27 March 2014

What would you pay for a good Ebook?

Many of us think nothing of spending $10 to $15 per ticket to enjoy a movie for a couple hours. 

How about spending that amount on a book which will likely entertain you for many more hours?



As a discussion topic among authors, the pricing of ebooks is near the top of the list.


How much to sell an ebook for? After all, it has no paper, no physical materials that need to be considered in the cost. It's just text - mere words on a screen. Words don't cost anything, after all. Unless you put them into a book made of paper, such as a dictionary - or a novel. So the actual cost to a reader is only whatever time and skills were needed to put all those many words into a certain arrangement to tell a story or present other kinds of information.

So what is that time and skill set worth?

Time is, of course, worth at least "minimum wage" - currently $7.25 per hour. How many hours does it take to write, say, a 300 page novel? First rough draft? A thorough going-over of a subsequent draft? A full edit? The skill set necessary to write a book may be innate, may be pure talent from God, or it may be the result of years of training, probably at the cost of classes, tuition, and craft books read. More likely a combination. How do you put a price on that?

Some people may argue that the quality of the writing should determine the price. Or the length of the book. Both are true. Who would pay more for a book full of editing and formatting problems? (But what if the story is still compelling despite its technical issues?) It makes sense that if a 200-page book sells for $1.99 then a 400-page book should sell for $3.99 - unless the second 200 pages is not very interesting, of course. Or is that latter portion of pages simply a risk the buyer must take?

How about a children's book then? The text may be rather rudimentary, nothing demanding a high level of education, no fancy $20 words. The writing may not be very sophisticated or require any research. It may, however, include graphics - which would bring an artist into the cost/price equation. However, even a true "chapter book" (and most adult books, as well) has certain elements which must be considered in pricing, such as:

The plot. Where does a story come from? How does a writer invent such things? How does a writer arrange the telling of the story to create suspense, conflict, humor, tension, resolution, denouement? It's all imagination, right? And imagination is like ...air: it's free to everyone. So why pay someone for his or her imagination? Thanks, author, but it's not like you really did any work, no heavy lifting; you just thought for a while.

Characterization. Every story is told not by an author but by an invented person. Such characters may be based on real people or totally made-up, or be a combination. Does the real person who originated a fictional character get any share of the price? If a character is based on a real person then it's not actually invented, hence, it should be free. Right?

Action and dialog. Fist fights and car chases, the stuff of excitement, of entertainment. We can see them for free on television anyway. And in the greater scheme of writing, dialog is also considered action, just as much as a fist fight or a car chase. If the author overhears two people talking, say, at a Starbucks one afternoon, and writes that conversation as part of the story, do those speakers get a well-deserved portion of the price? What if the author changes some of that original conversation?

Setting. Sometimes it's the first, sometimes the last thing we think of in a story. Surely some stories would not exist if they were placed in a different setting, a different time and place. If the author went to such a place and looked around to get a feel for the landscape, the mood of the city, to see the way the cliffs actually crumbled down into the sea that our fictional hero must dive into - is that part of the cost? Is it the same, cost-wise, as attending a professional conference to perhaps hear what other authors have to say about writing?

Editing. Finally, we have something a bit more tangible in regard to the pricing of an ebook. Someone is actually hired to read and fix whatever problems may exist in the text, whether large such as organization or continuity, or small such as correcting typos or a grammar glitch. It's nothing against the author when something needs to be corrected - unless the author is also acting as editor. However, when a second person is employed, there is a real cost to be factored into the pricing of the book, even an ebook.

Artwork. Children's books rely on art but so do adult books, even ebooks. They all have a cover and most have cover art. It seems the cover does provide value to the story itself. People do judge a book by its cover. Many a book has been purchased, I would guess, because of the attractive cover. Therefore, authors have always been advised to pay well for competent artists to create enticing images to attract readers. More costs to factor in!

In the final analysis, we can easily see that there are actual costs for the editor and the artist which must be accounted for in what the author spends on producing the book. The author is due something, as well. The publishing venue, such as Amazon's Kindle Direct Publishing, may also have criteria the author must follow when determining the price of an ebook. But how much? In the marketing business, selling a high volume of a product will usually cause its price to be reduced. Cost savings. Simple supply and demand, right? However, in the book business, well-known authors begin with high prices. Lesser known authors begin with lower prices. And some ebook sites will actually raise the price if there is more demand for a book, completely defeating the principles I learned in Economics 101.



Questions still abound.

How much do you think an ebook should cost? Does it matter what genre it is? How about the length? Does the first few pages (usually available for preview) determine the price for the whole book? Should the use of graphics in the book (number and quality of images) affect the price?

What if the author used an expensive marketing service? Would that warrant a higher price? Would you accept a higher price if you knew the author employed an editor, artist, and a marketing service? Does the cover art matter for ebooks? for the price of ebooks?

Would you pay more for a well-known author’s ebook? Should the price of an ebook correlate to the day of the week, the month, or the holiday season in which it is launched? What is the highest price you have paid for an ebook? What is the highest price you are willing to pay for an ebook, and what conditions would be necessary for you to pay that higher price?

Authors want to know. We want to provide the best value for your dollar but we also want to feed our children. (Sure, most authors have day jobs for feeding the children but the principle still applies.) There is a fair price in there somewhere. 

Please share your thoughts.



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 (C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

24 March 2014

The Spring Break Reading That Got Away!

You had the best of intentions. You downloaded some books, promised to read them, and then Life ...or assorted or sordid Spring Break activities somehow got in the way!


We understand.


Or perhaps you had the best intentions of getting into some exciting new reading but did not get to download the books before leaving for your Spring Break venue.


We still understand.

No problem! 

Books

like all the particles and elements in the universe, will always exist!

It's NOT too late to catch up on your spring reading!


At the beach or at the pool or in bed late at night, here's my recommended list of readables (most are available in both Kindle and paperback versions but [wink] we know you want to take them with you on a small portable device, right?):


THE DREAM LAND Trilogy

If you have cravings for a genre-mashing epic of interdimensional intrigue, two geeky lovers, two worlds, a cast of millions, steam-powered cars and airships, cruel overlords and cheap drugs, exoskeletons and jungle girls, rogue cops and war rabbits, ancient history and modern science, a sleepy planet and a fatal comet, then perhaps The Dream Land trilogy would be an excellent choice.

The Dream Land I "Long Distance Voyager"
Kindle or Paper 

The Dream Land II "Dreams of Future's Past"
Kindle or Paper 

The Dream Land III "Diaspora"
Kindle or Paper


AFTER ILIUM
A young man's summer trip to the ruins of ancient Ilium (Troy) is interrupted by a quick affair with an older woman...which sends him on his own Odyssey across the Turkish coast.

Kindle or Paper 

A BEAUTIFUL CHILL
An unlucky professor gets lucky but turns obsessive to keep control over the beautiful art student he picks up one dark and stormy night.

Kindle or Paper

AND CHECK OUT MY FELLOW AUTHORS AT MYRDDIN PUBLISHING!




Paranormal, Sci-Fi, Epic Fantasy, Romance, Psychological Thrillers, and Literary genres!

Both YA, New Adult, and Adult books!

All in ebook format and most also in paperback.



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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

14 March 2014

Got Spring Break Reading? Try these!

It's Spring Break Time! 

Time to break those rusty old springs and get your reading groove on!

At the beach or at the pool or in bed late at night, here's my recommended list of readables (most are available in both Kindle and paperback versions but [wink] we know you want to take them with you on a small portable device, right?):

THE DREAM LAND Trilogy is Interdimensional Travel "realistic" fantasy at its weirdest!

The Dream Land I "Long Distance Voyager"
Kindle or Paper 

The Dream Land II "Dreams of Future's Past"
Kindle or Paper 

The Dream Land III "Diaspora"
Kindle or Paper



AFTER ILIUM
A young man's summer trip to the ruins of ancient Ilium (Troy) is interrupted by a quick affair with an older woman...which sends him on his own Odyssey across the Turkish coast.

Kindle or Paper 


A BEAUTIFUL CHILL
An unlucky professor gets lucky and turns obsessive to keep control over the beautiful art student he picks up in the rain late one night.

Kindle or Paper



AND CHECK OUT MY FELLOW AUTHORS AT MYRDDIN PUBLISHING, TOO!


I will be listing these books all through the week. Check back often and stay safe!



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 (C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

09 March 2014

The I'ds of March

Well, here you go: the first blogging of March. It's the 9th and it's the day we return to Daylight Savings Time, and it's a Sunday with sunshine (at least here; sorry if not in your time zone). Such a momentous occasion. In like a lion, out like a lamb, right? The start of spring. Mid-term. Spring Break. March Madness, basketball and ordinary forms of madness. The merry month of marching: left-right-left-right about-face!



More likely, this is the month of I'd.

As in: I'd like to have something interesting to blog about.
As in: I'd prefer to have spring happening right now.
As in: I'd rather be sleeping late instead of changing clocks.
As in: I'd better be writing something and not wasting so much time online.

So, let me take a stab at those.

1. I am blogging about having nothing to blog about. Done.
2. It was or did, but now winter returned for 29 hours. More spring is promised for next week.
3. I vowed to sleep until I could sleep no more, and only then change a clock.
4. I did spend my first two hours this morning writing my new novel, so that's covered.

Am I done now? Is that enough? Blog, blog, blog, blog, blog, blog, blog!

Oh, Public Service Announcement: Read my books! They're pretty good. They will make you think. They will change your life. They will entertain you so much you will forget to go to work or school, maybe forget to eat. They will be with you the rest of your life, influencing you like a mild yet effective drug. There is no antidote. 


NOW am I done blogging?

After all, I'd rather be outdoors, under the cherry blossoms, cuddling with my Beloved, sneaking kisses between lines of poetry, pinches of cake, and sips of wine. 

It's the I'ds of March, isn't it?



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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

28 February 2014

The Top 10 Reasons to Make a Top 10 List

How to make a Top 10 List in 10 easy steps!

They're all the rage these days: the lists, the numbers, the numbered lists, and all the advice given out in the form of lists of 10 or 7 or 5 or 3 things you need to know about anything, absolutely anything at all! 

Here are the 10 steps to making a Top 10 List:

1. Type the number 1.
2. Type one example of your idea, or whatever you want to make a list about.
3. Add more numbers and more items until you have compiled ten of them.
4. Arrange in order of most important to least important, or, if you wish, put them in reverse order.
5. Go have lunch, or, in the alternative, a drink of your favorite beverage.
6. Review the list; edit, proofread as necessary.
7. Take a nap. In the alternative, daydream.
8. Practice reading your list aloud; if bored, use a voice with a foreign accent or a cartoon character.
9. Run spellchecker; or, if you choose, start the entire project over from scratch.
10. Sit back and admire your list. If flexible enough, pat yourself on the back.

Seems easy enough, right? Anyone can do it. The beauty of such lists, of course, is their flexibility. Say it with me: Flex-I-Bil-I-Ty! Stay flexible. Anticipate changes. Embrace alternatives. Reward yourself for absolutely anything you can. And always count to 10 before and after making such a list.



Lists of 10 are useful for many different things. For example, steps to do something.

To demonstrate (etymology: "to strut like a demon") the process, I shall construct a list of the 10 steps I go through when I am writing a novel. I choose this topic because it's one of the few things I actually know how to do. Also, I was thinking of it recently as I began a new novel.

I spend a lot of time teaching the Writing Process and reinforcing the Writing Process for multitudes of college students who worship my model of the Writing Process, especially for its flexibility and all of the fun diversions that are de rigueur in any true process.

This is the usual pattern I have discerned from hindsight:

1. Get idea, write for fun, see where it goes.

Usually it's something I read, hear about, or a life experience that gives me the idea that something may make a good story, hence I should write a novel about it. For example, AFTER ILIUM began in a Classical Rhetoric class where we studied the Encomium of Helen, a speech in support of Helen being a victim and not a co-conspirator in the Trojan War instigation. So I thought: Wouldn't it be weird if a guy named Parris met a woman named Helen today on the way to Troy? A BEAUTIFUL CHILL began with my actual experiences on campus, then turned into a what-if kind of scenario.

2. If it goes somewhere, keep going, form longer idea.

Like the step states, I write and see if it goes anywhere. A fruitful idea will go and go and never stop until I just plain get tired of typing. A weak idea will usually run out of steam rather quickly; then I'll dismiss it.

3. Pause to research, write a little.

Eventually I'll get to a point where I cannot write further without checking some facts, doing some research, making sure I'm on the right track. So I'll pause in writing to do that research. I'll continue writing, of course, but usually in smaller portions and with longer intervals between the writing sessions.

4. Repeat step 3.

Yes, I do repeat that step. Because it's an important step. I cannot write if I do not know what I'm writing about, so in this stage I am switching back and forth often between the researching and the writing. While working on THE DREAM LAND III, which involved a comet's approach and a planet-wide evacuation plan, I researched spacecraft requirements, life-support systems, astronomy and inhabitable planets, and naturally comets, all rather extensively...and continued to write pages between the researching.

5. Write longer portions using research.

After sufficient research has been done and the relevant knowledge incorporated, I'm able to writing in more extended sessions because I now know the details. I still might pause to check some facts.

6. Keep going until done.

Now comes the long haul of writing. Writing sprints are helpful. Also helpful is no distractions or disturbances or poor health. On a good day I can write forever. It's fun and I am reading a new story as quickly as I am typing it out.

7. Edit.

Yes, I usually edit a bit as I go; each writing session I edit the previous portion of text as a warm-up to the fresh composition. But here, in this step, I do a serious deep edit from start to finish. Much rewriting may occur, including cuts to some "darlings" and additional text added.

8. Research, check everything for technical correctness.

In this step I tend to get a little paranoid, worried that some expert somewhere may read my book and shake his/her head at the facts I present. So I recheck crucial data, facts, and information--just to be sure. Also, sometimes new questions arise in the writing and so I return to research late in the process. This is also where I check for technical consistency. If the spacecraft is designated V-77 in chapter 23 I need to also call it V-77 in chapter 29, not V-75.

9. Edit for style.

I check for the voice of characters, vocal quirks, grammar, and so on. I make sure the voice of the narrator is consistent. I play with the wording of key phrases and sentences, choosing the best word(s) for the effect I want. This is a long step involving repeated readings of the same passages.

10. Proofread.

Beyond spellchecker. I read everything with my own eyes several times...and yet I still miss things and, embarrassingly, find them at the last moment while reading a proof copy of the book. A few tips to catch such errors: 1) read aloud; you will hear what your eyes do not see; and 2) read from the last sentence forward to the first sentence, at least within each chapter; forced isolation of the sentence, taken out of the flow, helps pinpoint any flaws in syntax or grammar, as well as checking spelling and punctuation.

Then I am finished. At least with the writing! There is certainly another 10 List for publishing a book. Perhaps it has 20 items. I lose count after a while, anyway.

By the way, in my "just begun" novel A DRY PATCH OF SKIN (my "vampire" story), I am at step 3: after a good run to get the story started, I'm pausing to do research before continuing with the writing. Meanwhile, of course, I have five novels to offer you for your weekend entertainment. Please click a link in the upper right corner of this blog. Thanks! And enjoy!


Oh! I almost forgot to give you the Top 10 reasons for making a Top 10 List. Sorry for that slip. That's probably worthy of a list itself. Well, here they are, but I'm sure you'll find them quite mundane.

1. People like Top 10 lists.

2. Compartmentalizes information in an easily digestible form.
3. People can count to 10.
4. Counting creates excitement.
5. People are often bored.
6. Counting prevents boredom.
7. People hate boredom.
8. Counting gives people a sense of progression.
9. People like the word 'top'!
10. At the conclusion of a Top 10 List, people are likely to debate whether the items should be on the list.

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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

22 February 2014

What’s in a name? Sometimes, everything. (Updated)

[Note: This blog post originally appeared as a guest post on The Bitter Blog by Author Kate Bitters.]


As a kid, I never liked my name. It was too easy for other kids to deliberately mispronounce just to tease me. So once I started writing stories, I thought up several pen names to replace the name my parents had foisted upon me. However, I gave up eventually, deciding I needed to use my real name so family and friends would believe I actually wrote the books.

But the subject of names continues to impact my life, especially my writing life, and as writers know, names are important. After all, Adam was tasked with naming the flora and fauna of the Garden of Eden, and with each pronouncement, it became real. Each time we cast a label on something, we could be said to name it. And naming creates powerful associations. Our characters’ names are no different.

Perhaps not every character fiddles with his or her name; thank goodness they seldom complain. I imagine, however, that characters do what real people do, and fiddling with and changing and using just the right name is important to a lot of us. Sometimes a name is actually a crucial element of a story character's psyche, motivation, or raison-d'être.

For example, in my forthcoming novel A BEAUTIFUL CHILL, the heroine, Íris, is from Iceland and the correct Icelandic pronunciation of her name matters to her. As it turns out, her name is about all she has that is truly hers, so she firmly corrects anyone who says her name with the English pronunciation; her friends know how to say it and by that quirk she marks them as friends. “My name is Íris. Like the letter E,” she scolds the male protagonist early on. It is literally a defining moment for her: Get my name right, or we’ll have nothing to do with each other.

In another example, the young man in THE DREAM LAND trilogy who takes over from our hero is named Chucker. It's a nickname used by his mother since he was a little boy, and since he is searching for her on another world, it has meaning to him.

“What do they call you in school? Is it Chuck or Charlie?”
“Chucker is what they call me—but I hate that name. Mom was crazy naming me that. Chuck R. Tucker. The ‘R’ stands for René. Sissy name, ain’t it? That was her dad’s name. Her name was Tucker, and after she got married it was McElroy. Then she changed it back to Tucker. My dad’s name is Chuck. That’s what Grandma said. So everybody calls me Chucker Tucker—ya know, like Chuck R. Tucker?”

[See below for more on naming "alien" characters in THE DREAM LAND trilogy.]

And in the ultimate example, Alex Parris is in love with everything about the Trojan War in AFTER ILIUM. In fact, when he meets an older woman named Elena on a cruise ship bound for Turkey, where he will tour the ruins of Ilium, he cannot help but imagine himself as young Paris carrying off his prized Helen to the storied walls of Ilium. That name association is the start of a whole lot of trouble for Alex.

So let me suggest, when you select a character’s name—whether it’s some common Anglo-Saxon name, a Biblical name, or something Chinese, Indian, or Slavic, perhaps—keep in mind the associations the name itself may have. Think about how the character carries his or her name. How picky is your character about how the name is used? Also, what nicknames may ensue. How do they react to other people using or misusing their names? Names become another element, another layer, of a character’s identity.

Because what is a name but a marker of identity, a proof of existence, and for a fictional persona brought magically to life in the pages of a story, existence is everything.


My fellow Myrddin author, Connie J. Jasperson, has a lovely blog post about naming characters, too--which prompted me to repost mine again but with the following update.

In the trilogy THE DREAM LAND, part of the story is set on another world called Ghoupallesz by the dominant ethnic group. Faced with "people" of another culture, I invented a system for names early on. This went part and parcel with inventing the language they would use, including a complete lexicon and a complex grammar. Granted, this is not a fun project for most people, only a little better for science fiction authors, but a pure heavenly delight for Yours Truly. After all, I have some background in the structure of language, having studied linguistics to the edge of madness. But I digress....

Generally, I followed these rules:

1. Male names end with consonants (ostensibly because they are tough) and female names always end with a vowel (again, because the culture perceives females as untough). I'm sure to get complaints about this stereotyping, but I am not depicting a perfect or ideal society so much as I am depicting a society where stereotyping also exists. In my favor, however, the "untough" females demonstrate time and time again how tough they can be.

So the common Gotankan name Latol (male) and Latola (female) or Metour and Metoura are good examples. Not every name has a male and female equivalent; some are only male and some are only female, for example: Dassex is only male and Gouo (pronounced "Goo-oh") is only female.

As for the names themselves, I followed the rule of "no more than 2 consonant phonemes in a row." And I use diphthongs liberally (i.e., two vowel sounds that are merged, as in the o and u of Metour). Author's insider tip: The names were created purely by how they sound: Sam, a common easy-going name, becomes Samot; Aaron becomes Aroun; and Aisa (pronounced "EYE-za") is merely a misspelling of Asia. By the way, Metour is, in my head, the equivalent of Michael, for anyone who is counting.

2. I also used derivatives. That is, the formal name and its likely short forms. For example, the common southern Sekuatean female name Sitsou is often shortened to Soso. (Tolstoy and all Russian authors would appreciate this feature; their novels also use a long list of name variations.) 

One major character in Book II is from the ethnic group Danid and her formal name would be Abarasa. At one point, she explains to her lover about names, different names for different situations (and the whole point of doing this as an author is simply to give it all a more realistic feel--because we do the same thing in our own language):

“My name is Basura,” she replied. “Because you are my intimate friend, you may call me Basii from now on. After we copulate you may call me Bai when we are alone.”

3. Family names were generally taken from places of origin or primary ancestral traits, just as we do/did with English names. For example, Smith comes from the occupation blacksmith.

Our hero's sidekick, Aroun-de-Sotos takes his name from his place of origin: The South. And the Sekuatean generals Tatandellus and Brounadar also take their family names from where their families originated.

4. A common pattern of name structure must be adhered to in order to approximate realism. In other words, just as Johnson and Jackson both use -son to indicate the father's name has become a surname, I also used a similar "clue" in naming names.

In Book III, our heroine meets a Jepolissan man, a fellow scientist named Vazak-Mixorran. In that culture, males have given names of two syllables. Later she meets one of his polyamorous ex-wives, Zif-Exorran. Females have given names of a single syllable. But notice the similarity of the endings of their family names: -orran. The explanation is simple: -orran means 'offspring of' --thus, Vazak's female parent was Mix while Zif's female parent was Ex. In Jepolissan culture surnames are based on the mother's name, not the father's--which would make sense where polyamory was common: children would know their mother better than their father.

Similarly, the Ghoupalle naming custom follows this protocol: The first-born child receives the surname of the father. The surname given to each subsequent child, regardless of sex, alternates between father's and mother's surnames. 

Therefore, the first-born child of our hero, Set-d'Elous and his wife Zaura-Matousz, is Aisa-d'Elous, a daughter. The children who followed in their lifetime together were: Set-Matousz (male), Basha-d'Elous (female), Dunas-Matousz (male), and Seaso-d'Elous (female). The exception is when Zaura thinks her husband is dead and marries another man and has a son named Samot-Fredin (male), taking the surname of the new husband--who soon dies, poor chap. Discovering Set-d'Elous alive and returned to her, they resumed having children, picking up the naming protocol where they left off.

5. Following the custom (which I invented, albeit with some assistance from a tiny muse perched in my ear), the given name is joined by a hyphen to the family name. Thus: Set-d'Elous --literally, Set the Great. This is explained in our hero's journal entry in Book I:

           39th cavalry regiment and Yours Truly singled out for special awards; given distinguished title of “d’Elous” (the Great). They’re joking but I like it, think I’ll keep it. New name on Ghoupallesz: Set-d’Elous. 

Author's insider tip: d'Elous is a corruption of the word 'illustrious'--redrafted as 'great'!

And so you can easily see how much joy can be found among linguistic conventions of naming practices. There are, of course, only 24 hours in a day and seven days in a week, but surely some of those can be occupied pleasantly enough in the invention of alien customs. Give it a try. I strongly recommend it.

To check it all out for yourself, I welcome you to read THE DREAM LAND trilogy in either paperback or on Kindle. (Click the links in the upper-right corner of this blog.)




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(C) Copyright 2010-2014 by Stephen M. Swartz. All Rights Reserved. No part of this blog, whether text or image, may be used without me giving you written permission, except for brief excerpts that are accompanied by a link to this entire blog. Violators shall be written into novels as characters who are killed off. Serious violators shall be identified and dealt with according to the laws of the United States of America.

11 February 2014

When was your Beautiful Chill?



You know that Valentine thing coming up? Roses and chocolates, the usual? Red velvet cards and whispered sweet nothings.... Time to express your love to someone you hope will be happy to hear all about it.... 


This is probably the perfect time to introduce my newest novel, A BEAUTIFUL CHILL, available now in paperback and ebook editions...just in time for Valentine's Day!

It's a romance, after all. Well, sorta. People fall in love, don't they? Meh, maybe. They live happily ever after, right? Umm, kinda. So it's not really a "romance" - is it? More of an anti-romance, perhaps. Let's just say this is not your grandmother's campus romance.



Of course, the campus romance is certainly one of the most popular fiction subjects, more so if they involve the forbidden pairing of a professor and a student. Lots of room for sexy scenes and tempestuous trouble! Some have complained that the power is always with the man, or always with the professor. 

That may be true in many cases. But, forgetting for a moment which person may be older or in a position of authority, consider who really has the power in such a relationship, especially in this topsy-turvy world of gender politics and the casual mind games that can be cleverly hidden between sessions of Studio Art and Shakespeare classes!

So here is Íris, a refugee from an abusive youth in Iceland and further abused on the streets of Toronto - until she discovers Art and uses it as an escape. Now, with a scholarship in hand, she drifts from depression to nightmare to her Wiccan rituals to the next art exhibit. But there's still a lot she must forget in order to succeed in a life she refuses to take responsibility for. Time is running out as she nears graduation.

One night she crosses paths with Eric, the new professor, settling in at Fairmont College, starting a new life after previous betrayal and heartbreak. Divorced and hitting forty, he has a lot to prove - to his father, his colleagues, and mostly to himself. The last thing he needs is a distraction - and there's nothing more distracting than Iris. Besides, being the consummate Romantic by training and by temperament, he must always save the damsel - whether or not she wants to be saved.


A BEAUTIFUL CHILL - the moment when past and present dangerously collide - is a contemporary "romance" set in the duplicitous world of academic rules and artistic license - much in the same vein as Francine Prose's campus dalliance in Blue Angel and Elizabeth Rosner's artist/muse elegy Blue Nude. A BEAUTIFUL CHILL is a novel about choices, empowerment, and redemption. 

You can read more about this novel at Shelfari.com


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