Beware Vampires! SUNRISE is coming soon!

SUNRISE, the end of the workday for vampires...

For Stefan Székely it is a fate worse than death: To be dead yet stuck with his dead parents. After 13 years Stefan can endure it no longer. He wants a castle of his own. But first he must visit his family’s bank in Budapest.

With endless strife rumbling across Europe, Stefan hardly recognizes Budapest, now capital of the Hungarian Federation. The world has changed. 

Nevertheless, he embarks on the reign of terror he always denied himself, living the vampire playboy lifestyle.  Until he gets a stern warning from the local vampire gang. He is not welcome - unless he plays by their rules.

Should Stefan fight for his right to party like it's 2027? Or will an encounter with a dangerous stranger change everything about his new existence? As clashes between vampire gangs and State Security escalate, Stefan just might be the key to changing the fate of Europe forever! . . . If he can survive three bloody nights in Budapest.

The sequel to A DRY PATCH of SKIN continues the trials and tribulations of Stefan Székely, Vampire.

In 2014 my medically accurate vampire novel A DRY PATCH OF SKIN came outto a rave review. My main purpose was to counter the hysteria of the Twilight experience with some medical research crossed with established legends. I wanted to tell a realistic vampire tale. I even set the story in my own city and the action in the story followed the actual days and months I was writing the story. The story and my writing of the story ended the same week. Of course, I revised and edited after that.

Then I thought . . . what could possibly happen next? So I chose a gap of, say, 13 years (the number seems significant in horror stories). Now, where did I leave my protagonist? How is he doing? What could have happened since the end of the first book? What has changed in the world during these 13 years? How would what's different in the world affect his own corner of the world? How would he cope with these changes?

As I started on another vampire story I quickly realized that I had to also write essentially a science-fiction story. A futuristic story. If I were setting the story 13 years after the end of the previous novel, then this sequel would be set in 2027. And it would be somewhere in Europe, which is where our hero was at the end of the first book. 

What did I know of 2027? Not much. Like many sci-fi writers writing about the future, I took the present circumstances, the way things are now (both good and bad), and extrapolated how they might logically progress. Remember that novel by George Orwell, 1984? It was published in 1948 just as fears of a Communist takeover gripped Europe. It was supposed to be a warning. Orwell imagined how the concerns of his present might play out in the future. 

With the current strife in Europe, mass immigration, refugees coming to Europe from the Middle East and Africa, the increase in crime, the open warfare between left and right political groups, I could see all of these happenings extending, continuing and growing through the following decade. The moral question that arises is whether the author should follow his/her own beliefs, that is, how the world should be, a Utopian view - or choose a path of development which would be the best setting for the story (given the plot that would likely unfold), however the society might become - or try to take an honest look at current events and let things fall where they might, for good or ill.

I chose both. If I have to make a choice, I will lean toward what makes a good story over what my own beliefs might be. For the sake of this story and for the way I think society will continue to "progress" or develop or evolve over the next 10 years, I'm letting the European conflicts play out in the sequel: my now less-medically accurate vampire novel, titled SUNRISE.

Today, the governments of Hungary and Poland are resisting the  acceptance refugees and other immigrants and the European Union chastises them for it. Both nations have refused to comply with orders from Brussels and are being threatened with economic punishment. Jump ahead 10 years (from now; 13 from the end of the previous novel) and these countries have broken away from the European Union, formed their own economic block, and run business as usual in ways which are more to their liking. This is the landscape Stefan Székely ventures into from the isolated precincts of his family villa.

As described in this sequel, the new Hungarian Federation is a strictly run Euro-centrist society. The State Security apparatus runs a tidy ship and getting in is very problematic. Staying in if you are a "diseased" resident such as a vampire is dangerous. However, our hero, Stefan Székely, is already within the boundaries of the Hungarian Federation at his family's estate in the former Croatia; therefore, I, the author, must deal with the vagaries of that location. It was not an unpleasant effort. I love to travel vicariously.

 

Needless to say, our hero has difficulties - or there wouldn't be a story. Yet as I charged through the final chapters and then undertook the revision stage, the look and feel, the horrors, and the dystopian ambiance seemed right. Will Stefan escape from the repressive Hungarian Federation? Or will evil powers greater than himself and the vampire gangs of Budapest have the final say? 

Regardless, in SUNRISE the world gets darker before the light shines again. Book 3, to be titled SUNSET, picks up the story even further into the future. By then, we are in full-fledged dystopia territory. But, hey! I'm sure everything will work out just fine...if you transform into a vampire in time, of course.

Look for SUNRISE on or about April 1.

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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

How to be a Vampire!

I know it's not even close to Halloween but, you see, a good vampire story can launch at any time of the year - because, as we all know, vampires can exist throughout the year, in every season - but not after sunrise.

The Vampire. From legends far and wide, comes the idea of someone who has died returning to life or of not truly dying but settling into a degree of existence between life and death, what many have termed the undead. It is a frightful situation, both for the poor sucker [pardon the pun] who must "live" such a "life" as well as for those who may encounter him or her. (Read more here.)

Last year I awoke from a nightmare - actually, fell off the darn night mare, hit my head on a stone--and had the idea of writing a vampire tale. Much in the vein of my paranormal-writing colleagues, I sought a story of Gothic pathos, a horror tale of bloody delight! Alas! I could not in good conscience create something along the lines of more recent Vampire fictions. They were too much magic, melodrama, and frou-frou accoutrements than suited my sophisticated tastes.

I knew there were some medical and biological causes of symptoms which are typical of those claiming vampirism. I did my research, both into the legends and customs of Eastern Europe, and into the science behind such disorders as porphyria. Is there such a thing as vampirism as a medical condition? And if so, how does one treat it? Is it genetic or does one catch it from someone who is already a vampire? One valuable resource was the scholarly book by Paul Barber.

So I sought to create a tale as contemporary and realistic as modern science and my twisted imagination would allow.

The result is the amazing true-to-life story of Stefan Szekely, doomed to become a vampire - and to do so at precisely the wrong time in his life. Just as Stefan is falling in love with his Beloved and they are planning to marry, he notices the first sign: A DRY PATCH of SKIN.

“I do care about you,” she whispered.

“Thanks,” I said, trying to sound positive. “We can’t let a dry patch of skin get between us, now can we?”

But I digress...

Now, comes the sequel to this 2014 medically accurate vampire novel: SUNRISE. Coming in April 2018 - the month of Easter, ironically. The title is not without irony itself within the pages of this new novel. In fact, with a second volume, there comes the urge to continue the story of Stefan Szekely, Vampire, into a third novel - which would make it a trilogy. Book 3 will be titled SUNSET.

SUNRISE picks up where A DRY PATCH OF SKIN left off. It has been 13 years since Stefan met his fate in Croatia. However, he eventually has realized the extent of his misery and seeks to venture forth from his isolated home into polite society. Maybe get his own castle, become a playboy, drink a better class of blood. 

But you can't just show up in the Hungarian capital of Budapest and start doing your own thing. The local vampire gangs have rules. The State Security also has rules: all vampires must be extinguished. Then, while Stefan is struggling to fit in, an unexpected stranger confronts him and upends his entire world, setting off a frantic battle for what may determine the future of Europe.

For further information, I recommend reading the following:

A DRY PATCH of SKIN.

The truth about being a vampire: It is not cool, not sexy. It’s a painful, miserable existence.

Good reason to avoid that situation, thinks Stefan Székely. He's too busy falling in love with TV reporter Penny Park, anyway. Until one day when she notices he has a dry patch of skin on his face.

At first it's annoying, nothing to worry about, some weird skin disease he can treat with lotions. However, as his affliction worsens, Stefan fears that his unsightly problem will ruin his relationship with Penny.

If only that was all Stefan has to worry about! 

He soon realizes there is a lot more at stake than his handsome face. To save himself, Stefan must go in search of a cure for the disease which is literally destroying him inch by inch. 

If only his parents had told him of his family's legacy.

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(C) Copyright 2010-2018 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

Why I joined the Nanowrimo cult

It pains me to use the word cult but perhaps that is the most accurate word. Let's try to keep things in perspective, however: it's a good cult.

November is the period of worship in the cult of Nanowrimo (what the uninitiated may call the "National Novel Writing Month"), chiefly for those whose nervous fingers cannot avoid the lusty keys. I have never been able to participate because of its unfortunate scheduling. You see, November is the fattiest meat of the fall semester and tough to cut; it's when I have the most day-job work to do. Sure, I could write a draft of a novel in a month--if I had no day job to tend to, if I had no other disruptions, and if I had the idea in advance. I would like to give it a go one of these years--and so, finally, I have joined!

I finished Halloween with sufficient aplomb, whereby my new vampire romance novel A DRY PATCH OF SKIN went viral like a patient with ebola (Thanks to those who downloaded or purchased it! Please post a review.), and so I lay exhausted and drained of energy, devoid of plot ideas. How could I possibly participate in this festival of wordcraft?

Until, alas, one ancient tale arose in my mushy consciousness late Halloween night not long after several diminutive alien costumes accosted me upon my doorstep, demanding healthy treats! The horror! And so was born the story which shall consume me lo these many nights of November!

The goal for celebrants of NaNoWriMo is to create from sacred mind-fire a 50,000 word book. By definition, that is the minimum length for something called a novel. That seems to be easy enough. My previous novels have been in the 72,000 to 122,000 range. However, let us not forget the time factor: one month--with the day job looming precariously over all.

When we are embroiled in the vagaries of daily life, we cannot simply sit down at a given moment and type out a story! 

I, for one, am a slave to my muses. I cannot work unless they approve of the project. And they will not approve of the project until they have been adequately wined and dined, made indolent and subservient through pleasurable stimulations, coaxed and coerced into finally granting their favor upon me.

Once started, however, I can run on fumes until it's finished. Then, when it's finished, I fall into a useless funk, dreading I'll never write anything ever again. Months later I get another idea and run it by my muses to see if it passes muster. I wonder why I ever had doubts about writing again. It is what I do, after all. No matter what month it is. 

Therefore, to claw my way out of the grave of vampire novels, I enter this new house of worship with full knowledge of the many sacrifices required of me! 

FYI

My NaNoWriMo ritual is titled "The Masters' Riddle"

It is a sci-fi tale of captured aliens trying to escape a barren prison planet. And none of the characters are human.

Stay tuned for the amazing result!

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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

Does this cover make you itch?

Life is full of choices, some people say. One of them may be whether to read this forthcoming medical thriller/contemporary vampire tale. The tropes are the same, as required in the genre, but each volume, no matter the author, must play with them in different ways. 

In A DRY PATCH OF SKIN, the main character does not believe in vampires. Then he does not believe he will become one. Then he fights against becoming one. The conflict is generated by our hero's desperation to stay normal, both for his own comfort and to be able to stay with his new lover. It's a complicated process. Each of the usual characteristics (tropes) of a vampire, and becoming a vampire, are examined in various scenes and accepted as plausible or disproven as medically impossible by the characters in the scenes. And yet, there is always "magical realism" to fly in, rather like a bat out of hell, to save the day!

Today I reveal the latest cover for this so-called vampire novel. Because the title refers to a diagnostic situation, I thought to use some medical-related image. I received many suggestions for syringes dripping blood. Squeamish myself, I dismissed those ideas. I found several truly hideous faces, people with advanced disease disfigurement, but I did not want to scare away readers from even opening the cover. I also did not want something too obviously related to vampire tales. I was not rewriting Twilight or Dracula, after all.

The twists in the plot lent to the cover art design the idea of Gothic horror and the sub-culture Goth. I looked at a lot of Goth girls--I was doing research!--and searched for a duplicate of the character in the novel. No such luck--because my imagination is much more vivid than my mundane reality. I returned to the "love story" aspect and continued searching for something that would speak volumes about some major theme of the novel, until I found what you now see: a couple embracing, maybe for the last time, as their situation becomes dire.

So I went with a basic black and white design, adding a catch-phrase line in blood red just for the amusement of those vampiriacs who cannot drink the words. Yes, I'm sick that way.

And now...without further adieu...the cover!

The actual line from the novel which has been repeated on the cover goes a little like this:

It was easy to drive to the hotel where a room should still be waiting for me, although I had yet to spend a night in it. The hotel staff would be happy to keep charging my MasterCard for whatever days my name was associated with the room. At least I could get a cold shower and change into fresh clothes. Then I would decide what to do next. After all, life has choices, I often told myself. But so does death.

It comes late in the book, as our hero (or shall we dub him anti-hero at this point?) is reflecting on his life. Perhaps he had been thinking a similar thought earlier, in several instances, but it was not recorded in the first-person narrative because it did not mean so much until this later scene. I hope that is not any kind of a spoiler. It is, of course, not so much what happens as how it happens in these kind of stories. I trust the journey will be full of pathos, romance, horror, and gut-wrenching insight into the nature of humanity. 

Either way, I'll be starting on the next book soon enough. I think I'll try Epic Fantasy. Thanks for your support!

www.myrddinpublishing.com

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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.