21 October 2022

FLU SEASON: The Book of Mom - cover reveal

This year has been full of stress. (That's 2022 for those who may read this in the future.) Of course it's stressful to write about the stress of surviving a pandemic in a novel while surviving a pandemic. 

However, even more stressful has been the revolving door of cover designs for my forthcoming pandemic novel FLU SEASON: The Book of Mom

(Note: FLU SEASON is the series title; The Book of Mom is the first book's title.) You may have read my rant in my previous blog post. If you haven't, don't worry; I'll be recalling some of it here. Covers revealed below!

In my previous 15 novels, the cover design was not too intricate. Yes, they could have been more detailed, more compelling, more artistic, but what I ended up with suited my tastes if not readers' tastes. For science fiction and fantasy, the genres demand artistic, fanciful, detailed art depicting some scene related to the story. I could not achieve that by myself with the skills I have. (My best artwork comes from my 7th grade art class: a portrait of a Neanderthal man in tempera paint. Be amazed below!)

So I went to my usual art friend who has managed to please me through several novel covers, hoping she could do some of that art stuff for me but more complex art. Unfortunately, she was not then available. My first thought was to do it myself. I have made a couple covers for my novels but the design was simple - some effective that way, some not so much. The main obstacle was gathering the images I needed and relearning Photoshop. I did create a decent cover but I didn't feel confident in it.

On Twitter (@StephenSwartz1) I'm following/followed-by other writers and - as they choose to connect with me - various cover designers and publicists looking for work. One fellow writer showed off her covers. I liked them, thought it was a good example of what I needed for my book. I asked who did them for her and she put me in contact with her cover designer.

This was an adventure. No offense intended, for he ultimately did good work, but the process of working with a one-man-band proved to be frustrating and dragged the project out longer than necessary. I should have used that time to go through my manuscript once more for any final tweaks, given the time it took, but I kept expecting the finished product any day. When I finally got the finished product (full covers for print and e-book plus assorted promotional images featuring the cover) I was delighted. But...not wowed.

He created a cover that exactly matched what I said I wanted. It was technically correct based on my description. A couple of friends had valid criticisms of the finished cover. One said the cover looked too much like a comic book rather than a more serious novel about a tuba-playing mom and her teen son escaping a city in chaos for what they hoped would be relative safety in the countryside. I fretted over whether to use this cover or not. As the first book of a trilogy I was also concerned with the subsequent covers based on the standards of this one. 

I submitted the files for the manuscript and the cover, got my proof copy, and saw it with fresh eyes. It did look a bit too comic - but that was what I had described unknowingly so I could only blame myself. Having the physical book in my hands also showed me how big it was. The font was needlessly large for one thing (looked fine on a computer screen), so the page count had expanded. Right away I reduced the font throughout by 1 point, which shaved 40 pages from the manuscript.

All right, I thought to myself. I was then half way through that final reading/tweaking of the manuscript as I waited for the finished product to arrive. That "final" read through allowed me to snip here and there to further reduce the size. I knew I would need to resubmit everything and I worried that the cover may not match because of the change of the spine width due to having fewer pages.

At about the same time, I was contacted by a short-term follower who happened to be a cover design artist. Actually, she represented a business that designed covers and promotional material. Feeling distraught at my situation, I inquired about their services and found it reasonable. I gave them less instruction for the cover, hoping the artist would use his/her imagination more. I received a good rendition of my earlier description, however; the only problem was switching out a French horn for a tuba (I did specify a tuba).

They sent the files two weeks ago but I was traveling and forgot or missed seeing the email with the link to the files. Once I'd caught up and gotten the files, I was pleased - though two weeks behind my own timeline. I did see an error to fix and as long as they were fixing that I might as well ask for a couple other minor changes - which they fixed in 24 hours and resent to me. 

I don't know which cover is the best. They are all similar and yet differ in some ways. You may comment on your favorite (or, more likely, the one you like more than the others) and I will wait until I get the consensus I want before sending that cover to the publisher. I will reveal (although you might guess in the meantime) which is done by which designer. You can click on the image to enlarge it.


Now that I have everything - the manuscript tweaking is finished - I will resubmit everything and hope the next proof copy will be perfect. If it is, you will soon have Book 1 of FLU SEASON The Book of Mom available in print and for Kindle before the holidays.

Book 2 (The Way of the Son) is finished and undergoing appropriate revision and editing. The cover design shall commence forthwith.

Book 3 (Dawn of the Daughters) has begun, with much note scribbling, and may be used in this year's National Novel Writing Competition in November (just have to write 50,000 more words than what I have now).

Thanks for your support!

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1 comment:

  1. I forgot to include an interesting factoid: one designer is located in Ukraine - which therefore provided additional obstacles in the completion of the project.

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