01 April 2015

Land of the Morning Calm part 1

Spring is a unique time for me. It's not my favorite season and it has weather-related problems such as rain and tornadoes. But I do like seeing the trees blossom and the scent of allergies in the air. It also reminds me that a new year is beginning. (Remember, most civilizations began their calendar year in spring, not December.) I have good memories of springs past.

One spring in particular, I'll tell you about here. I was living in Japan, teaching English, and decided 
during my time off to visit a friend from college who lived in Korea. It turned out to be a case of everything going wrong that could go wrong. I assure you that, while this is a subjective reportage, every word is true.

[I posted previously about another, briefer visit to Korea I took back during my Japan days. You can read it here.]

MY REAL TRIP TO SOUTH KOREA*

 (or how we used to travel in the good ol' days)


For the spring break holidays at the end of March [the Japanese school year ends then], my original plan was to fly from where I lived in Japan over to Korea and return by ferry. 

Then I decided a round trip flight was most economical. By then, however, I could only get a confirmed reservation going, not returning. I checked about every day during my week and all flights were full. I even had to leave a day earlier than expected to get on the flight from Fukuoka to Pusan. Even taking the shinkansen (“bullet train”) to Hakata (Fukuoka’s station) so I could fly from Fukuoka cost less than the direct flight from Okayama to Seoul and connecting flight back to Pusan. 

My friends lived in the southern tier so I didn’t see any reason to go to Seoul first. Up to the last day, I couldn’t get off the waiting list for the return flight, so not wanting to be fooling with it, I told the KAL girl in Okayama to cancel the return and I planned on taking the 15-hour ferry (overnight) back from Pusan to Shimonoseki (north of Fukuoka). That was my final plan when I arrived at Pusan’s Kimhae airport.


To get there, I had to get up early the morning of March 26 [1992], already packed the night before, take out the trash (it was trash day) and get to the bus stop by 7 am, wearing my black jacket with the liner in it and my gloves, the sky threatening to rain and a cold wind blowing. I got on the bus and made the transfer at the next town over,Takahashi, to get on the train and also at Okayama, using the shinkansen ticket I bought three weeks earlier. 

Except that I had to stand all the way to Hiroshima, something I really like considering the high prices they charge for a seat—but it was the only way to get to Fukuoka in time for the 2 pm flight. 

At Hakata/Fukuoka, I saw the signs for the subway, and remembered that they had been constructing an extension of the line all the way to the airport. So I looked and looked for the right entrance, finally asked a ticket taker who said I had to take the bus. Then why did they have the signs up in English that said to take the Chikushi line to the airport? 

So I went next door to the bus center and took the bus to the airport, arrived two hours before my flight departure. As I had yet to actually pay for my ticket, I wanted plenty of time to correct the hassle if they were wrong.

First, I had to wait in line---a line which kept expanding in front of me as mobs of Korean tourists were stepping in front of me as though I wasn’t even there, pushing their bags ahead inch by inch to grab the extra advantage. 

After they finally opened our gate to let us go up to the check-in counter and I was first in line, naturally I was told that I had to go to another counter---which was outside the gate---to purchase a ticket. 

At that particular counter, a bunch of yakuza types in black pinstriped shirts and white suits, kept cutting in front of me. I was angry---enough that I didn’t care who they were. Especially since the main guy was just “canceling” his flight, I heard them saying. Finally they stepped aside, while one attendant ran to get some paperwork, and the girl gave me my ticket. 
Then, back in the other line, now twenty people were ahead of me.

A different KAL jet leaving Fukuoka airport more recently than my trip.

I did get on the right plane, however, and the flight lasted 30 minutes---excluding take off and landing. Hardly worth all the trouble of checking in and going through all of the security procedures. (This was, of course, back in 1992.) The short flight left little time for serving any drinks---we got a small tin of ice cream only---but enough time to take orders for duty-free junk. I thought Korean Airlines was cheap---I went to them because of the direct flight they had from Okayama (where I lived) to Seoul, then stuck with them because I thought they operated the only Fukuoka-Pusan flight, too.

I had planned on making my own way to Pusan and staying there two nights to sightsee on my own, then going north to Ulsan and then turn west across the peninsula to Kyong-ju. But in the final weeks before my trip, my Korean friend from the university in Kansas that I attended could not meet me and show me around, so he arranged for his sister to be my tour guide. At the last minute, I was told she would meet me at the Kimhae airport outside of Pusan---a three hour trip from Ulsan where she was a live-in teacher at a special education school.

Again I was first in line at the Immigration line, but of course that was not to be. No-one on the plane had seen fit to give me the little white immigration card to fill out, so back I went to fill one out at a counter in the back of the room. 

Then, back in line, I was again behind twenty other people. The immigration guy tried to give me a hard time, asking me if I had a visa. I had read in my guide book that no visa was needed for stays of up 15 days and I was only staying seven. I told him so. Then he asked a lot of questions, who I was seeing, where I was going, was I really an English teacher, how much money did I have on me. Still, I passed. 

Then on to Customs where they tore apart my carefully and precisely packed bag looking for illegal drugs---because I was, of course, an American who was not wearing a business suit and tie. They didn’t find any, though they could have found my Coricidin and Advil if they had bothered to open my small toilet article kit.

I’d had about enough of my trip so far when I charged through the automatic doors and dozens of people were staring at me, waiting for their friends and relatives. I heard someone calling my name and it was my friend’s sister. 

Eun-Sook greeted me and took me to find the bus into Pusan. It was a “local” bus, which meant crowded and dirty but cheap. It was the first of many. Eun-Sook’s English was passable; she seemed to understand more than speak (maybe also from shyness).

We rode the bus to the “local” bus terminal, still a long way from the center of town. I wanted to go “downtown” to check on the ferry schedule and cost, as long as I was there, and get some postcards to work on in the evening. But it was not that simple. 

We took another “local” bus downtown, which took about an hour through the packed rush hour traffic, me standing with my black bag between my feet, bumping the others who had crowded into the bus. One college-age guy introduced himself and asked if it was all right to speak with me, so he told me about his computer studies at the local university and asked me about my job and reasons for coming to Korea---not bad English ability.
Pusan on a brighter, much more recent day.

Once downtown, Eun-Sook looked for the signs indicating the pier for the ferry. She didn’t know where it was but she had a map book of Korean cities, so I determined our location based on the configuration of the streets as we passed through the city and other landmarks and decided we should get off at X stop, which we did---right in front of the ferry pier. 


Eun-Sook was so amazed that I could "read" Korean. “No,” I said, “I read maps!” 

In all fairness, the map of Pusan did show several places (hotels, etc.) in Roman letters, but that was how we got around Pusan: me reading the maps and getting us to the right block, Eun-Sook reading the signs to get us to the exact doorstep.

At first glance, downtown Pusan made me think of Hong Kong with its seaside piers and hotels and shopping, but Pusan was several steps below what I had experienced in Hong Kong. Maybe I was just seeing the “low end” of the district. There were no souvenir shops, no big department stores (“Pusan Dept. Store” on the corner of the main intersection at the end of the peninsula looked like something out of the 1950s but was closed anyway, being after 5 pm.) I was really not very impressed with it. It was nothing like the pictures I had seen of the city in books. (Remember, this was 1992.)

I was getting tired lugging my bag around town and since I had the number of the ferry office I decided we could call later, and so we looked for a place to eat dinner.

I was a little sick (no lunch while standing in many different lines at Fukuoka airport, then the flight, then the two bus rides) and did not think I could take strange and hot native food and wanted something simple and plain. American, perhaps. 

Nothing to be found, except a Lotteria hamburger shop in an underground shopping arcade, but that was out of the question for Eun-Sook! She was determined to show me around in place of her brother and to “let” me try real Korean food. 

Finally, we settled on a decent looking place specializing in the “grand table” (my name), in which dozens of little bowls, each with something different, are put on the table at the same time and the diners stuff themselves. That sounded great, but in actuality it wasn’t. Some things were very good, but others didn’t look good, smell good, or taste good, plus the fact that I wasn’t too hungry after all of my exertions that day!
Something like this, but mine was not as colorful.

After that, it was getting dark and we agreed to go on to Ulsan for the night. It was previously arranged for me to stay at the inn her family ran. (Actually it was not their immediate family but some other distant relative, how distant, I didn’t know, but further than cousins.) 

Well, I'd had enough of buses for one day and I opted for the train, which on the map seemed more direct anyway. All I could base my Korea plans on was how things were in Japan, schedule-wise and cost-wise. But when I finally convinced Eun-Sook that the train would be more comfortable and quicker---since it was getting late---we went back and forth looking for Pusan Station. Finally we found it and I was feeling encouraged---until we got inside. On the outside, it didn’t look bad, but inside it was old, I mean, really old: paint-stripped wood and creaking floors, and people in long lines at three windows waiting for the clerks to hand-type each of the tickets. I’m serious!

While standing in line (of course, behind thirty or so people), I was scanning the timetable, seeing the names of the cities in Roman letters and I saw that the last train to Ulsan was at 6:30! It was now almost 7:30.

I tapped Eun-Sook on the shoulder and pointed to the timetable. She did not immediately understand and turned back to wait in line. So I explained in very enunciated English that we had missed the last train so we had no choice but to take the bus after all. That made her happy. I guess she had never ridden a train in Korea---though I could see why not. 

So down to the subway line, riding it north for seven or eight stops to yet another bus terminal.

It had a McDonald’s next door, which I was interested in, but we didn’t want to take any more time---couldn’t miss the bus! We got our tickets and found the bus, climbed aboard (no-one else was on it) and waited. I wanted to make a quick stop in the restroom inthe terminal but Eun-Sook thought I might miss the bus if I did. I pointed out that there weren’t anyone else on the bus. Then a driver came and she asked about our bus and he directed us to another bus gate on the opposite side of the terminal. We ran over there and still got good seats (near the front, as I wanted to prevent motion sickness). The bus pulled away about a minute later. Whew!
Pusan train station - spruced up.

I fell asleep on the bus somehow---until it began twisting and turning. I looked out the windows as the driver hugged the curves of the winding road, horns and headlights of the oncoming cars fighting back. Was this driver crazy? I wondered why he had to go so fast on such an obviously dangerous road. Eun-Sook explained that all bus drivers drove like that. (I rode many buses during my trip and found that to be true---also taxi drivers.) 

We nevertheless arrived in one piece, if not a little nervous. The bus dropped us off at the curb in the “fashionable part of town” where the sidewalks were crowded with young people, in front of a disco or something like a disco. But of course, we had to take a different bus to get to the inn, and my shoulders were ready to fall off from carrying my bag around all afternoon and evening.

A bus pulled up and Eun-Sook gave me a bus token to use and I fought the crowd, cutting my way through them with my bag ahead of me, trying to hold them back so Eun-Sook could get on, too, but as I was at the top of the stairs she called back that it was the wrong bus. Too late! The door closed and we were off! Me, on a bus in Korea all by myself!

But it was just for a couple blocks. The bus stopped at the next regular stop and I got off and walked back to our original place. 

Eun-Sook was definitely not good with directions or getting around, but since I couldn’t read the Hangûl characters, I had to rely on her.

We got on the right bus and got off at the right stop. 

We also found the right inn, which seemed to be nearly empty. It was cheap, though, which was good for my budget. I thought that since it was the family’s business that I might get a room for free or with a discount, but since it was a relative’s inn, I still had to pay. 

It was 15,000 Won for a night, which is about ¥2000 (about $20). I was starting to learn the value---or lack---of money. The exchange rate when I changed my Yen at Kimhae airport, was 571 Won for ¥100, or about 750 Won per $1. Not knowing the costs of things in Korean, though I assumed everything would be less than in Japan, I could only calculate what they would cost in Japanese Yen. Everything was less, much less, sometimes less than half the cost in Japan! 
A yogwon, a family-run inn.

Anyway, Eun-Sook signed me in, writing my name phonetically in Hangûl, then left to go back to her school for night shift duty. It was a little strange checking in. I was given a personal bottle of mineral water for the night. The second night I asked for and got another bottle. Also, they did not give out the keys. Instead, I had to have them open the room for me whenever I went out and returned.

The next day was all mine in Ulsan. Eun-Sook had to work. Feeling a cold coming on, I took a maximum dose of Coricidin before I went to bed at about 10:30 and slept until 11:00 the next morning, awakening to a full-fledged cold.

[to be continued]

*The original report was a letter home to my parents.



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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

15 March 2015

The Ides of Bunny

It's that time of the year again: Spring Break!

So I, like many, am taking off to enjoy the various fertility rituals of the season. In my stead, I leave you these lapin cuties. These are the bunnies garnering the most 'likes' from my Facebook page during the past year--and a few newbies. Enjoy!

Mr. Gompers wants his Spring Break and he wants it NOW!



Higher IS better!
Is it really, truly Spring yet?
Mary had a little bunny...after her lamb grew up!







Mr. March, Ms. April, Ms. May!
Waiting for June.
Now go out there and get some quality hopping done! 

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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

09 March 2015

What do Women [Protagonists] Want?

Yesterday was International Women's Day, an event I learned of only by going onto social media in the evening. Lots of great quotes here. However, in celebrating the achievements of women, I am compelled to pause and reflect on the women I know and what they have achieved.


I really dislike how social media is too often a repository of hatred and polarizing debate on, among many topics, the roles of men and women. I like to think I'm above the fray, adopting a neutral stance, and welcoming all individuals of whatever sex and gender and roles a person may have. As a writer of fiction, I try to keep the stories as real or plausible as possible, especially in the relationships which seem to be at the core of each of my novels.

As a male, I'm stuck with a few limitations, first among them is portraying a female character in an authentic manner. That is, letting her be her own person rather than, say, merely a companion to the male protagonist. It has not been easy but I believe I've done well enough. Most of my readers have been women, it seems, and most have liked (even praised) the female characters. However, I do recognize that these female roles tend to fall into two broad categories, which typically fall further into categories made by others as either 1) madonna or 2) whore. This "traditional" dichotomy is quite disagreeable in this day and age.

Although there may be a wide range of traits within each of those categories, enough that they can overlap and even allow a character to possess both, it is not enough for creating authentic female characters. As a young writer I started unsteadily and, thankfully, have grown in my craft and in my sensibilities. I have written the older woman ensnaring the younger man for her own amusement (AFTER ILIUM). I have written the younger woman tricking the older man for various benefits (A BEAUTIFUL CHILL). I have written the career woman trying to adapt herself for a sudden romance with a man transforming into a vampire (A DRY PATCH OF SKIN). In my earlier writing, I created a female protagonist who serves in one instance only as the romantic interest of the male protagonist (AIKO) and, in another instance, almost a "sidekick" to the self-absorbed male protagonist (YEAR OF THE TIGER). I've even dared create an alien society based on a matriarchal model but I follow the husband/father character's adventures trying to return to his family and his world (THE MASTERS' RIDDLE). I didn't want to write about a female of that world suffering, so I let the male suffer--turnabout, eh?

I know, I know, I know: bad boy. Bad male writer. Honestly, I like women, and I like having them in stories. They also say "write what you know"; that stops me in my tracks, obviously: I don't know how to be a woman. All I can do is observe and ask questions of women I know. One woman who eventually read the novel in which the female protagonist was based upon her did agree that I had depicted her perfectly, even though what transpired in the story was not flattering.

My goal as a writer has always been to portray realistic characters. That is, characters who think and act from plausible motivations comparable to those of actual people I have known. Isn't that art imitating life? Like many writers, I borrow from the world around me, incorporating (i.e., "making into a body") living people and their various quirks, mannerisms, speech patterns, body language, and psychological agendas (as much as I can discern) into believable fiction appropriate to the character.

That is the hardest part of writing a novel, I do believe. Getting the character down--harder still if the story is told in the voice of that character. 

So for this day of celebrating women, I think about how I have depicted women in my fiction writing. Flattering? Complimentary? In derogatory fashion? Or as real, multi-faceted individuals? Or, as George R.R. Martin, author of the Game of Thrones series has said, I also try to write female characters as people, not as "just" women. Society has set up women in various roles, like it or not, and in that attempt to create fictional worlds which approximate reality, we must unfortunately depict women in less than ideal circumstances. But the woman who suffers and does not fight back or grow is not a character we want to read about; hence, the applause and cheering for greater women characters who arise from their oppression and achieve great things despite society and the men who try to hold them back. What do women characters want? Probably what real women want: to be real and to realize their innate potential as persons, not as "women."

Along this vein, it is THE DREAM LAND, my science fiction trilogy, where the most interesting female character lives: Gina Parton. In the first volume she is the lead personality in the adventures of two young people exploring an interdimensional doorway. As her male companion, the protagonist Sebastian Talbot tells the story, veering off into his own adventures, Gina reappears only at irregular intervals. I tended to miss Gina in the first book, but I was happy when she became a queen albeit by marriage. In the second book I let her reappear, having her own life, her own adventures, but did not fully realize them. I had plans for a volume that was all of her lives separate from Sebastian.

In Book III, I gave her full stage. After wrapping up several storylines by the middle of the book, Gina returns in her own adventure. By this point in my writing history I was ready to write a very strong, determined, take-no-shit female character who fights for herself and her family and who achieves great things. She enters a city in the future of the world she is trapped on and works hard, rising into the executive class. Her background in science provides her a foot in the door of the space council whose mission is to plan what to do as a fatal comet approaches the planet. Gina soon leads the council, all the while exerting her influence on politics in her adopted city and conducting an affair with a fellow scientist to feed her emotional needs.

The end of the story forces Gina to make difficult choices. To save her daughter, to allow her daughter to get a seat on one of the spacecraft destined to evacuate the planet's select few, Gina bites her lip and submits to the Governor's kinky fetishes. It is the most difficult scene I have ever tried to write, balancing her anger and determination with her mental acknowledgement to give in in order to secure her grown daughter's freedom. She sacrifices herself for the good of others--a role too often assigned to the woman in the story. Here it is simple math: there is a finite number of seats on a few spacecraft but she never loses her fire for justice.

I'm biased, of course, but Gina Parton a.k.a. Jinetta d'Elous is my favorite female protagonist. I love her, but she would not love me. She is too strong to put up with someone like me. She would lose patience with me, and likely write her own damn story. But in the end of such a beautiful, fulfilled life, even the strongest character, female or male, will be ready to let go and watch the comet come down.

In the real world, however, there are plenty of women achieving great things. But there should be so many more left to their talents and ideas, allowed to fully engage in their efforts, left to achieve things for the betterment of all humanity! After all, we are not in competition; we must work together, encouraging each other, lifting each other up rather than putting anyone down.

As the father of a daughter now entering the frantic world of career, family, service--whatever she wants to do--I want her to be free to achieve everything she possibly can and be a leader among leaders who will work to make our world a better place than it, sadly, is today.
























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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

01 March 2015

Letter to a Young Poet

One of the things I do (when I choose to do anything at all) is tutor or mentor or guide or coach young writers and poets, both in the classroom (my day job) and outside the classroom (my avocation). 

Recently one of my charges became so frustrated with events transpiring in her life that she asked the fundamental questions of existence that drive many writers to their craft--or from it. I could not answer in that moment with any suitable response but I did return later and typed out something approaching an answer. As I sat back, my fingers still sizzling with the electricity of creation, I was suddenly reminded of another such Q&A between Rainier Maria Rilke and a young poet who asked for his advice.

Not to put myself into that class, I nevertheless thought perhaps this Q&A might be of interest to others who write or mentor writers or those having an interest in existence and identity. (I must confess, I explored notions of identity in quite some seriousness while researching and writing a dissertation which remains hidden in a trunk in the basement.)


After polite small talk and responding to earlier issues related to an opportunity to go to what I cautioned her was a dangerous place now, she asks the following: 



You know what I'm thinking about? It seems that I cannot find myself. What I live for? Where is my place in this world? I cannot find peace...

You ask big questions that philosophers have struggled with for centuries. And me, too. What do we do now that we are here on Earth? Religious ideology has answers and many people follow those suggestions. Non-religious philosophies offer other suggestions. Most seem to come down to helping other people, creating things that will outlast you, or dreaming of a better world and working to make it change to that dream.
I think young people especially wonder about this question. We have school as our focal point for so many years that when we are free of school we have nothing to do. Most get jobs, meet someone and form a family. After that, life demands that they do many things at regular intervals in their lives. They watch their children grow up, they serve their boss at the job, they take vacations, and so on.
Others reject that traditional path and seek something more serious, more meaningful, more profound. That doubles back to the religious questions: Why am I here? What is my purpose? What should I do with my life? Nobody will have the same answers as you or me.
For me, I started as a music student because I loved music so much. However, I found it to be more difficult once I studied it in college. I got my degree and planned to be a music teacher but I never got that job. So I returned to college and studied Communications (TV, radio, film), which led to a job at a TV station in my city. That job was soon eliminated by staff reduction, so I got the first job I could find--which had nothing to do with my education or interests. Eventually I got the opportunity to travel, and live and work in foreign lands. Besides paying well, I learned a lot about myself, what I wanted to do--what interests me and what makes me happy when I'm doing it--and what I am good at doing.
So once again I returned to college and prepared to be an English teacher instead of a Music teacher. I've been on this path for many years now, of course. It is not perfect but it seems the best life I can find. It gives me something to do which makes me feel useful and helpful. It gives me time to do other things that interest me, such as writing novels. Most importantly, perhaps, it gives me an identity: I like being the person I am when I'm doing my job. I am a professor. I like being "a professor" in the eyes of society--even though I usually call myself a "teacher" when asked.
I think identity is very important in selecting a path or purpose in life. Who you want to be is as important as What you want to be or What you want to do. How do you want to see yourself in five years? How do you want people to think of you in five years? Then consider what your best skills are. How can you use those skills in a reasonable, realistic, helpful way? It is not an easy or quick process answering such questions. But careful consideration will result in a choice which enriches you and provides direction in your life, as well as give you a platform for helping others and changing the world in ways you think best.
Along the way, however, you must still stop and take time to be silly, frivolous, immature, unhelpful, and self-centered--at least briefly but at regular intervals. We all need to take a break from a path of purpose, I think. While hiking up to the mountaintop, it's good to pause and take a look around, see the valley below, see the trail you've made, and set your eyes again on that mountain peak.
Good luck! I'll always be here to advise you, for what it may be worth, and you are free to dismiss my advise. You are your own person and only you can walk the path you set yourself on.

Perhaps it is easy to ask questions. Thankfully asking the right question helps us get to the right answer, if it exists. I'm not usually a spiritual person but I have my moments. On that day, I did. Tomorrow I might have fumbled around and said nothing. The muses are forever fickle.
Enjoy your day. Enjoy your life. Help somebody if you have the time and inclination. Nobody is keeping count but it makes the world go round a little happier.



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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

21 February 2015

Another Twisted Romance!

Last weekend, the so-called Valentine's Day weekend, I participated in an online event on Facebook which among other activities served to promote my latest novel, A DRY PATCH OF SKIN.

The event was called EAT YOUR HEART OUT and had the theme of Twisted Romance. I was invited to join, based on me having written a "twisted romance." 

Of course, I wondered what exactly that meant. Romance as a genre has certain conventions, one of which is that everything works out fine in the end. I took "twisted" to mean things do not work out fine in the end. That describes my non-science-fiction novels perfectly. It's not that I like tragedy or that I just cannot allow two fictional people to remain together. Rather, it's that in fiction which approaches verisimilitude (the appearance of reality), life takes twists and turns that render endings just as often unhappy as happy. 

For this event, I answered a few interview questions. 

What makes your novel a “twisted romance”; how does it stand out from the crowd?

It's a vampire story...sorta. The central character is in a serious relationship but when he begins to transform into a vampire--and he doesn't want to--he fears it will destroy his relationship with the woman he loves. She must accept a lot of ugliness during his transformation, too. But eventually, he decides to save her by letting go of her...and running off to seek a cure.

What got you into writing romance or books with strong romantic themes?

After focusing on sci-fi in my youth, I eventually realized that relationships are the core of any good story (or a story I'd want to read). I'm a romantic by nature so it came easy to me. No matter what genre I'm writing in (sci-fi or literary or, in this case, literary horror), the central couple is the reason my hero/heroine do what they do: because of the importance of beginning, maintaining, or recovering the relationship...even if it doesn't work out in the end. Although "not working out in the end" is supposedly a romance genre faux pas, I prefer to call it an anti-romance--which is more realistic.

Who’s your favorite character from your book and why?


Writing "A Dry Patch of Skin" began with me dabbling with some episodes from my real life, and grew into the story as you find it now: Oklahoma City in 2013-14, where I actually live. As such, Stefan, the poor protagonist, is as close to the real me as any hero I've written...for better and worse. It may be no coincidence that he has a name similar to mine. And yet, I do not have his unsightly affliction. Nor do I have the love interest he has--or had. 


Then I had fun posting items related to my novel during my 15 minutes of fame. As more than 99% of the reading population did not attend this event, I have reprinted my contribution here and hope you enjoy it.
Top of Form

Bottom of Form
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Welcome to this online bookish affair, where the twisted and the folded are equally bent! This is my first time doing something like this so please bear with me--but not exactly like a bear would. You know what I mean.

My offering here is A DRY PATCH OF SKIN - a kinda vampire novel but not like any of those others. This novel has been medically researched to bring you the purest, most accurate depiction of vampirism according to history, legend, and modern science.

And it is all wrapped around the sad tale of a new, passionate romance about to be ruined by the transformation of the man into a vampire. It is not a pleasant experience. Physical pain, hideous appearance, psychological torment, and loss of his identity and bodily integrity--

Heavy, heavy stuff! Good thing Stefan Szekely possesses a wry sense of humor and delicious vision of the irony around him!
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A truly Twisted Romance!


Because it happens to be set in Oklahoma City 2014, the local newspaper reviewed it:
http://newsok.com/book-review-a-dry-patch.../article/5359958


And my colleague here at Eat Thy Heart Asunder also reviewed it:


What's the title about? It is a reference to the first symptom. The phrase appears throughout the book. Here are some examples:

What will be the first sign? Will it simply be a dry patch of skin? An odd blemish? A discoloration?


“I do care about you,” she whispered.
“Thanks,” I said, trying to sound positive. “We can’t let a dry patch of skin get between us, now can we?”


“So...what brings you here this morning?” asked the perky physician’s assistant.
“A dry patch of skin,” I said glumly.



We stared at the two of us in the big mirror. It was the measure of our existence: here are two humans, one male and one female, of average attributes, two examples that have copulated previously and might copulate again if not for a dry patch of skin or two. Or thirteen.



I used a fair amount of music as a kind of soundtrack while writing A DRY PATCH OF SKIN, much of it lush and romantic, the kind of film noir score you might hear from the 50s. I also used rock music.

IF THIS WERE A MOVIE....

I would use this track by In Fear and Faith "Bones" while the opening credit show. As the music begins we zoom slowly through a night sky toward the ruins of an old castle. As we approach an open window--and suddenly the music bursts into loudness--a swarm of bats explodes out of the window!

https://www.youtube.com/watch?v=_dRw2joBxfg



I like the songs on this album because they do an excellent job of giving us the primal anguish of our hero's transformation into a monster!

In the middle of the book, Stefan flees from his lover to seek a cure. To avoid airport scrutiny, he takes a cargo ship. I imagine an aerial shot of that cargo ship crossing the Atlantic as this track plays: 




The cover is intended to depict a passionate "last chance" embrace, Stefan and his lover, Penny Park the TV reporter.




A dark and stormy night....



At the end of the book, Stefan has reached his final destination...almost. I imagine the scene where he awakens in a completely dark room. The camera shows an extreme close-up of his eyes just as they snap open--matching the bass notes of the piano.

As the music on this track picks up, becomes more hopeful, we would see Stefan driving through the countryside of Croatia to his final destination.

https://www.youtube.com/watch?v=Vp7IZ5p5GX8


Of course the images in these videos have nothing to do with the novel. I merely used the music as inspiration in the writing of various scenes in the novel.

Last but not least... If I had my choice, I'd use Evanescence's "My Immortal" as the closing credits music because both the music and the lyrics fit the final scene and the atmosphere:



TRIVIA:
The first generally accepted work in the Vampire genre was "The VAMPYRE" by John Polidori, published in 1819. Polidori was the personal physician of poet George Gordon Lord Byron and accompanied Byron while visiting and vacationing at the estate Diodoti in Switzerland with the poet Percy Shelley and his wife, Mary Wollstonecraft Shelley. 

The nights spent there have since become famous as the origin of both Mary Shelley's Frankenstein novel and for Polidori's vampire novella. Critics have said, and I concur, that Polidori described his undead character based on the brooding Byron's tall, dark, and handsome appearance--a stereotype employed by later authors, e.g., Heathcliff in "Wuthering Heights" and still later, perhaps, Edward Cullen in "Twilight."


Want to know more about the book, vampirism (disease), and other tidbits, give my blog post a look: 


MORE TRIVIA:
Stefan Szekely is not me, but is the closest any fictional character has been written to the real me. Penny Park is based on Patti Moon, a real TV reporter--and she has yet to forgive me for that artistic license. I do not, nor have I ever had, porphyria or any other skin, blood, or autoimmune disease like Stefan has. Many of the scenes in the book, especially those in the B&N were based on real episodes I experienced in 2013-14. Patti will vouch for me on that.


STILL MORE TRIVIA:
Another interesting trivia thing that I noticed but did not really contrive to put in is the variety of modes of transportation Stefan uses throughout the novel.

1. by foot
2. by bicycle
3. by personal car
4. by SUV
5. by rental car (twice)
6. by airplane (a few times)
7. by cargo ship
8. by express train
9. by local line train
10. by street car/tram

As a bonus, Stefan flirts with riding a horse, however (pay attention, trivia gamblers; you could win a bet someday) the horse is spooked by his evil presence and so he cannot actually ride the horse!


AND AN EXCERPT (from fairly early in the book):

Mother Park [Penny's mother] inquired about my ancestry, amused that my name was, for her, unpronounceable. She alluded to the Twilight books, suggesting I looked like that Edward Cullen character but with different hair—better hair. She went on and on about that series, practically telling me the whole story, as we consumed our dinner. Penny tried to intervene.

“He doesn’t want to hear about that vampire stuff,” she said, flashing me an expression of sympathy.

“I’m only saying there’s a resemblance,” said Mother Park.

“There is no resemblance,” Penny countered.

“If not that Edward then his father, the doctor, Mister Cullen. Since your boyfriend is older, he could pass for Mister Cullen. He’s a very handsome man—I mean, vampire. They’re all popular now.”

“No, it’s zombies that are popular now. Not vampires. That trend has passed.”

When they paused to take a breath, I spoke up: “I think both of them merely play to humanity’s fear of the unknown, especially that age-old concept of the abnormal couched within the normal. That is, a real, biologically viable man who is yet again not a man but something undead. It’s the same with zombies: they’re normal for the most part yet they’re infected with some fatal flaw that renders what once was a perfectly normal, lovable family member into an unexpected, unthinking evil. That’s what scares people. That something normal can so easily be transformed into something abnormal. It’s got nothing to do with some disease or a weird appearance that someone might have. It’s the visceral fear of transformation into something hideous—and with no cure—that forces us to irrevocably face our mortality.”

They stared at me and we could hear the crickets all the way over in Korea warming up for the night’s chorus.

“He reads a lot,” said Penny.


By golly, that oughta do it for tonight! Don't want to cause any nightmares.

Except for maybe a picture of Alma. Who is she? Ummm, read and find out!



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