25 October 2015

Halloween: The Sequel!

'Tis the end of October and the spooks are about, so it seems the thing to do is wax poetic on Halloween and Samhain themes.


For the quick studies among us, I offer these "cheat sheets": Some Halloween history  and Some Samhain history.

I haven't cared much for the day. Love the season, but not the rituals. I've never been a ritual kind of guy. But I have history on my side.

First Halloween I remember was in a distant realm where costumes were crafted by hand. 
I perfected the robot by combining several boxes, a larger one for the body, a smaller one for the head, still others for feet. Arms and legs remained sheathed in cloth. In the second grade I won a prize for having the best costume. What was special about the robot costume was that the non-steam-powered device was also an early form of the personal computer. If someone were to write out a question and introduce the slip of paper through the designated slot in the body of the robot, the robot would [eventually] produce a verbal answer to the question. The robot proved to be 90% accurate which was, pre-MSWindows, quite a remarkable feat.

Then came other costumes full of commercial interests: characters from TV shows, classical monsters, space aliens (the fierce and loathsome kind, not ET), and finally the minimalist kind of costume. Minimalist? You know the type: you put on a clean shirt and glasses and say you are dressed as a "nerd". Later, as an adult, I graced one, maybe two, adult Halloween parties where others went full out as sexy witches and vampire studs. I was still dressed as a nerd--still long before nerds were cool.

I often went trick or treating with my cousin, but our chief goal was less about collecting candy than harassing his sisters. Gradually, we forgot the costumes and simply ran wild through the night, sending rolls of toilet paper up into the trees of houses where girls who did not like him lived. We could, by then, buy our own candy--and we did. Then the reverse happened. We became candy givers! Definitely less fun. Ah, I have not given out candy for many years now. You see, congruent with my emerging adulthood came the cultural shift away from children ringing doorbells and begging for treats. Too dangerous now--pins in candy, creepy pedophiles, whatever. What a shame!



Well, it was never really about the candy or the costumes, anyway, I soon learned while hanging out with people who called themselves witches

Real witches. Though they dressed like "ordinary" people, they had many of the same beliefs I held at that time. None of us threatened people nor begged for snacks. A few preferred to dress in black year-round, and all wore the pentacle around their necks or emblazoned on their black t-shirts. All in all a friendly, charming bunch of social rebels whose chief activity was "raising awareness" of their existence--then complaining that everyone disrespected them.

Other cultures celebrate death and welcome back the dead at this time of the year. That's fine with me. I've had it both ways--err, well, perhaps not both ways in the way you might be thinking. Someday I will, of course. 

What I meant was the fun side and the serious side of the day. Now, however, it seems like just another commercial venture: Halloween "memorabilia" is present in stores hours after Labor Day sales have ended. I can deal with fake cobwebs and spiders and bats, even a few talking skulls or laughing zombie heads, but let's be real.
Death ain't so great. That's what I was told by a rather decayed ancestor of mine who happened to pop up in the middle of the night beside my bed--a day early, no less--just to warn me that on one of these Halloween nights I might not be around to celebrate much of anything. I said, in my sleepy voice, "Fair enough."

The laughter that followed my ancestor out through the cracks in the walls was unnerving enough to get me up from bed. I had to splash cold water on my face and awaken fully, just to be sure I was still alive. Shaking my head in front of the mirror with all the lights on, I knew it had not been a dream.

So, carefully, I made my way back to bed yet lay awake for hours, unable to close my eyes, afraid of the next snap, squeak, creak, breath, sigh, or moan--most of them, thankfully, coming from my neighbors arriving home late after the bars closed.

And the dawn sprite told me to go to sleep; my time had not come.


But wait! There's more! Have you ever wondered what the first sign is for transforming into a vampire? I wondered... and here is the amazing result!

Read a review in The Oklahoman newspaper here

(The only vampire romance story to be set in Oklahoma City... among other places.)




Turn, Mr. Stoker! Turn quickly in thy grave!





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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

17 October 2015

Understanding the Horror of Horror

"I ain't dead yet!"

As Halloween approaches, it's a good sentiment to have. However, as we accept the once a year opening of the door to the underworld and the unseen and possibly the undead, as well, it may be the best time to also reflect on what makes horror horrible...er, uh, scary. (You knew what I meant, right?)


Ever have a scary dream? Maybe it awakens you in the middle of the night and you don't know where you are. Maybe you still feel those pin picks or knife cuts in your skin. Perhaps your throat feels tight and the skin is rough from where the rope scraped. You might have been sensing the increasing pressure of heavy stones laid upon a barn door which was itself laid over you, all the better to extract a fictitious confession. 

Or perhaps your brand of scary is biting into a chocolate birthday cake and instead of pleasure, finding crunched up bits of cricket or other "foreign" matter there. Perhaps the beverage served reminds you a bit too much of freshly squeezed blood, donated by the kid who did not bring any gift. Or the sandwich you packed for lunch today somehow tastes strangely like human flesh instead of what it is: braised cow tongue. You open the lunch box and there are cockroaches squirming about. Is that your kind of scary?
Still another kind of scary is logging on the Internet--or, just as easily, flipping on the television--and there they are: so many stories of horror happening all around us and across the world. Killings of all kinds done in many creative forms. Solo assassins, self-designated mayhem artists, gangs of revengers, harmful idiots out for their own entertainment at the folly of anyone who gets in the way. Or the larger forms of them: armies of nations or parts of them doing the same thing: creating chaos for its own sake or the sake of someone's power structure. Where is the candy?

Or take it down to street level in your local town. Same thing: street thugs, simpletons with weapons, angry for anger's sake, and loners with axes to grind, guns to shoot, people to kill--for the sake of Halloween? Nope. Just people afraid of people, shooting before shaking hands. People afraid of their own shadows--or the lingering shadows of the previous night's dream. "Who knows what evil lurks in the hearts of men?" It's all the same in an unsettling way: a spark of angst in the middle of the brain and we shriek.

Whether the horror is on the screen in a movie theater or on the page in a book, the mind provokes the body into a certain set of sensations and we act or react. Let the horror be real or let it be a fictitious fright. We feel it the same way biologically. And yet, the fictitious kind usually leaves us stronger, more confident, even less afraid, while the real horrors leave us in constant terror, constant stress, that we cannot simply put down or walk away from when we've had enough. That is the true horror of the horrors around us. 

Halloween is coming. Is it too little now? Is it too unscary compared to the real world today? Is it more trick than treat? Is it becoming a little better, or are we not yet at the peak? Be safe in your own little world and, at least for a night, pretend that all you have to worry about is a bad dream that will go away when you open your eyes. Or (it's happened to me too often), a lot of children ringing the doorbell after you've already given out your last bag of candy corn.
Looking forward to a day when this is the scariest thing we will see.

If you liked this rant, I accept donations of Kit-Kat and Jelly Belly jelly beans (any flavor). Thanks.


And don't forget our own library of horror--the fictitious variety (except for my contribution, which is 87% real)--and enjoy your midnight read!

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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

04 October 2015

To Write PC or Not to Write PC?

Do you write what you preach? Are fiction authors supposed to promote their personal values? Or is the story a self-contained entity with its own political views? Must or should the author reveal personal positions on every social and political issues undergoing discussion in the public arena? Or is the story just a story and everything political is throw to the wind for the sake of the story? 
(Apologies for using a white, male, middle-class, heterosexual image.)
Once upon a time, a writer wrote a book. In this case, the writer is a "he" and the story involves a "she" as the main character. What could go wrong? one might ask. Many male authors have written female protagonists, and certainly many female authors have written male protagonists. Still, perceptions exist. "Write what you know" is an old axiom, and yet if that were to be followed religiously, a writer would only be allowed to write his (or "his or her") autobiography.

Conversely, the writer is supposedly imbued with a welter of imagination, able to leap tall plots in a single bound, about to stop dastardly antagonists with bare hands (obviously, on a keyboard). So it should go beyond the "write what you know"--shouldn't it? It is the mark of an author that he/she can make you believe he/she knows what he/she is writing about. So, if we allow for rule number 3, then anything goes. 

However, there are plenty of instances where readers get in the way. I mean that is a wholly innocent sense. If writing for a particular class of reader, the writer may shape the story in a certain way to appeal to that reader, say in genre-driven stories. Part of that may be, say, to use initials instead of a name or to use a pen name complete;y to hide the gender of the author. Because a Romance author cannot be a man...in theory. And a hardcore sci-fi author cannot be female...traditionally.

I don't intend to focus on, say, gender issues, but today we seem surrounded by issues of all kinds, political and social, which make me wonder. Do authors include their personal values and views in their fiction writing? For example, if you are opposed to same-sex marriage, do you write stories in which the traditional opposite-sex marriage is the only option? Granted, the world of the story may demand such, but if the author feels strongly about the issue, might there not be some occurrence in the story of a same-sex marriage?

If an author is against, say, guns...would the story be gun-free? If the author believes in a nation having a strong military and the government protecting its citizens by militarizing city police forces, would that idea be reflected in the author's latest book? If the author is a card-carrying conservative opposed to abortion, would the character in the story who gets pregnant have an abortion or, more likely, have the baby and offer it for adoption? It starts to get complicated. Or perhaps it's very easy. Do your characters act as you would act?

I have to say here that the examples in the preceding paragraphs were cherry-picked and do not reflect my own personal positions on those issues--or perhaps they do. You can never know for sure, because we like to keep our beliefs private. Or do we? Plenty of us speak up and speak out on whatever we believe is right or should be right, and we either find those who agree speaking with us or those who disagree trying to shout us down. The third column, which I suspect is the largest one, remains mostly silent--or dabbles in subtle sarcasm just to be able to vent when necessary to maintain personal mental health. 

And then there is the marketing question. If an author writes books in which the characters act as he/she would, espouse views the author would espouse, act as the author would act with regard to a whole host of political and social issues, views, and positions, where does that leave the reader? Could that reader like a story enough to buy it even though the reader and the author may have different views on, say, immigration reform? Or do we authors censor ourselves so as to be as mild-mannered as possible and not offend anyone who just might be tempted to buy our book? Tough questions--or non-issues?

Perhaps many writers, authors, dabblers in words, whatever the label, just don't care about such matters because just writing an interesting story is hard enough and we don't have time to be concerned about things outside the story. Or are we politely disingenuous, hiding our true nature and our true beliefs and values for the sake of that interesting story, afraid to speak out about something we feel strongly about because we worry about offending fellow authors and potential readers. 

Fiction writers, as a clan, do not generally deal with pontification; we do not write a work of fiction solely to push our view of how the world should be. Or do we? Or should we? Or...why shouldn't we?

In my latest novel, still in the final tweaking stage, my protagonist uses guns. She hunts for food. Later she is a soldier. (You may notice the pronoun "she"--which may imply to some that I have a second strike against me in that a male writer shouldn't write about a female protagonist.) Two valid uses of guns. However, the recent (yet again!) mass shooting on a school campus brings the issue of guns to the forefront once again. I almost feel the need to apply a "trigger warning" to a book where there is (or may be) the shooting of a gun. Is that where we are heading as writers? 

I am quite aware of the three strikes already against me as I step up to the plate with my book in my hands, ready to swing at an outfield full of readers (personally, I am opposed to sports metaphors being used in subjects unrelated to sports, but I do so here strictly for the potential humor): 1) I'm a male writer with a female protagonist; 2) I'm not the same ethnicity/race as my protagonist; 3) I grew up in a city with two married parents and I'm writing about an orphan in a small village. 

But let me plunk down that huge weight on the other side of the scale: imagination, research, and a beta reader who is female, the same ethnicity as my protagonist, and an orphan from a small village. I hope I got the story right--and by "right" I mean authentic, no matter what social and political issues are swirling around the social media forums and bookstores of this world as I write it and offer it to readers.


Sure, the literary canon is full of writers who pushed agendas, who wrote dogmatic tales, who left strongly-worded suggestions of how we should behave, what we should think, what we should do or stop doing--woven more or less subtly through a fictional narrative that served to entertain us long enough to get the message across. Or were they simply good stories which only in hindsight do we see a message or a warning? 

And yet, in this present day world of saying the right thing, being politically correct or decidedly not, what is the author's responsibility...or compulsion?



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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

19 September 2015

How a Devious Muse Tricked Me!

It's like that common meme: so-and-so went to someplace and all I got was this t-shirt. This past summer I went to Beijing, China to teach a writing course at a university there and all I got was half a novel about an Inuit girl in Greenland. I felt deceived by my Muse. 

One would expect I'd be filled with some Chinese story and take the opportunity of being in China to write it out. That did happen to me when I lived in Japan; while there, I wrote a story set in Japan (that would be AIKO). And my vampire novel A DRY PATCH OF SKIN is set in Oklahoma City, where I now reside, as well as Utica, New York, where I previously resided. So I knew those locations well and could write about them with confidence. But does a writer need to be in a particular place to write effectively about that place?

In these days of easy access to the wealth of knowledge contained in a few massive servers spread around the world, probably not. Sure, one could absorb some of the ambiance of a place by being there, I suppose. I did that when I spent a few days in Iceland --but my novel A BEAUTIFUL CHILL, which used some Iceland locations, was mostly finished by then. Research used to take a lot of time and trouble for writers: trips to the library, interviews with experts, travel, and so on. Of course, that was always part of the fun of writing about an exotic location. You could also charge it on your tax report as business expense. 

But not now. The internet makes it too easy. You can check facts, see pictures of a place, read articles, peruse maps and even satellite images to save you from the costs of an air ticket and rental car, hotels and meals. For example, while writing my vampire novel, which culminates in Croatia (a place I have never visited), I simply went to Google maps, selected the satellite view, even turned the angle of the image as I liked, and I could see for myself that the landscape my protagonist was driving over was not mountainous but rather flat. Indeed, much of it was sectioned as farm land, not wild forest as I had hoped. Knowing the true terrain there made a big difference in plotting the final sequence of scenes.



The same is true of my newest novel A GIRL CALLED WOLF, which opens on the rugged east coast of Greenland. I have never been there, to be honest--although now that I've written about it and thoroughly ensconced myself in Greenlandiana, I definitely want to visit. Again, I made use of online maps to choose locations for filming--err, uh, mmm, you know, writing the story. Several websites, tourist-focused and other-focused provided a wealth of information, including photos of locations. I also got several print books via my old friend Mr. Amazon, explorer travelogues, history books, and reference books. For example, This Cold Heaven by Gretel Ehrlich, from which I read a chapter or so each night before going to sleep and which often caused me to have dreams of Greenland, some of which prompted me to rise early and start writing even before my first cup of coffee.

This is not to say that I simply threw a dart at a map of the world tacked up on the wall and decided to write a story about whatever place the dart happened to hit. No, I'm not that good, definitely not that masochistic --although it would probably make an interesting experiment. I did actually have a starting point. Spoiler: The story began on Facebook with a friend of a friend interacting with other friends and me noting the unfolding events and related information. After months of interaction, I started to get the sense that it all might make an interesting story--if only someone would actually write it.

The idea bugged me for almost a year--indeed, likely going back to the character of Alma in my vampire novel. The heroine of this new story seemed to have the same personality, at least as a point of departure for the story, a place for me to dive in. The next step was to decide how to lay out the story and where to begin to tell it. Plotting, I believe is what this is called. That part was a little easier because I could just follow her actual life events--just dramatize them.

For me, however, it is a far less scientific process. It is much more random; I have to feel it and when it feels right, I write. I wrote what I like to call "test writing" --especially necessary if the story is to be told in the protagonist's own voice. I had to get the voice down just so. I write until I believe I am "speaking" in his (A Dry Patch of Skin) or her (A Girl Called Wolf) authentic voice. For Stefan, that was a high-brow learned voice. For Anuka, it is a rough semi-literate voice. Then I got permission to tell her story. 

So there's this Inuit girl (Inuit is the proper name for the people sometimes called Eskimo) who is born "on the ice" rather than in a village or other small settlement. Her mother is a shaman, ostracized by the village, and one day a strange man washes up on the shore. The way nature works, soon a baby is born: our heroine! Like all legendary heroes and heroines, there must be an unusual birth and a harsh childhood that steels them for the adventures to come. So it is for our young protagonist. 



Once she becomes an orphan, she is eventually forced by hunger to enter the world of the village where people try hard to socialize her. It is an awkward proposition. Besides her resistance, she is tormented by some of the villagers, thus prompting the village leaders to send her to the orphanage in Nuuk, the capital. There, the Catholic Sisters attempt to teach her skills that will be useful for employment once she reaches the age of emancipation. Meanwhile, her teacher back in the village has located a relative of hers. Remember that man who washed ashore? Her father? Turns out he has another daughter back where he came from, a woman who has since moved to Canada, believing that he drowned rather than ended up in Greenland. Needless to say, things get complicated.


I have danced around a fistful of spoilers, but this is enough to give you the basic direction of the novel: a girl born of humble beginnings, forced to learn and grow and depend on herself, enters a world not of her choosing and adapts to it in fits and spurts until finally she realizes what she wants most is to be recognized for what she can achieve. In the end, she manages to save the world in classic legendary fashion. Using all she has learned and a lot of sheer guts. [Major spoilers avoided!] 



(Did I mention that the heroine in A BEAUTIFUL CHILL is the long-lost sister to our Inuit heroine? I guess that kind of crossover novelization would be some kind of spoiler but I doubt it will ruin the story for readers. Crossover novelization is a thing, isn't it?) 



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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

07 September 2015

Writing about Greenland while stuck in Beijing

So far this year, I have blogged about Korea, about a new novel set in Japan and Hawaii, and written about my month in Beijing, China to teach a university course. However, the oddest thing about my month in China was how much time I spent in my hotel room writing a new book set in Greenland.

How, you may ask, could I focus on Greenland while in Beijing? I was supposed to be sightseeing as long as I was there, right? I was supposed to enjoy all the Chinese things, right? My mind would be filled with Chinese this and Chinese that. There would be no way I could not be thinking of Chinese stories. Well, you'd be right, except...as my writer friends know, you write the story that wants to come out, no matter where you happen to be.

Of course, the idea came first. I had been intrigued by a story line I happened onto about a year ago. (More on this next time.) The more I learned, the more I felt it would make a good novel. I did some research because, you know, everyone knows about Greenland and the Inuit culture. I was not completely ignorant of it, however, since I consider myself a geography savant, perpetually obsessed with maps and the places they show. 



I started writing, as I usually do, with just a scene--a "test write"--something I thought might be a good place to begin the story. I chose to tell it in first-person, letting my heroine tell her story. I wrote for a while to get the voice down accurately. I had to hear her talking to me, in her natural way of speaking. Even choosing whether she says "yet" or "but" became important to creating her. As a semi-illiterate, her word list would be short yet she had to be expressive. After a few weeks I felt I knew her well enough to imitate her.

So when I finally learned my China trip was a go, I panicked. I feared losing momentum in my writing. I had about 10,000 words by that time but I was going slow, stopping to research the setting as I went. What do you call this part of an Inuit house? What is this garment called? But I had to go to China; I felt rather Nixonian. So I packed the book I was currently reading, This Cold Heaven by Gretel Ehrlich, a contemporary account (1990s) of a woman traveling in Greenland yet also providing generous portions from the travel journals of earlier Greenlandic explorers and residents, namely Knud Rasmussen and the American artist Rockwell Kent. It was truly evocative and spurred my writing. I also took a small book about arctic wildlife and my map of Greenland with me to Beijing.
Where the magic happens. See jacket over chair at so-called desk?
Settling in and getting my class going took up the first week. When the first weekend arrived, I did some sightseeing but the oppressively humid weather pushed me back into my air-conditioned hotel room. I had my laptop and I had a cobbled-together "soundtrack" for my book--music that evoked (at least for me) the cold arctic landscape in both its good and bad seasons. I forced myself to focus. I had to get back on track or loose the story for the next four weeks. I read what I had written from the beginning, editing as I went. By the time I reached the point where I had left off, I was back on track and charging ahead with the next scene. (*Fortunately or not, the limited internet access and non-bilingual TV programming in my hotel room further gave me little else for entertainment than the story I was writing.)

So almost every day I wrote a little or a lot. My teaching schedule was light and most of the sightseeing I could be doing was done on my two previous trips to Beijing. Cranking the A/C as cold as I dared (without freezing the system so it would not work) helped set the mood. The music played through my ear buds and I typed, my head filled with the movie I was watching unfold. 


Sweating at Beihei Park but thinking of ice and snow!
For the second week's days off, I planned major sightseeing, but then the rain came. Thursday through Sunday, rain. I pushed myself out on a darkly humid Saturday only to be accosted by art exhibit "hookers" (see previous blog), but the rest of the time I was writing in my hotel room, on my laptop, and no matter which housekeeper came to clean my room or try to extract me from my writing desk, I continued! My fingers were fingers of fury! 

In the third week, I was so filled with the story that I was awaking early to write what was in my dreams. Yes, I was there inside my story, standing on a mountain watching things play out. And I started typing bright and early, before I was fully awake. Bottles of iced coffee in my mini fridge fueled my writing! I did not stop for the breakfast buffet or the housekeeping intrusion. I typed while they made the bed, etc. and I didn't even hear them wish me a good day and close the door behind me. Yes, for two days straight, I got up early and wrote almost full out (restroom breaks allowed) for six hours each day. 

By the time I was boarding the plane to fly home, I had added 55,000 words to the manuscript. That's worthy of a NaNoWriMo award! Once back home, I did not let up. I still had a week before my own school would call for my presence so I kept my fingers to the keyboard. When I eventually finished it--when I arrived at the final scene and could type The End (FYI, I do not actually type that.)--I sat back quite satisfied. Then I launched into the first wave of revision, rechecking facts, researching, clarifying, adding details, correcting a typo here and there.
Just one of many images I used for inspiration.
And so that is how A GIRL CALLED WOLF came to be written mostly during a month in a hotel room in Beijing. It's all about setting the scene, creating the mood, and focusing on the world inside while ignoring the world outside your head. And occasionally going out to get something to eat. And teach a class in Business Writing American style...if I remember.


Next: What is A GIRL CALLED WOLF all about?


*Facebook, Twitter, Gmail, Google, and YouTube were all blocked on the link my hotel used. My only links to the outside world were Yahoo email and LinkedIn. My one night at the airport Hilton before departing gave me those common links back but by then it was too late to make much use of them.


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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

30 August 2015

The End of the Adventure Begins!

As promised I'm telling about my month in Beijing to teach a course in Business Writing in reverse. And so I arrived.

In fact, my airplane arrived a full hour early. Tell your grandchildren about this strange phenomena. Because of that, I missed my contact who was supposed to meet me at the airport. Fortunately, I had been to Beijing twice before and did not panic. After waiting a respectable amount of time, I took a taxi into the city and found my hotel, provided by my summer employer.

Then the fun began. My first class. The first welcome reception. The first case of Mao's revenge. The first sightseeing.

I found my way to the correct building at the appointed hour (8 a.m.) and was happy to see a tall floor model air conditioning unit. My assigned assistant met me there, had the room ready, the a/c on. Then the students arrived--all 58 of them packed into the one small classroom. I spoke slowly and carefully, unsure that first day how well they understood English. The class, like all of them at the University of International Business and Economics (UIBE), was intended to be taught in English. All went well and we developed a good rapport that lasted through the final exam.

The first evening, we foreign instructors for the summer were invited to the formal welcome reception in a lavish venue just off campus. Students from the university entertained us with song and dance. The food was delicious, as expected at a formal dinner. What was served was supposedly representative dishes from several provinces around China. What was especially delicious was a mushroom soup which featured about a dozen different kinds of mushrooms. In the hours to come, it proved to be my undoing, forcing me to battle a case of Mao's Revenge for more than a week.

Since I had already seen the major tourist sites, I went to a few lesser ones. First up was a tourist enclave south of the Forbidden City (aka The Imperial Palace) called Qianmen. Men means gate and the gate there, obviously built just for me, was rather impressive. Something I might like to see in my neighborhood back home, just to show everyone where I live. Knowing I had plenty of time to gather souvenirs, I only looked at the many shops along this pedestrian mall. I did stop to enjoy roast duck once more--because you really can never enough of "Beijing Duck"!
Qianmen gate (one side of the street)
Gate at entrance to Qianmen pedestrian shopping street.

Me at the duck restaurant with the Duck Meister slicing it up.
Then I was off to another "minor" site: Beihai Park and its famous Bell Tower. To the west side of the Forbidden City are a string a lakes, intended for the Emperor's pleasure, all strung together with canals. This is the north lake ("Bei" means north; the subway station there is Beihai Bei: the north end of the north lake). The day was oppressively humid--as almost all of the days there, as I was to discover. 

However, once you totally sweat out your clothes, then you just go on for the rest of the day, moisture and all. Just part of the experience. I saw a lot but I sure didn't look good enough for photos. The crossing of the lake and the hike up the hill to the tower made me feel like I was really back in Beijing. The lotus-filled lake further convinced me I was no longer in Oklahoma. 
Beihai Lake and the Bell Tower.
The Nine Dragons Wall. Same design on the reverse side.
The most famous thing at this park is the "Nine Dragons Wall" so I took a few pictures of it. Everybody was taking photos of it, too. It was difficult to catch a moment without anyone in front of it, especially when I posed there. (Any of you who may write fantasy stories involving dragons, now you know: There are only nine of them!)
Another wall (gate?) with a lion. The wall is only about a meter thick.
View from top of the hill where the Bell Tower is, looking down at Beihai lake.
To get over the Mao's Revenge, I sought out cheese, the tried and true remedy. It might be easier to find a palm tree in Greenland than it is to find a chunk of cheese in Beijing. Milk, yes. Yogurt, now trendy, yes. Ice cream, for kids, of course yes. But actual cheese? Nope. So I concocted a plan to find a McDonald's and just eat a big cheeseburger, knowing full well that the cheese would not be real cheese but a fake version. I walked around in the heat of the day and subsequently dined at the first McDonald's I found. 

Your typical street Mickey's.
Strangely, the cashier woman couldn't understand me even when I pointed to the menu, so the young man standing in line behind me helped me. The dining room was crowded with students studying or "studying" on their laptops, tablets, and cell phones, so I invited him to sit with me. He was back home for summer vacation from studying at a university in Wisconsin. This is what we call irony. 

I was beginning to realize that I, a German-English hybrid genetically constructed from the dairy regions of Europe required cheese like Chinese people required rice. I searched online for Mexican restaurants in Beijing, craving tacos. None were convenient to my location, the best choice requiring 4 subway line changes. I gave up on that idea. Instead, I did find a good ol' KFC. I also found a Subway franchise a few blocks down from my hotel, right across from the campus. In fact, one of my own students worked there! An Italian Combo footlong did the trick. Those deli meats and layers of cheese got my insides back on track. I would return to that Subway several more times during my month-long visit. Because, yes, you can have too much Chinese food! 

Nevertheless, I visited the Yonghe King Chinese BBQ restaurant around the corner from my hotel multiple times for my dinners. I could get a bowl of barbecued meat, a bowl of rice, a couple sides of veggies, and a tall glass of iced coffee with tapioca beads in it for around 35 Yuan--about $6, best deal in the neighborhood. I visited twice a week, often enough the girls knew me by name: "that weird foreign guy with the wicked grin." They jostled with each other for the right to take my order. Probably they did the same for the right to deliver the tray containing my meal to my table. I can only imagine.

Next time: Writing about Greenland in a Beijing Hotel


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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

23 August 2015

Getting Hooked on Art in Beijing

If you have been following my adventures last month in Beijing, you know I'm telling it backwards. And that is not a metaphor.

So, after my second week's classes were done, I was finally ready to do some serious sightseeing. I checked maps for tourist sites I had not already visited in my two prior trips to Beijing, calculated subway routes, and prepared my knapsack with essential survival products (for example, t-paper for public restrooms).

Then it rained. They said it was the heaviest rain in Beijing in years. So I stayed in my neat little hotel room and worked on my new novel most of the day Thursday and Friday. I put in about 6 hours of original composition each day. The housekeepers came and went without incident (See previous post). By Saturday morning, I wanted to do something, anything so I wouldn't waste these days completely. I decided to return to Wangfujing Avenue, which is a tourist street in the heart of Beijing. If it rained, I could at least be able to spend the hours browsing in one of the two large bookstores there. 
Oriental Plaza shopping mall and hotel, Wangfujing Avenue in Beijing

So I took the subway to the Wangfujing station, which leads directly into the lower level of the shopping plaza near the Wangfujing bookstore. There is a food court on that lower level so part of my plan was to grab brunch there before moving on to the bookstores. I also planned to find some postcards and other souvenirs since I was in the tourist area. I walked casually through the food court area, more a collection of self-contained restaurants than “fast food” as we know it back home. As I passed an escalator, a girl coming down it called to me. She was short and cute, smiling and asking what I was looking for, as though she could help me.


Well, I look like a big dumb tourist but I’m actually an old professor here to teach an English class, so I had no reason not to be polite and respond to her attempt to help me. We had some small talk about food. I asked her what she recommended. She said the Wangfujing bookstore had restaurants in the lower level, too. I thought it would be one-stop shopping.
The main consideration for me was being able to use my credit card because I was getting low on cash; I knew most stores on Wangfujing would take credit cards. So I followed her out of the Oriental Plaza mall and over to the Wangfujing bookstore. By then, she was mentioning an art exhibition featuring Chinese calligraphy. I knew what that was and I had actually bought some beautiful scroll paintings on my previous visit years before. However, she presumed that as a tourist I would be interested in seeing scroll paintings. 
As we went around the corner of the Wangfujing bookstore--but not entering it--she pointed to the entrance to the lower level restaurants and continued on, determined to show me the art exhibit. It was between breakfast and lunch and I saw in the Oriental Plaza that the food court places were just getting ready to open, so it made sense to go ahead and see some art while we waited for the restaurants to open. I followed. 
She led me into the side entrance of the next building to the Wangfujing bookstore, a hotel, definitely not the front door. I thought that was rather strange to be going in the "back way" if we were going to some "important" art exhibit. But there was a sign there announcing the exhibit. She pointed to it. There was also a guard in uniform behind a desk which had the hotel’s name on it. Across from the desk was a service elevator. 
Hmm, I thought, what is this? She even said "Don’t worry" but it was more like "Don’t wooooooorrrry" like she knew just how to emphasize the word. That made me worry, of course. The elevator opened and we stepped on. Then two young men got on and stood in front of me--between me and the elevator doors. At that moment I felt uneasy; if the three of them were working together, they would have had me right there. Elevator robbery. 
But nothing happened. The elevator arrived at the right floor and the two guys stepped off and my escort showed me to the art exhibit a little ways down the corridor.
The so-called art exhibit was just a small room with scroll paintings lining the walls and a screen set up in the middle to divide the small room into two galleries with more space to hang the scrolls. The art was good. I'm no expert but I know what I like. Everything from nature scenes in traditional Chinese style--like the ones I already had back home--to more modern style paintings. Some with calligraphy writing (poem?) or pandas or even female models posing au naturale
I was particularly attracted to a large painting of a nature scene, a river and the rocks along the shore, summer trees and a Chinese temple hidden among them. The canvas painting was maybe 8 feet long. It as very beautiful, so my escort and the woman running the “exhibit” got me into a conversation about how much I thought it was worth. I countered by saying it would be impossible for me to take it with me on an airplane. So they showed me a much smaller painting, similar kind of nature scene but autumn, on a canvas but not put in a wooden frame. The older woman unrolled the canvas in front of me. It was about 2 x 3 ft. A lovely painting.
But for me it did not matter what the cost was. If it costs 100 dollars but you do not have 100 dollars it doesn’t matter if you like it or not. At first, I thought they were giving me a price in Yuan (about 7 to the dollar) but then it became clear they meant dollars (What if I was French and had no dollars, only euros?). Of course, I did not get up this morning with the idea of buying a painting of anything, much less be pressured into it before I’d even had my breakfast or lunch. So I balked, said I needed to get something to eat before I could decide on whether to buy it or not. I really did not want to buy it, but I was trying to be polite. Up to then my escort and the woman running the art exhibit had been pushy but remained polite.
The idea was proffered that my escort was actually the painter of the smaller unframed painting and because she was "only a student" they could cut the price. I started to see the ploy, but I was saved simply because I really did not have the cash and I was not too confident using a credit card there in that small “shop”. 
I was trying to extract myself because I really was hungry by that point. The deal was undone for me when the next middle-aged foreign man was led into the art exhibit by a young attractive Chinese girl. He was followed quickly by a young tourist couple led by another Chinese woman. We all had been found wandering the streets desirous of calligraphy and in need of a scroll! 


I was able to slip out with that distraction, but not without my escort following me. I said I needed to get something to eat, so I went out the way I'd come in and my escort followed me. I returned to the restaurants on the lower level under the Wangfujing bookstore that she had pointed out. I looked around to see what I might like, then saw the restroom sign and decided I needed to freshen up. I took my time and did not really concern myself whether or not my escort had seen where I went or would be waiting. When I exited, she was there waiting for me. She asked what I was going to eat, then switched to talking about that painting.
Walking among the different restaurants I found nothing that I wanted to eat, so I said I wanted to return to the Oriental Plaza's food court. I knew what was there, even though there were far too many choices. I started out of the lower level food court, got outside and was on the sidewalk back to the entrance of the Oriental Plaza mall next door when she suddenly shouted profanities at me and cursed me for “wasting her time”! That was shocking, but perhaps not so surprising. I knew she was a salesperson once we got into the art “store” but I was intent on maintaining my politeness as a mature adult.


I really hated that she had to let me know I’d wasted her time by using the most popular American swear words. That sort of thing makes you question humanity. You see, now the next time a college or high school student (or appearing to be) speaks to me, wanting to practice English, I will be suspicious. I might even be rude and put him/her off, refusing a conversation, simply because this one person who had seemed friendly and polite, sincere in speaking English with me, was in the end just part of a sales team. I could forgive the sales pitch, but to end it all with the cursing…well, that was uncalled for! I had been polite and I had politely excused myself. She could have done the same, saying “Thanks for taking a look.” I might have returned later to buy a painting, who knows? But to suddenly let loose her full range of profanity was quite disappointing. If her English was good enough to carry on a decent conversation with me, I would think she could put it to better use than seducing middle-aged foreign men out of the Oriental Plaza food court off Wangfujing Avenue.
No problem for me; I shook it off. Now that I was free from the clutches of the salesgirl, I did return to the Oriental Plaza and as I went down the escalator to the lower level food court, a reflection caught my eye: Pizza Hut. There it was! But just to be sure that’s what I wanted, I walked around looking at the other restaurants. I knew they would take a credit card so in I went. I ordered a salad and a medium-size all-the-meats pizza, both of which were rather good. I had peach tea, also. Total cost was 115 Yuan, about 18 dollars. I took my time, relaxed after I finished eating, watching the other patrons come in and order. Lots of young couples on a date, also families with small children.


Finally I went into the Xinhua bookstore. On the first floor were maps so I got a new bilingual map of the city. My old map, which I had been using, did not have the newer subway stations marked on it. I also saw a fine selection of postcard packets so I got a few of them. Then I went upstairs to the English books. It was crowded on all the floors, given that it was Saturday, but I did not see much I had to have. My interest was in Chinese authors translated into English, so I could read their stories and learn about the Chinese condition (much like the human condition, which is what all fiction is ultimately about). I went to the other floors, as well, and discovered fewer books and more of other things like art supplies, musical instruments, and small appliances.
I got a few small souvenirs on one floor. Outside, the sky was dark, threatening rain, but the streets were busy with pedestrians. Business was good. I walked up the street, the wide pedestrian mall, got a cold bottle of juice from one of the many street kiosks, then went into the Beijing Foreign Book Store. I did not take my time going to every floor, just went straight to the English books. I did find two paperbacks of Chinese authors in English to buy, one a translation and the other written in English. After that, I continued walking north through the crowds of pedestrians, stopping in a shop here or there to examine the souvenirs items they had.
Eventually, I thought I was far enough north that I determined it was closer to walk east to meet a subway station than to return south to the station I'd arrived at. However, except when I was sitting in the Pizza Hut, I had been standing or walking for a few hours already (even on the subway I stood), so my legs were tired. I headed east along the street which should take me to the subway station I was looking for, a connection to the line that would take me directly back without having to change subway lines. But it was not where I thought it was and I worried I had gone too far. (On the way, I passed a storefront and a man came out, calling to me, asking where I was from and if I liked Chinese calligraphy! I said I was in a hurry and could not take any time to go into his shop and look at the scrolls.) 
Right where I happened to pause to check my map, I saw a McDonald’s on the corner so I went inside and got an iced latte and sat down to study the map better. Refreshed once more, I continued on and found the station. Once I got off at the subway stop nearest to my hotel, I climbed the many stairs to the surface and proceeded to walk the few blocks back to my hotel. On the way, I stopped at a convenience store to load up on drinks and at a “bakery” for a sandwich and a pastry for later. 
After I returned to my neat little room, I unloaded my purchases and peeled off my sweaty clothes, took a shower, and lay on the bed for a nap. It was a good day, all in all. Later I got up and did some writing on my book, then went to sleep again. Life in a little hotel in Beijing. 

Next time: The Adventure Begins!


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(C) Copyright 2010-2015 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.