THE WARRIORS BAUMANN & The Writing Life, part 2

What a happy holiday season it is whenever I have a new book out into the world!

This year that new book is THE WARRIORS BAUMANN (<click to get your copy), a ribald tale of two brothers on a mission in future-medieval Missouri. What is future-medieval? It is a genre in which the story is set in a medieval-level society but located in the future from our present day. How does that work? I'm glad you asked, because I've literally written six books to explain how a modern society can devolve into a less civilized society. I refer to the FLU SEASON Saga, a series of stand-alone novels with a shared timeline and crossover characters. Start anywhere; you get whatever info you need to understand that particular story. Hint: It begins with a 10-year pandemic, then gets worse (with some ups and downs while attempting to restore civilization), until there isn't much left but desperate people killing over food. Then, eventually, people start to rebuild, and after some time we are up to a medieval-level society.

States have turned into kingdoms and the capital cities have walls around them for protection. Kings rule. Warriors keep the roads clear. Traveling troupes of actors and minstrels ply their trade. One seeks to rise in status and join the Court crowd with all their frivolous finery and dour decadence. It is an ordered society. THE WARRIORS BAUMANN unfolds in such a setting as the clever older, shorter brother named Rory persuades his brawny younger brother Stank (Stanley K. Baumann) to join him on his plan to wed Princess Majory and thus become a duke. They are not prepared, however, for the trials of the Royal Road to the capital nor the plethora of schemes and gambits of the Court crowd. Success is fairly uncertain until the final scene.

Before even the FLU SEASON Saga, a small library of various stories was written, as shown in the graphic below. Once in college, the stories compiled, many based on the science fiction I had been reading in my youth. My first long work was a rip-off of Orwell's 1984; the difference in my take being that the protagonist turns out to be a plant who works from the inside to undo the tyrannical state. Titled In Pursuit of Freedom, I eventually wrote it as a screenplay and had it optioned by a Hollywood studio for a year before they dropped the project and all rights returned to me. It remains unfinished as a novel - only as the novella I typed up during high school days.

My next longform work was YEAR OF THE TIGER, which began as a sci-fi short story I wrote in college. I took the professor's advice to reset the story on Earth rather than an alien planet. So I chose a tiger as the counterpoint to a man driven insane by dreams of himself as a tiger. That story, too, became a screenplay - the easiest way to get the full story on paper back in typewriter days. I swore to turn it into a novel and I tried several times but the complicated story stood firm. Finally, after years of revision, I thought I'd gotten it just right, and published it only in 2020, when the world was in pandemic fever and nobody was buying books. A fellow author from India read it and pronounced it a fine book (her review here).

Back to the early days. I finally sat down and wrote the great masterpiece I'd envisioned based on some wildly ridiculous tales of adventure from my youth reset on an alien world. I called it THE DREAM LAND and included a version of myself and girlfriend of the time as protagonists exploring another world through an interdimensional doorway. While almost comic-bookish at first, the story through revisions got more serious, more scientific, and darker as these two Earth people learn to function in the new society and gradually rise in status - though not without considerable problems. All right, done. I'd set it down for the record.

But what happens next? I had lingering questions so I started in immediately on Book 2 of what would become a trilogy. The first book set up all the tropes of interdimensional fiction so the second book used them straightaway, focusing on the how and why - then using a time travel/change history theme (things don't go well in the end). Then I wrote Book 3 to solve the problems encountered in Book 2 (undoing the history that was changed because it made everything worse + an approaching comet). The end of a good trilogy.

In the middle of Book 2 (Dreams of Future's Past), however, I got stopped by a plot conundrum. For the next ten years I didn't write fiction. I wrote scholarly articles, grad school papers, a non-fiction thesis, and finally a Ph.D. dissertation. While teaching English after all my education, I read a student's sci-fi story which reminded me of my unfinished book. I returned to it, suddenly knowing how to get through the plot conundrum. It wasn't from anything in the student's story; rather the act of taking some fiction into my brain unlocked it and fresh ideas flowed. So I finished that book and went straight into Book 3 (Diaspora). 

Also while working on Book 1 of THE DREAM LAND Trilogy, I went to Japan to teach English. I used my experiences living there for five years and from earlier experiences living in Hawaii (thanks, Army!) to write a romance novel, AIKO. Then my subsequent Master of Fine Arts thesis was a novel titled A BEAUTIFUL CHILL, another kind of romance (what I dubbed an 'anti-romance') set on the same college campus (Ah ha! Take that, professors and colleagues!). Still another book came while I lived in South Texas and attended the university there for a Masters of Arts in English (thinking to return to Japan and teach again). Several courses in rhetoric inspired me to write a version of The Iliad and The Odyssey - putting a modern young man touring the ruins of Troy (Ilium) with an older woman named Helen. Awkward. That book, AFTER ILIUM, although not the first written, became my first book to be published as a longish novella. Next came The Dream Land trilogy, followed by A Beautiful Chill, and Aiko. I thought I was done.

How did this wave of publishing get started? I'm glad you asked because there is an answer. You see, being busy with grad school and then teaching (back in the US), I had little time to write new books. Meanwhile, the publishing world had moved on; the process changed. Instead of mailing a box of paper to an agent or publisher with a self-address stamped envelope for a reply (they didn't return to box of paper unless you included return postage), we now used this thing they were calling e-mail: you sent a message (cover letter) via this system and attached a sample manuscript file (1 to 3 chapters). Instead of waiting 6 months to a year for a reply, you could expect a reply in 3 to 8 weeks. I sent manuscripts around using both methods. Got some nibbles, no hooks. Did have a couple agents briefly. In the end it was neither method which got me published. It was the Amazon Breakthrough Novel Award competition that first got my books noticed. I entered it three years in a row but did not win. However, through the ranking process I was noticed.

I am, if nothing else, a special case. While in a hospital one day, I acknowledged to myself that if I could do anything before saying goodbye, it would be to see one of my novels published - and praised, reviewed, with movie deals, etc. in some of the dreams. So I entered the ABNA competition on that whim, got some attention, and hooked up with some small press folks. I thought at the time "this is good, this is enough" and didn't pursue more lucrative avenues. I should have tossed my hat into a wider ring. But I also thought I had no more ideas and so there was little point in trying to go big or go home. I was already home, and that was fine. Thus, I've been in the same Myrddin Publishing Group sphere of influence ever since. 

As the next book is written and the next, and the next, I keep looking back and wondering what life might have been like if I had struck out for something more traditional. Going for a Big Five publisher. As it was, I believed I wouldn't write another book so the end of my writing career, such as it was, was fine. I had done enough to satisfy my desire to see my books in print (and on Kindle). I kept on teaching.

Then I got a new idea for a book: a vampire novel.  [TO BE CONTINUED]


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(C) Copyright 2010-2025 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

End of 2024 Review

The year 2024 has been a year of regrets, I regret to say. Regrets for things I didn't do; for things I did do but perhaps shouldn't have; for things I said and failed to say; for looking back far too much; for not getting that time machine built.

This has been one of the most difficult years I've had since my toddler years when much was not actually my fault. A lot happened. Some good, some not so good. I'll try to keep it light for the holiday season.

I began the year in the dark weeks of winter by deciding to move to a new residence out of spite for the changes the management made during the previous year (after I signed the lease). My new place was more in-town, a mere 3 miles south of the old place, was of a more traditional style. So far, it has been comfortable - but my neighbors changed and now I have loud talkers below me. I don't complain much because at least they are not loud music buffs.

I settled in and returned to working on whatever the latest book was, putting off unpacking for when the muses insisted on napping. Spring came over the land and I noticed. Didn't do anything, but I noticed. Had thoughts of this summer's road trip. Studied maps. 

Next I helped my daughter move. That is: sell a big house and buy a small house. Then the truck and the lifting and the carrying. You know the drill. That stressed me enough that I had to be checked out by my newest doctors. I say newest because I had moved here two years earlier upon retirement and had to switch from doctors in the old location in another state. Plus the hassle of setting up various government programs designed to keep paying taxes for as long as possible. So far, so good as I arrived at the summer. I was put back together and sent on my way. No road trip.

I decided to take it easy the rest of the year, relax and let the world come to me. I've actually accomplished that goal. In fact, I still have not finished unpacking since I moved in to this new home. I think about it. Instead, I get up, do some writing, check the socials, run errands as needed, take a nap, get up and watch TV, get dinner, watch YouTube videos or a movie or write more, then read and go to bed. An easy schedule. A simple life.

Next I shall elaborate on my writing during the year. If you've read about this topic in previous blog posts, that's fine. Thanks. I still urge you to read on; the grammar is better this time.

Professionally (if I may use the term for a non-paid vocation), I managed to complete Book 4 in my Flu Season series. I'd thought a trilogy was enough to hang my hat on - my third trilogy, achieving the trifecta! Yet another book idea kept pushing into my head until I had to write it in order to stop the noise. Book 4: THE BOOK OF DAD continues the misadventures of one of the family members as he suffers through the 'Ideal Society' of the capital after the pandemic years and civil war have passed. The theme is about truth, what it is and how it can be so easily corrupted - as he learns from Big Sister. Appropriately, THE BOOK OF DAD launched on Father's Day.

By that publication date, I had already started yet another book in the series, calling Book 4 a sequel to the trilogy. However, starting Book 5 forced me to see the continuing project as a new trilogy. This new book is narrated by the daughter of the main character of Book 4. It is a lighter story with an emphasis on music as a vital aspect of human experience, lost during the previous reconstruction era. In Book 5: THE GRANDDAUGHTER, a simple country girl living out west in this post-everything world decides to start a kids band in her little town. But she is noticed through some music events and rises to a full musical career. I often call this story a remake of the musical The Music Man but with a post-apocalyptic Western setting. THE GRANDDAUGHTER launched in September.

What does a pair of books need to become a trilogy? 

Yes, by then, I had started what I expect to be the final volume in the Flu Season Saga: THE GRANDSONS. As of this blog posting, this novel is, by my estimation, roughly half finished. It is a complex book using a frame story. We begin in the "present" of the story which is 15 years after the end of Book 5. Then we slip back in time to reveal what has been happening to the characters during that 15 year span. Finally, we arrive again at the book's present time and, having now learned all that happened, the concluding chapters are poignant and a fitting conclusion to the entire six-book series. When all is said and done, we are well into the future and on the way to connecting with my vampire series and my epic fantasy novel. Book 6: THE GRANDSONS should launch in fall 2025 if all goes well.

The end of the year is always a quiet time. I'm not much for lavish parties although I attend them sometimes. Not a fan of loud celebrations. Not much for the religious devotions yet still appreciate the music. That's just not me. Been that way most of my life. I prefer periods of quiet reflection. That often leads to a list of regrets. Thinking over what I've done, what I've witnessed through the year, and what could've been done better - not that I can go back and fix anything. I might be able to rewrite some things as fiction, a better version of the truth.

At this stage of my life, I make few plans. Other than finish the book mentioned above - and I have no plans to start another following it, although I have a couple manuscripts in unfinished condition I might take another look at - I will hopefully awaken each day and only then make a decision what to do. Then another decision as the day blossoms. Then another. Hard to say. It's something to do.

I wish you all the happiest of holidays now passed, and a better new year in 2025 than any past year!

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(C) Copyright 2010-2024 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.