. (I wonder how this correlates to how college students read the required texts.) Then readers tend to scan down the left edge, picking up bullet lists, etc. If there is something else of interest, a bullet list representing quick and easy information, then they will slow down to read more, hence the second horizontal line of the F.

Have I gotten you to the second horizontal line of your F yet?

Probably not. I don't write that way.
I write as I was taught years ago, pre-computer, pre-web page. I save the most impactful information for the end, when I summarize my argument and present a conclusion. The essay format. That's what I teach--because that's what Academia wants students to learn: well-thought out, well-organized, argumentative writing--taught in the English course but for use mostly in every other course of the curriculum. Not personal web pages or Facebook, or Tumblr, or the 140 character Tweet.

Are we there yet? To that second horizontal line? (Did the red catch your eye?)



In my last blog post I waxed poetic on the exigencies of exoskeletons in everyday life, and especially so in science-fiction literature, to which I am adding my epic trilogy. (Let me put that in red to draw your attention to it.) Because of my tendency to write too much, I easily outpaced many dear readers. I thus ran out of space for including an excerpt on exoskeleton use from THE DREAM LAND Book III "Diaspora". Fortunately, on my blog, I can do pretty much whatever the heck I want to do--even as I consider the limits of my readers' patience.

If you are ready for the second horizontal line of the F, here is that DREAM LAND III excerpt:

Chucker took the remote control and studied the buttons layout. He pressed the yellow circle at the top and the fuel cell taped in the small of the man’s back showed a yellow light and hummed. He pressed the other, smaller yellow buttons across the top and other parts of the exoskeleton came to life.
“It is aliiiiive,” said Chucker with a snort. “Let’s see if we can get you up on your feet.”
The joints moved smoothly with the power on and Chucker eased the man into a sitting position, the frame cradling his hips and supporting the back, firming automatically to hold him in that upright position. Chucker helped him turn his legs off the table, lowering them until one foot platform touched the concrete floor. The rest was done my remote control.
“Relax,” said Chucker, giddy with his success. “Let the machinery do the work. Trust it. It won’t drop you and you won’t stumble. I’ve seen it work. See, there’s a gyroscope in the unit that’s fixed to your back. But don’t resist the system or you could break some bones. Think of it as a robot that is walking you around and just enjoy the ride.”
A shadow fell on the floor.
“Excuse me,” said a voice not from the man in the exoskeleton.
Chucker froze. He was certain he had locked the door. He had. But a man had entered from the restroom side. He looked up.
“Sorry to bother you, but my boy....” The man was dressed as a tourist, and paused to wonder what was going on in the Education Center on a blustery October Saturday afternoon. “He really got to go and the restroom over at the African Market is out of order.”
Chucker saw a boy of six or seven hiding behind the man’s legs.
“Sure...aaa...go right ahead.”
Remain calm. They probably don’t have any concern for what you’re doing. They probably don’t know a serial killer has escaped his handlers and is hiding out with a madman from another world.
He heard the dad giving instructions to the boy, the words echoing back to him, and he thought of his own children, waiting so long for him to return, insistent as he was about completing this final mission.
“What’s that thing, mister?” asked the boy, proudly exiting the toilet, slow to hitch up his pants.
Chucker did not miss a beat as he stared at the man in the metal transport frame.
“It’s a robot. We’re getting ready for a carnival. Somebody is having a birthday party later and we are the entertainment.”
“That’s cool!” said the boy. “Does he do tricks?”
“Sure, he does.” Chucker pushed the right blue T-shaped button and the right arm swung from beside the body to a Heil Hitler salute and back down again. He pressed the left T-button and the left arm repeated the movement.

Too irreverent to the science? To a paralyzed man in a wheelchair being rescued/kidnapped via an exoskeleton? 

I'm sorry. No, I'm not.

I suppose I must simply accept my fate: Readers will rate this post an...





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