How to Write a Medically Accurate Vampire Novel

Spring is not usually the time in which we think of vampires - or the undead in general. However, it is not only October, or specifically the season of Halloween, that brings out our less lively kin. Oh, no. The vampire is a stock character for all seasons, for the vampire is not a seasonal being sent to frighten us on one occasion but to serve as a constant reminder of what can happen to the rebellious, evil abominations who walk among us.

The Stefan Szekely Trilogy is now complete! 

Get Book 3, SUNSET, at an Amazon link near you today! 

(Kindle lovers click here: SUNSET.)

When we think of the vampire, we have many models from literature and cinema to cast in our mind. From legends far and wide comes the idea of someone who has died returning to life or of someone not truly dying but settling into a degree of existence between life and death, what many have termed the undead. It is a frightful situation, indeed, both for the poor sucker [pardon the pun] who must "live" such a "life" as well as for those who may encounter him or her. (Read more information here.)

Back in 2014 I awoke from a nightmare - actually, fell off the darn mare and hit my head on a stone - and I had the idea of writing a vampire tale. Much in the vein of my paranormal-writing colleagues, I sought a story of Gothic pathos, a horror tale of bloody delight! Alas! I could not, however, in good conscience, create something along the lines of more recent vampire fictions. They were too much filled with magic, melodrama, and frou-frou accoutrements than suited my sophisticated tastes. I needed a real vampire.

I knew there were some medical and biological causes of symptoms which are typically associated with those folk claiming vampirism. I did my research, both into legends and customs of Eastern Europe, and into the science behind such awful disorders as porphyria. Is there such a thing as vampirism as a medical condition? And, if so, how does one combat it? Is it genetic or does one catch it from someone who is already a vampire? (One valuable resource was the scholarly book by Paul Barber.)

So I deliberately sought to create a horrific tale as contemporary and realistic as modern science and my twisted imagination could make it. 

The result is the amazing true-to-life story of Stefan, an American of Hungarian ancestry, who is doomed to become a vampire - at precisely the wrong time in his life. Just when Stefan is falling in love with his Beloved, local TV reporter Penny Park, and they are planning to marry, he notices the first sign: A DRY PATCH of SKIN.

“I do care about you,” she whispered.

“Thanks,” I said, trying to sound positive. “We can’t let a dry patch of skin get between us, now can we?”

But I digress...

Check yourself. Check your family members. Look over the people standing close to you. Examine all with whom you come into contact. Look for the tell-tale signs of oncoming vampirism. To aid in your quest for avoidance, here is a handy checklist:

• dry skin, in blotchy patterns and red-brown shades regardless of natural complexion
• gaunt features, as though the skin were pulled back tightly against the bones
• withering away of musculature, rendering the person unusually thin
• loss of hair, head and body
• protrusion of teeth as gums shrink
• protrusion of eyes as sockets decline; loss of lashes and brows
• semi-hunched posture due to less of muscle and bone integrity
• heightened senses, especially of olfactory ability (smell)
• metallic taste in mouth and bitter breath
• decreased urine and fecal output
• decreased hunger and thirst sensation
• exposed skin sensitive to light, especially sunlight; prone to either drying and shredding or to melting
• hands and feet painful due to swelling; nails may appear to protrude due to reduction of skin borders
• bearing the scent of decay, mildew, etc. or alternatively a hint of sulfur
• constant physical readiness for sexual activity
• capable of periods of sustained activity (3 to 4 days without sleep) followed by prolonged sleep (2-3 days)
• consumption of heme (blood) improves symptoms temporarily
• contagious via exchange of bodily fluids
• no cure, only treatment which offers brief relief at best
• long-term prognosis: a lengthy, miserable existence filled with alternating nights of desperation and days of coma-like sloth
• usually a normal life-span (90-120 years), barring attempts at suicide
• onset usually 30s through 50s; fully symptomatic 2-5 years after onset; transformation complete after 7-10 years

Be aware of those around you who may appear normal yet may have begun the transformation. Take particular note of any strange discolored and/or unusually dry patches of skin upon the face. Avoid those who wish to sample your blood. Call for help should you be unable to extricate yourself from the magnetic aura of a true vampirism sufferer. It is not glamorous; indeed, it is a miserable existence, and in that misery boils an unholy rage, often exploding into violence.

For further information about transforming into a vampire, I recommend reading A DRY PATCH of SKIN.

The truth about being a vampire: It is not cool, not sexy. It’s a painful, miserable existence.

Good reason to avoid that situation, thinks Stefan Székely. He's too busy falling in love with TV reporter Penny Park, anyway. Until one day he has a dry patch of skin on his face.

At first it's annoying, nothing to worry about, some weird skin disease he can treat with lotions. However, as his affliction worsens, Stefan fears that his unsightly problem will ruin his relationship with Penny.

If only that was all Stefan has to worry about! He soon realizes there is a lot more at stake than his handsome face. To save himself, Stefan must go in search of a cure for the disease which is literally destroying him inch by inch. If only his parents had told him of his family's legacy.

The next step in creating an accurate vampire trilogy was to

write books 2 and 3. Keeping it medically accurate proved more challenging. With Book 1, A Dry Patch of Skin, being set in the same year I was writing it, 2013-2014, a sequel needed to be in the future. With only 13 years passing, in Book 2, SUNRISE, it was easier to formulate how much society will have been changed. 

By Book 3, SUNSET, existing even further into the future, I had to stretch myself. This future-creep required a more science-fictionesque approach. Thus, the vampirian aspects seemed to take a backseat to updating the new setting; then I could let my creature play in that setting. However, such a vampirian-led society might choose to return to an older, more stately style more akin to the times of their ancestors and not be so inundated with technological flamboyance. A cultural regression made the re-setting easier, yet I still needed to recount how the world changed back - rather like a clock once a year.

More about the regression next time.

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(C) Copyright 2010-2019 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

The Future of Vampire Trilogies

I often feel as though half of my job as an English teacher is to get my students excited about writing. I do that by encouraging them to write what they have to say or by writing about the things they have done. I share my own writing adventures with them. I talk about my books, not in a salesman kind of way but as a writer sharing craft tips. The usual response I get is "That's okay for you, you like to write, but we don't." 

To this supposition I retort using a quote which I thought was my own invention but which apparently (much to my chagrin) has been credited to various people from Benjamin Franklin to Ernest Hemingway: "If it is not worth writing about, it is not worth doing." That is the gist of the student writing life: to get it done in as simple a fashion as possible. Sometimes what is "worth writing about" has not actually happened - perhaps can never happen. When I was young, I had not much life experience to write about. Most of it was not worth doing and so not worth writing about. I felt sad at my circumstances.

So I began to make it up. I had few really worthy experiences so I invented experiences. This was the start of fiction. I joined the liars club. No, I didn't lie about important things or even ordinary things, but it was easy to exaggerate, to put a spin on what I said and wrote. Teachers loved that about me: I always had an interesting tale to tell. Take 7th grade, for example, when our teacher liked to have the class write stories. On Fridays we would share our stories by standing at the front of the room and reading what we had written - which was also an exercise in heart palpitation and social anxiety!

Even today, someone will ask me how I got the idea for my book - whatever my latest is - and I shrug humbly and say something like, "Well, I had a dream, see, and . . . ." The truth, however, may be much more ominous. In the case of my so-called "vampire" trilogy, there are two answers. The first book, A Dry Patch of Skin (referring to the first symptom of transforming into a vampire) was intended as a stand-alone novel, a one and done, because paranormal or Gothic or horror was not my usual genre. I just wanted to explain to my teenage daughter who was hooked on the Twilight series that vampirism was an actual disease affecting real people, something painful and disfiguring, not glittery and glamorous.

The research involved took me through a lot of medical texts and anthropological accounts of legends and ancient reports to bring the truth about vampires to light - pardon the pun. My own doctor (who was working on an MFA degree on the side) read it and said I got the medical things correct. (You can read a blog post about the medical issues here.) The story ended with a proper conclusion. I believed the story was done. I moved on to write two more novels on completely different subjects.

Then I realized something from that vampire novel continued to pester me. What would happen next? That is always the bugbear for writers. We just cannot put it down, can't leave a sleeping bear alone, can't stop picking that scab. And so I conceived a new story, one that by necessity had to be less "medically accurate" and more along the lines of futuristic science fiction. Naturally I had to put myself in the shoes of my protagonist and hero, Stefan Szekely, who at the end of the first book, had accepted his sorry fate like a good trooper. How would he react to the passage of time? What would he want to do?

I've blogged previously about how I considered Book 2 here. 

When I decided to go ahead and write a second book, thus making it a series, I knew there would be a third book - to make it a trilogy. Trilogies are all the rage now; I wrote about trilogies on a previous blog. However, I did not sit down and plan out both books together. When I finished writing Book 2, I really had no idea what would happen in Book 3. It did not take long, however, for a dream to show me a scene that would become the starting point for Book 3 - and then I was off and running!

So the third book of any trilogy must:

1) further the adventures (or misadventures) of the cast, especially the main character of the previous book;

2) be an exciting, compelling journey in itself; and

3) bring all the story lines together in a satisfying, plausible conclusion - and possibly make certain there is no need for a fourth book.

The Vampire Genre has developed its own tropes, symbols, motifs, and customs, starting with John Polidori's invention "The Vampyre" and fully realized in Bram Stoker's turn in Dracula. Others followed until the preponderance of the evidence created a vast multi-channel marketing juggernaut that an outsider could never hope to penetrate. And yet, it is the variety of vampire themes and story lines that give the genre so much richness. No one is solely correct about what a vampire is or is not. Not even me, though I profess to have written (Book 1, that is), a "medically accurate" version where our tragic hero transforms against his will into what he does not want to become. I continue to try to keep it as "real" as possible.

And so I give you, the reading world, what I hope is an enjoyably different take on a vampire society. If medical accuracy was possible in a 2014 novel (set in 2013-14), then a story set in 2027-28 would have to include futuristic aspects. A Book 3 which is set in 2099 would take the differences to a much greater extreme, it would follow. Less Gothic horror in the traditional sense and more science fiction in the dystopian sense. I apologize; the usual tropes cannot be sustained in a futuristic setting ("Vampires on Mars" being one exception). However, like any good author, I bend over backwards to keep things as believable and plausible as possible given what we can and cannot know about the future and about our own predilections as humans - and as humans transformed into vampires.

The story must be compelling in other ways, too, not just extending the vampire "elements" into the 22nd century. Blood is still blood. Ways of getting it may change but the fundamental issue remains. Yet after that - after our lovely dinner of red - what next? Power! The rise to power. Because power means always getting what you want, what you need, assuring its constant supply. Absolute power, with a strong hand behind the throne, works best. However, power that is absolute necessarily corrupts absolutely, it seems. How can one escape such corruption? That is the focus of Book 3 in the Stefan Szekely Trilogy.


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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

How to be a Vampire!

I know it's not even close to Halloween but, you see, a good vampire story can launch at any time of the year - because, as we all know, vampires can exist throughout the year, in every season - but not after sunrise.

The Vampire. From legends far and wide, comes the idea of someone who has died returning to life or of not truly dying but settling into a degree of existence between life and death, what many have termed the undead. It is a frightful situation, both for the poor sucker [pardon the pun] who must "live" such a "life" as well as for those who may encounter him or her. (Read more here.)

Last year I awoke from a nightmare - actually, fell off the darn night mare, hit my head on a stone--and had the idea of writing a vampire tale. Much in the vein of my paranormal-writing colleagues, I sought a story of Gothic pathos, a horror tale of bloody delight! Alas! I could not in good conscience create something along the lines of more recent Vampire fictions. They were too much magic, melodrama, and frou-frou accoutrements than suited my sophisticated tastes.

I knew there were some medical and biological causes of symptoms which are typical of those claiming vampirism. I did my research, both into the legends and customs of Eastern Europe, and into the science behind such disorders as porphyria. Is there such a thing as vampirism as a medical condition? And if so, how does one treat it? Is it genetic or does one catch it from someone who is already a vampire? One valuable resource was the scholarly book by Paul Barber.

So I sought to create a tale as contemporary and realistic as modern science and my twisted imagination would allow.

The result is the amazing true-to-life story of Stefan Szekely, doomed to become a vampire - and to do so at precisely the wrong time in his life. Just as Stefan is falling in love with his Beloved and they are planning to marry, he notices the first sign: A DRY PATCH of SKIN.

“I do care about you,” she whispered.

“Thanks,” I said, trying to sound positive. “We can’t let a dry patch of skin get between us, now can we?”

But I digress...

Now, comes the sequel to this 2014 medically accurate vampire novel: SUNRISE. Coming in April 2018 - the month of Easter, ironically. The title is not without irony itself within the pages of this new novel. In fact, with a second volume, there comes the urge to continue the story of Stefan Szekely, Vampire, into a third novel - which would make it a trilogy. Book 3 will be titled SUNSET.

SUNRISE picks up where A DRY PATCH OF SKIN left off. It has been 13 years since Stefan met his fate in Croatia. However, he eventually has realized the extent of his misery and seeks to venture forth from his isolated home into polite society. Maybe get his own castle, become a playboy, drink a better class of blood. 

But you can't just show up in the Hungarian capital of Budapest and start doing your own thing. The local vampire gangs have rules. The State Security also has rules: all vampires must be extinguished. Then, while Stefan is struggling to fit in, an unexpected stranger confronts him and upends his entire world, setting off a frantic battle for what may determine the future of Europe.

For further information, I recommend reading the following:

A DRY PATCH of SKIN.

The truth about being a vampire: It is not cool, not sexy. It’s a painful, miserable existence.

Good reason to avoid that situation, thinks Stefan Székely. He's too busy falling in love with TV reporter Penny Park, anyway. Until one day when she notices he has a dry patch of skin on his face.

At first it's annoying, nothing to worry about, some weird skin disease he can treat with lotions. However, as his affliction worsens, Stefan fears that his unsightly problem will ruin his relationship with Penny.

If only that was all Stefan has to worry about! 

He soon realizes there is a lot more at stake than his handsome face. To save himself, Stefan must go in search of a cure for the disease which is literally destroying him inch by inch. 

If only his parents had told him of his family's legacy.

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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

The Halloween Post

'Tis the end of October and the spooks are about, so it seems the thing to do is wax poetic on Halloween and Samhain themes.

For the quick studies among us, I offer these "cheat sheets": Some Halloween history  and Some Samhain history.

In my life I haven't cared much for the day. Love the season, but not the rituals. I've never been a ritual kind of guy. But I have history on my side.

The first Halloween I remember was in a distant realm where costumes were crafted by hand. 

I perfected the "robot" by combining several cardboard boxes, a larger one for the body, a smaller one for the head, still others for feet. Arms and legs remained sheathed in clothes. That was while I was in the second grade; I won a prize for having the best costume. What was special about the robot costume was that the non-steam-powered device was also an early form of the personal computer. If someone were to write out a question and introduce the slip of paper through the designated slot in the body of the robot, the robot would [eventually] produce a verbal answer to the question. The robot proved to be 90% accurate which was, pre-MSWindows 1.0, quite a remarkable feat.

Then came other costumes full of commercial interests: characters from TV shows, classical monsters, space aliens (the fierce and loathsome kind, not ET), and finally the minimalist kind of costume. Minimalist? You know the type: you put on a clean shirt and glasses and say you are dressed as a "nerd". Later, as an adult, I graced one maybe two adult Halloween parties where others went full out as sexy witches and vampire studs. I was still dressed as a nerd - long before nerds were cool.

I often went trick or treating with my cousin, but our chief goal was less about collecting candy than harassing his sisters. Gradually, we forgot the costumes and simply ran wild through the night, sending rolls of toilet paper up into the trees of houses where girls lived who had rejected him. By then we could buy our own candy. 

Then the reverse happened. We became candy givers! Definitely less fun. However, I have not given out candy for many years now. You see, congruent with my emerging adulthood came the cultural shift away from children ringing doorbells and begging for treats. It started with scares over pins and razor blades in candy. Parents took their children to the mall for trick or treating, or only within a trusted neighborhood. It continues today. What a shame!

Well, it was never really about the candy or the costumes, anyway, I soon learned while hanging out with people who actually called themselves witches.  

Real witches. They had many of the same beliefs I held at that time. None of us threatened people nor begged for snacks. A few preferred to dress in black year-round, and all of them seemed to wear a pentacle around their necks or emblazoned on their black t-shirts. All in all a friendly, charming bunch of social rebels whose chief activity was "raising awareness" of their existence - then complaining that everyone disrespected them.

Other cultures celebrate death and welcome back the dead at this time of the year. That's fine with me. I've had it both ways - err, well, perhaps not both ways in the way you might be thinking. Someday I will, of course. 

What I meant was the fun side and the serious side of the holiday. Now, however, it seems like just one more excuse for shopping. Halloween "memorabilia" is present in stores hours after Labor Day sales have ended. I can deal with fake cobwebs and spiders and bats, even a few talking skulls or laughing zombie heads, but let's be real. 

Death ain't so great. That's what I was told by a rather decayed ancestor of mine who happened to pop up in the middle of the night beside my bed - a day early, no less - just to warn me that on one of these Halloween nights I might not be around to celebrate much of anything. I said, in my sleepy voice, "Fair enough."

The laughter that followed my ancestor out through the cracks in the walls was unnerving enough to get me up from bed. I had to splash cold water on my face and awaken fully, just to be sure I was still alive. Shaking my head in front of the mirror with all the lights on, I knew it had not been a dream.

So I made my way back to bed yet lay awake for hours, unable to close my eyes, afraid of the next snap, squeak, creak, breath, sigh, or moan - most of them, thankfully, coming from my neighbors arriving home late after the bars closed.

I've never been interested in horror, scary stories, or gore. But when the Twilight series of books and movies captured the imagination of my daughter, I had to set her straight. The truth about vampires! I had some knowledge previously about the medical issues which produce symptoms which simulate the traits of vampirism.

So I sought to research and write a medically accurate vampire tale. It coincided with events in my real life, so I set it in Oklahoma City where I was living then and in 2013, the year I was writing it. The result is my 2014 novel A DRY PATCH of SKIN, what some readers have called "literary horror". Now I've been compelled to write a sequel - to be titled SUNRISE - about what happened to our hero after he transformed into a vampire. Look for it in Spring 2018.

Read a review in The Oklahoman newspaper here! 

(The only vampire romance story to be set in Oklahoma City... among other places.)

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(C) Copyright 2010-2017 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

Another Twisted Romance!

Last weekend, the so-called Valentine's Day weekend, I participated in an online event on Facebook which among other activities served to promote my latest novel, A DRY PATCH OF SKIN.

The event was called EAT YOUR HEART OUT and had the theme of Twisted Romance. I was invited to join, based on me having written a "twisted romance." 

Of course, I wondered what exactly that meant. Romance as a genre has certain conventions, one of which is that everything works out fine in the end. I took "twisted" to mean things do not work out fine in the end. That describes my non-science-fiction novels perfectly. It's not that I like tragedy or that I just cannot allow two fictional people to remain together. Rather, it's that in fiction which approaches verisimilitude (the appearance of reality), life takes twists and turns that render endings just as often unhappy as happy. 

For this event, I answered a few interview questions. 

What makes your novel a “twisted romance”; how does it stand out from the crowd?

It's a vampire story...sorta. The central character is in a serious relationship but when he begins to transform into a vampire--and he doesn't want to--he fears it will destroy his relationship with the woman he loves. She must accept a lot of ugliness during his transformation, too. But eventually, he decides to save her by letting go of her...and running off to seek a cure.

What got you into writing romance or books with strong romantic themes?

After focusing on sci-fi in my youth, I eventually realized that relationships are the core of any good story (or a story I'd want to read). I'm a romantic by nature so it came easy to me. No matter what genre I'm writing in (sci-fi or literary or, in this case, literary horror), the central couple is the reason my hero/heroine do what they do: because of the importance of beginning, maintaining, or recovering the relationship...even if it doesn't work out in the end. Although "not working out in the end" is supposedly a romance genre faux pas, I prefer to call it an anti-romance--which is more realistic.

Who’s your favorite character from your book and why?


Writing "A Dry Patch of Skin" began with me dabbling with some episodes from my real life, and grew into the story as you find it now: Oklahoma City in 2013-14, where I actually live. As such, Stefan, the poor protagonist, is as close to the real me as any hero I've written...for better and worse. It may be no coincidence that he has a name similar to mine. And yet, I do not have his unsightly affliction. Nor do I have the love interest he has--or had. 

Then I had fun posting items related to my novel during my 15 minutes of fame. As more than 99% of the reading population did not attend this event, I have reprinted my contribution here and hope you enjoy it.

Top of Form

Bottom of Form

____________________________________________________________

Welcome to this online bookish affair, where the twisted and the folded are equally bent! This is my first time doing something like this so please bear with me--but not exactly like a bear would. You know what I mean.

My offering here is A DRY PATCH OF SKIN - a kinda vampire novel but not like any of those others. This novel has been medically researched to bring you the purest, most accurate depiction of vampirism according to history, legend, and modern science.

And it is all wrapped around the sad tale of a new, passionate romance about to be ruined by the transformation of the man into a vampire. It is not a pleasant experience. Physical pain, hideous appearance, psychological torment, and loss of his identity and bodily integrity--

Heavy, heavy stuff! Good thing Stefan Szekely possesses a wry sense of humor and delicious vision of the irony around him!

Top of Form

A truly Twisted Romance!

Because it happens to be set in Oklahoma City 2014, the local newspaper reviewed it:
http://newsok.com/book-review-a-dry-patch.../article/5359958

And my colleague here at Eat Thy Heart Asunder also reviewed it:

https://racheltsoumbakos.wordpress.com/.../book-review-a.../

What's the title about? It is a reference to the first symptom. The phrase appears throughout the book. Here are some examples:

What will be the first sign? Will it simply be a dry patch of skin? An odd blemish? A discoloration?


“I do care about you,” she whispered.
“Thanks,” I said, trying to sound positive. “We can’t let a dry patch of skin get between us, now can we?”


“So...what brings you here this morning?” asked the perky physician’s assistant.
“A dry patch of skin,” I said glumly.


We stared at the two of us in the big mirror. It was the measure of our existence: here are two humans, one male and one female, of average attributes, two examples that have copulated previously and might copulate again if not for a dry patch of skin or two. Or thirteen.

I used a fair amount of music as a kind of soundtrack while writing A DRY PATCH OF SKIN, much of it lush and romantic, the kind of film noir score you might hear from the 50s. I also used rock music.

IF THIS WERE A MOVIE....

I would use this track by In Fear and Faith "Bones" while the opening credit show. As the music begins we zoom slowly through a night sky toward the ruins of an old castle. As we approach an open window--and suddenly the music bursts into loudness--a swarm of bats explodes out of the window!

https://www.youtube.com/watch?v=_dRw2joBxfg

I like the songs on this album because they do an excellent job of giving us the primal anguish of our hero's transformation into a monster!

In the middle of the book, Stefan flees from his lover to seek a cure. To avoid airport scrutiny, he takes a cargo ship. I imagine an aerial shot of that cargo ship crossing the Atlantic as this track plays: 

https://www.youtube.com/watch?v=yrCIxlBKH8A

The cover is intended to depict a passionate "last chance" embrace, Stefan and his lover, Penny Park the TV reporter.

A dark and stormy night....

https://www.youtube.com/watch?v=zieoCij53YE

At the end of the book, Stefan has reached his final destination...almost. I imagine the scene where he awakens in a completely dark room. The camera shows an extreme close-up of his eyes just as they snap open--matching the bass notes of the piano.

As the music on this track picks up, becomes more hopeful, we would see Stefan driving through the countryside of Croatia to his final destination.

https://www.youtube.com/watch?v=Vp7IZ5p5GX8

Of course the images in these videos have nothing to do with the novel. I merely used the music as inspiration in the writing of various scenes in the novel.

Last but not least... If I had my choice, I'd use Evanescence's "My Immortal" as the closing credits music because both the music and the lyrics fit the final scene and the atmosphere:

https://www.youtube.com/watch?v=A1mPY9z4kvQ

TRIVIA:

The first generally accepted work in the Vampire genre was "The VAMPYRE" by John Polidori, published in 1819. Polidori was the personal physician of poet George Gordon Lord Byron and accompanied Byron while visiting and vacationing at the estate Diodoti in Switzerland with the poet Percy Shelley and his wife, Mary Wollstonecraft Shelley. 

The nights spent there have since become famous as the origin of both Mary Shelley's Frankenstein novel and for Polidori's vampire novella. Critics have said, and I concur, that Polidori described his undead character based on the brooding Byron's tall, dark, and handsome appearance--a stereotype employed by later authors, e.g., Heathcliff in "Wuthering Heights" and still later, perhaps, Edward Cullen in "Twilight."

Want to know more about the book, vampirism (disease), and other tidbits, give my blog post a look: 

http://stephenswartz.blogspot.com/2014/10/a-dry-patch-of-skin-launches.html

MORE TRIVIA:
Stefan Szekely is not me, but is the closest any fictional character has been written to the real me. Penny Park is based on Patti Moon, a real TV reporter--and she has yet to forgive me for that artistic license. I do not, nor have I ever had, porphyria or any other skin, blood, or autoimmune disease like Stefan has. Many of the scenes in the book, especially those in the B&N were based on real episodes I experienced in 2013-14. Patti will vouch for me on that.

STILL MORE TRIVIA:

Another interesting trivia thing that I noticed but did not really contrive to put in is the variety of modes of transportation Stefan uses throughout the novel.

1. by foot
2. by bicycle
3. by personal car
4. by SUV
5. by rental car (twice)
6. by airplane (a few times)
7. by cargo ship
8. by express train
9. by local line train
10. by street car/tram

As a bonus, Stefan flirts with riding a horse, however (pay attention, trivia gamblers; you could win a bet someday) the horse is spooked by his evil presence and so he cannot actually ride the horse!

AND AN EXCERPT (from fairly early in the book):

Mother Park [Penny's mother] inquired about my ancestry, amused that my name was, for her, unpronounceable. She alluded to the Twilight books, suggesting I looked like that Edward Cullen character but with different hair—better hair. She went on and on about that series, practically telling me the whole story, as we consumed our dinner. Penny tried to intervene.

“He doesn’t want to hear about that vampire stuff,” she said, flashing me an expression of sympathy.

“I’m only saying there’s a resemblance,” said Mother Park.

“There is no resemblance,” Penny countered.

“If not that Edward then his father, the doctor, Mister Cullen. Since your boyfriend is older, he could pass for Mister Cullen. He’s a very handsome man—I mean, vampire. They’re all popular now.”

“No, it’s zombies that are popular now. Not vampires. That trend has passed.”

When they paused to take a breath, I spoke up: “I think both of them merely play to humanity’s fear of the unknown, especially that age-old concept of the abnormal couched within the normal. That is, a real, biologically viable man who is yet again not a man but something undead. It’s the same with zombies: they’re normal for the most part yet they’re infected with some fatal flaw that renders what once was a perfectly normal, lovable family member into an unexpected, unthinking evil. That’s what scares people. That something normal can so easily be transformed into something abnormal. It’s got nothing to do with some disease or a weird appearance that someone might have. It’s the visceral fear of transformation into something hideous—and with no cure—that forces us to irrevocably face our mortality.”

They stared at me and we could hear the crickets all the way over in Korea warming up for the night’s chorus.

“He reads a lot,” said Penny.

By golly, that oughta do it for tonight! Don't want to cause any nightmares.

Except for maybe a picture of Alma. Who is she? Ummm, read and find out!

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